The Photographer’s Field Guide to Creative Control — Free DownloadLensCulture EditorsEnjoy more great photography:Exclusion ZoneIn-Vitro Fertilization, PalestineMaking Pictures of PeopleWhat’s in a FaceBest of July 2018: Deadlines for Competitions, Grants, Festivals and MoreIntroducing FullBleed: Short Photographic Art Documentaries

Tides of LifeJim CasperEnjoy more great photography:A Common StoryLosing Face: Inside the Fall of South Korea’s PresidentFrom Concept to Cover Image: Behind the Scenes at The New York Times MagazineTypologie du Virtuel: France Through the Eyes of Google EarthBuriedRedheaded PeckerwoodRiver taxiHand in handWash away the dayLimbs at workThe weight of the dayRed darfDon’t drop the soapFerry talesBridge of burdensThe Human conveyor

NirvanaDaesung LeeEnjoy more great photography:The Bluebells Beside Us UnnoticedThe Hereditary EstateSearching for the Same LightOrdinary Things Will Be Signs For UsAlaga and Filipina NanniesFrom Concept to Cover Image: Behind the Scenes at The New York Times Magazine”Even if I had ten hands, it wouldn’t be enough.”:

Most married women at that time were in charge of all household duties while living with three generations in one home. Cleaning, laundry, and preparing meals for the extended family were all the mother’s responsibility.Transparent Shoes:
“Mom, what are these transparent shoes?”

”Oh, those? They’re foot bath shoes. When my feet are cold, I wear and fill them with warm water.”
My mother gave me a birth at home, not in a hospital and she didn’t receive any proper care after. She said that something must have gone wrong then. Because, ever since, her feet always have been cold.My mother lives in the countryside and grows vegetables in a small garden.
One day, she said, “Perhaps this is the first time I’ve ever done something just for myself.”
So many women of her time lived not for themselves, but as wives, as mothers- always doing for someone else.Nam-hae Funeral Home calendar:
At some point, a promotional calendar from a funeral home started hanging in my parents’ house. And every year, around the end of the year, a new calendar would be delivered.Nirvana:
Someday, the day will come when the bond between my mother and me comes to an end. Whether we meet again in the next life, or if my mother enters Nirvana and we part forever, I hope she will live a happier life than now… Good bye, Mom.

Baileys Test Tuesday 2025 November 04Bailey CosierEnjoy more great photography:SilhouettesPrix Pictet 2008: WaterSprings
and
SwampsSanta BarbaraEntre NubesBlack and White Photography — 14 Favorites from 2014

Photos from LensCulture Exhibition at Leica, New YorkLensCulture EditorsEnjoy more great photography:Songbook“You don’t look Native to me”Her-storyCalais: 10 Years From Jungle to CityPhotos-Souvenirs (version francais)Worry for the Fruit the Birds Won’t EatWinning photographers, Scott Rossi and Morganne BouldenDiscovery of the Year Photographer, Morganne BouldenLensCulture Co-Founder and Creative Director, Laura Sackett (left) and Editorial Assistant, Alyssa Monte (right)LensCulture Co-Founder and Creative Director, Laura Sackett (right) and Leica Gallery Director, Michael Foley (left)Hi-res upload

testErgo ServEnjoy more great photography:Mindsuckers: Brain-Controlling ParasitesInterview with Malick SidibéFrozen Are the Winds of TimePastoral: Moscow SuburbsBest of August 2018: Deadlines for Competitions, Grants, Festivals and MoreCOVID-19 Resources for Photographers

test photo sizeNicolae TirdeaEnjoy more great photography:Between Grief and Nothing: The Nepal Earthquake Seen Through DreamsArtiseverywhereWe Gave You Forgiveness… (You Kept the Krugerrands)Lands of No-ReturnMiss PresidentIlluminate Naturally in Darknesstest

Test articleNicolae TirdeaEnjoy more great photography:Lens Culture FotoFest Paris 2010: <br>160+ Photographers from 32 CountriesThe Stirring of Change in MogadishuWhere the Edges Vanish: Arizona Desert LandscapesCity Landscapes 2014/2015Without WatersmaraNa: a recollectiontest

The luxury brand is working with image-makers to create a new approach to travel photography that conveys subjective experiences over commercial work
The post All aboard! Legendary hotel and trains company Belmond supports new photography appeared first on 1854 Photography.

