Photon News

In honor of Pride Month, we are highlighting a handful of features that are rooted in identity, queerness, and self expression.

A conversation with Sam Ferris about atmospheric street photography, urban solitude, and how light transforms ordinary city scenes into extraordinary moments.

Using a hand-held mirror, and his very sharp eyes, photographer Stefan Falke allows us to see street scenes from New York we’ve never seen before.

These street photographs all express a playful sensitivity to visual ideas echoed in momentary scenes.

Camera in hand, Swiss photographer Matthias Forster sets out to find moments of tension, surprise, and humor in the landscapes we often overlook.

Through layered composites of landscapes, negatives, and organic forms, Stephanie O’Connor creates chimeric images that blur boundaries between self and other — capturing the uncanny sensations of pregnancy, where cellular exchange creates lasting biological connections.

Candid photographs of people taking short breaks far from the chaos of the bustling urban activity in Taipei’s Wanhua District.

In striking and luminous black and white images, Francisco Gonzalez Camacho conjures landscapes alive in transformation to reflect the experience of rerooting in another country.

We live in a world filled with constant explosions of strong opinions, biases, fears, and energy. In this chaos, nothing feels entirely safe. We are tightly packed together, surrounded by unpredictable eruptions in every direction.

Dodho Magazine partnered with GuruShots “The World’s Greatest Photo Game” in two photo challenge contests titled “Photogenic” and “Mostly White” Over 100,000 photos were submitted. GuruShots is a platform for people who love taking photos.

Flowers of the Soul is one of several photographic projects that form part of my artistic research devoted to nature, a fundamental and enduring element of my creative practice. For me, the natural world has always represented not only an inexhaustible source of aesthetic inspiration but also a place for reflection and investigation into the relationship between human beings, time, and the transformation of matter.

I lived in Ireland for two years, during which time I traveled as much as I could, from Galway to Donegal and Dublin to Cork. While there, I fell in love with every part of Ireland. There is something about Ireland that gets into your bones, something many Irish people have spoken about.

This work is a sequence of perceptual states in which form is not stable but in continuous transformation. It is not constructed around subjects or narrative situations, but around conditions of visibility. The images emerge as events of perception: surfaces, reflections, fragments of light, and shadow that appear without stabilizing into fixed meaning.

“Sylvan Weaves” approaches trees not as scenery, but as fellow beings: resilient presences whose trunks, roots and branchwork seem to remember, endure and respond. The series begins with threshold and entry, drawing the viewer into a forest that is less a backdrop than a field of encounter.

From Within is an ongoing series of nocturnal photographs made across Auckland, Aotearoa. The series looks closely at life growing up in Auckland, particularly in South Auckland, home to large Pasifika and Māori communities.

Steps Without Music emerges as an emotional choreography of memory, in which the body becomes a fragile archive of unfulfilled dreams, absences, and unrealized possibilities. There are desires that continue to inhabit us long after time has removed them from reality.

A field guide in parts, an attempt at shorthand analysis. Places, not much else needs to be said when so much has already been said. The strong presence of Guido Guidi, as if you were to take his large-format images of Cesena and use a 35mm camera to catch some of his shadow work. A […]

The ideas of usefulness and aesthetic appearance often come into conflict over time in architecture. Decay, cracks, erosion, and palimpsests of change clash and defy our natural sense of wholeness when we look at buildings that have persisted over decades, if not centuries. I am thinking particularly of 19th and early 20th-century buildings, those that […]

Slightly enamored with the idea of architecture in photography, a clear use of terms that suggests photography to be the primary category of assessment over architecture, I have found myself leafing through books devoted to Hélène Binet, Joachim Brohm, Andrea Gehrke, Lucien Hervé, Karl-Hugo Schmölz, and others who have made architecture a central subject matter […]

Everything feels perched at the precipice of dissolution. Stifled, held in a listless and ambulatory state as the world, governed by men in search of machines, asks us to forgo the rampant onslaught of civil rights, of disagreeable concerns concerning the future, for the contrarily stale epiphany of the Great Progress, a pogrom in silhouette. […]

There has been a recent uptick in books devoted to the biographies and writings of photographers, and I am very excited about it. I wanted to share a couple of thoughts on it all. Sultan’s Water Over Thunder, published recently by MACK, includes many personal notes, anecdotes, archival letters, and ephemera from the artist’s oeuvre. It is […]

Throughout the 1990s, there was a distinct emphasis on the body and its decline. Work produced during the 90s, whether from the aids crisis or the ideological shift away from the Catholic church toward an atheistic and bodily autonomy, signaled a visceral approach to photography. The documentary Vile Bodies (1999), produced by Chris Townsend and […]

There are still true eccentrics with exceptional ability out in this world, navigating the trenches of culture, unashamed to live life as art, and art as life. These characters are often characterized by a performative lifestyle that echoes the bohemian notions of 20th-century living. I revel when I stumble across their work, find innumerable reasons […]

My first encounter with Ana Opalić’s work was not a direct encounter with her photography. As a child, I heard a story about an old maple tree in front of…

The black-and-white photograph is framed so that most of it is taken up by a high fence made of wooden slats. Our vantage point, just as that of the photographer…

I say: Whatever you do, as artists, be brave. But he says: This is not my world. Together, these catchphrases denote the content we fell into in the midst of…

Often in the evening, when everything is quiet and all the movement around me has died down, I look towards one of my living room walls. It took some time…

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori….

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also…