Photon News

Horses, dust, strength and spectacle collide in Todd Antony’s visceral portrait of Buzkashi, Tajikistan’s ancient and fiercely contested national tradition.

Twenty international artists working with archival images come together to form a polyphonic reinterpretation of history, drawing out stories of belonging and identity that resist colonial-era narratives.

Beneath Bermuda’s image of paradise, Nicola Muirhead uncovers a complex inheritance of slavery, migration, resilience and community carried across generations.

A political exile from Belarus, Sasha Velichko uses uncanny staged photography and AI-generated visuals to tell the buried stories of everyday violence enacted by the dictatorship of her home country.

Following a group of Ukrainians who fled the war to Bratislava, this collection of portraits balance sadness and humor to explore what it’s like to start a new life over the age of 60.

What does it mean to “not work” when your days are consumed by keeping a family and household together? Olga Steinepreis answers with wit, surrealism and a camera.

L’Artiere Edizioni’s Gianluca Gamberini talks about collaboration, experimentation and the magic of transforming a body of photographs into a book with a life of its own.

Looking for the best photography podcasts? These 11 standout shows bring you closer to the photographers, ideas and stories shaping the medium today.

I have come to see barns, grain silos, and other simple rural structures less as buildings than as sculptural forms set within the landscape. What holds my attention is the way they interact with the space around them—how the structure can sharpen the landscape, and the landscape can sharpen the structure.

Hidden in the shadow of supermarkets, shopping centres, and administrative buildings, Le Jardin du Lunch is a Belgian restaurant chain. When I was a child, my father would take me there for lunch every other Saturday. At the time, I thought of it as an old-fashioned place. Expectations were modest, the food seemed to compete with what was served in my school canteen, and the atmosphere sometimes felt like a day-care centre for elderly people….

My work begins with curiosity: about people, about what is not immediately visible, and about the fragile states that exist between certainty and uncertainty. I am less interested in describing a subject than in creating an atmosphere in which something can be sensed without being fully explained.

Few natural phenomena engage us as profoundly—as viscerally—as waterscapes. They are, all at once, visual, physical, psychological, emotional, and acoustic experiences. We do not merely see the waterfall or the sea surf—we hear and feel them.

Throughout the diverse projects that punctuate my work, there is a common thread: the exploration of relationships and physicality. This is expressed through photography and writing, but also through sound installations, performances, and videos, which have appeared more regularly in my work in recent years.

Towards the end of the nineteenth century, the gold rush transformed Johannesburg from a mining camp into a rapidly expanding city of stone and stucco. From its earliest development, the city was shaped by colonial planning and, later, by the systematic policies of apartheid.

A deeply personal photographic journey through love, motherhood, memory, and the passage of time, Christl Exelmans’ Overlapping Days captures the quiet transformations of family life and the fragile beauty of moments destined to disappear.

The sea is home to an extraordinary diversity of life, but it is also a workplace. Behind our understanding of the oceans are scientists, technicians, and other professionals whose work often remains invisible to the general public. Their contribution is essential to observing, understanding, and protecting a fragile environment.

To you, Beni Bischof may be a monster. To others, he is an unofficial unsyndicated scribe for the madness of the last half-century of consumer hell that we wade through. They drew first Blood; it wasn’t me. To give context to Bishof’s sprawling and prolific practice from the outside would be an exercise in deep-fried […]

In full declaration, as a fan of all parties involved, I hereby cannot deny my overwhelming urge to state that this book, in the canon of Raymond J. Meeks Esq., is hitherto unnecessary, but welcomed nonetheless. It is a compilation of misses, outtakes, and the unloved and weeded-out, minus one image of an alabaster girl […]

I was fortunate enough to interview Steven Shearer a few years ago for his exhibition at the Brant Foundation. Their publicity team had reached out to ASX, and I was perplexed that they found us, given how most of our reviewing happens predominantly within the realm of photography, with some emphasis on painting and video […]

If you grew up in a certain period, some of your first experiences with counterculture were inspired by the genius cover artwork of albums by various punk bands, notably Black Flag, by what appeared to be a deranged cartoon columnist. I vividly remember ducking in and out of head/record shops in the Midwest growing up […]

The Balkans are very hard to describe. Though I have spent an inordinate amount of time in Greece, mostly in its capital, having traveled through the Balkans to get there, I remember a sense of something enigmatic, misty, and compelling as we traveled to and from Greece. I remember thinking about it all on a […]

Toxic typology or cultural analysis of Swiss Agro-society, you be the judges. Either way, these little uns gunna smoke these here heaters until the cows come home. There is an amazing history of smoking in photography that Lucy Sante first cottoned onto sometime in the early 2000s with her book No Smoking. Several other smoking […]

Sure, why not? Technically speaking, or at least relatively speaking, this is a kindly trove of American sculpture, itinerant in feel, something like an archaeological project that hints at Irving Penn, Avedon, and the side of Walker Evans people like to speak about ad infinitum as if we were all to marvel at the notion […]

Street photography has always appealed to me because of its ability to visually document everyday life without a predetermined script. When I began taking a more serious interest in the…

“The modern art world can be divided into two groups: Izabella Barta and everyone else” – thus Helen Mirren, playing a television host, opens the mockumentary Waiting for the Artist,…

My first encounter with Ana Opalić’s work was not a direct encounter with her photography. As a child, I heard a story about an old maple tree in front of…

The black-and-white photograph is framed so that most of it is taken up by a high fence made of wooden slats. Our vantage point, just as that of the photographer…

I say: Whatever you do, as artists, be brave. But he says: This is not my world. Together, these catchphrases denote the content we fell into in the midst of…

Often in the evening, when everything is quiet and all the movement around me has died down, I look towards one of my living room walls. It took some time…

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori….

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either…