Portrait of Britain returns with a shortlist of 200 photographs reflecting a nation caught between change and continuity.
The post Community Everywhere: Portrait of Britain Vol. 8 appeared first on 1854 Photography.

The South London-based Moroccan photographer spent time in Marrakech’s barbershops, photographing its young men
The post What do hairstyles reveal about Moroccan youth? Zaineb Abelque investigates appeared first on 1854 Photography.

The twin brothers are working on a long-term book project reimagining a homeland rooted in Black beauty and belonging
The post Jalan and Jibril Durimel are building a fictional republic in the tropics appeared first on 1854 Photography.

I Still Dream of Lost Vocabularies invites new perspectives on social histories through mixed-media image making
The post A new show at Autograph examines the power and legacy of collage as a creative act appeared first on 1854 Photography.

The almost two decades-old photo book is revisited to extend the conversation about a community facing erasure
The post Andrew Miksys reissues BAXT, a documentation of the Roma community in Lithuania appeared first on 1854 Photography.

Discover the world through the lenses of Takashi Arai, Marina Caneve, Tom Fecht and Laetitia Vançon – finalists of this year’s Prix Pictet award, each offering a distinct interpretation of the theme Storm.
The post Storm – four takes on photography’s leading sustainability prize appeared first on 1854 Photography.

Founded in 2013 and with new director Katy Barron in charge, biennial international photography festival Photo Oxford returns with a theme that aims for both inclusivity and depth
The post Facets of truth as Photo Oxford opens appeared first on 1854 Photography.

Julien Langendorff, Spell Rider The roots of cosmic occultism stretch back as far in time as humans have been able to communicate. There is a hermetic order to the universe that has bewildered and engaged the species, giving license to conjecture, theory, and spiritual whim that exceed what lies before our faces. It is a […]

  I am trying to equip my early-morning brain with enough reference points to connect the dots in Marie Quéau’s book Le Royaume (Area Books). I should have been better prepared, as I have seen variations of work over the past decade and have been anticipating its release for some time. As I brood over […]

Growing up in the 90s, transgression in art, as far as I understood, stemmed from the oppressive neoliberalist tendencies carried over from the 80s. Degrees of Thatcherism and Reaganism haunted the landscape of artistry, alongside many questions arising from social issues concerning the body. Gay rights and the grappling of feminism, and more essentially, its […]

Reflecting on the motif of painting with a title. One of the soft critiques I have of the book is that, despite its holistic considerations and the fundamental declarations of artist and publisher working closely together to create a special object, the title leaves something less than imaginable. It is somewhat self-referential regarding the artist’s […]

  What strikes me as an interesting premise in Florian Merdes’s book Steamcracker is the enforced myopic rendering of details and patterns, which turns the book and its intense sequences into something minutely chaotic. There is a world underneath the surface of things, a rhythm and a dedication to line that emanates in Florian’s book. […]

In 1870-1871, during the siege of Paris, better known as the Paris Commune, several ingenious actions were carried out throughout the year to continue the communards’ defense first against the Prussians, then the Thiers government, which sought to suppress the resistance within the heart of Paris. Both of these actions were the result of harnessing […]

There is a small number of essential photobooks that explore the concept of artistic process/practice and performance. Most recently, I have found myself thumbing through Joseph Beuys: Coyote, by Caroline Tisdall (Schirmer/Mosel, 1976), which features photographs of Beuys’ legendary 1974 performance, I Like America and America Likes Me. The performance, arguably Beuys’ most well-known, next to How to […]

The black-and-white photograph is framed so that most of it is taken up by a high fence made of wooden slats. Our vantage point, just as that of the photographer…

I say: Whatever you do, as artists, be brave. But he says: This is not my world. Together, these catchphrases denote the content we fell into in the midst of…

Often in the evening, when everything is quiet and all the movement around me has died down, I look towards one of my living room walls. It took some time…

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori….

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely…