Hungry Eye Gallery: Focus on Black & White PhotographyRoy KahmannEnjoy more great photography:Stolen LanguageA Place of Our OwnThe New Forty-NinersArmy CooksSwell: Into the VoidNegatives Are To Be StoredPhoto © William Ernult, courtesy of Hungry Eye GalleryPhoto © Nina Hauben, courtesy of Hungry Eye GalleryPhoto © Albert Watson, courtesy of Hungry Eye GalleryPhoto © Sante D’Orazio, courtesy of Hungry Eye GalleryPhoto © Sara Punt, courtesy of Hungry Eye GalleryPhoto © Schilte & Portielje, courtesy of Hungry Eye GalleryPhoto © Tomoko Nagakawa, courtesy of Hungry Eye GalleryPhoto © Tomoko Nagakawa, courtesy of Hungry Eye GalleryPhoto © Atze Haytsma, courtesy of Hungry Eye GalleryPhoto © Jonas Bjerre Poulsen, courtesy of Hungry Eye GalleryPhoto © Janus van den Eijnden, courtesy of Hungry Eye GalleryPhoto © Janus van den Eijnden, courtesy of Hungry Eye GalleryPhoto © Nina Hauben, courtesy of Hungry Eye GalleryPhoto © Asha Swillens, courtesy of Hungry Eye GalleryPhoto © , courtesy of Hungry Eye GalleryPhoto © Jasper Zwartjes, courtesy of Hungry Eye GalleryPhoto © Julia Dongstra, courtesy of Hungry Eye GalleryPhoto © , courtesy of Hungry Eye GalleryPhoto © Visseren van Leeuwen, courtesy of Hungry Eye GalleryPhoto © Vissseren van Leeuwen, courtesy of Hungry Eye Gallery

Photos from LensCulture Exhibition at Leica, New YorkLensCulture EditorsEnjoy more great photography:Announcing the Winners of the 2023 Portrait Awards!A Sense of PlaceA LairWinners! Paris Photo–Aperture Foundation PhotoBook Awards 2014International Women’s Day 2017: 30 Female Photographers to WatchLa Calle: On the Streets of MexicoWinning photographers, Scott Rossi and Morganne BouldenDiscovery of the Year Photographer, Morganne BouldenLensCulture Co-Founder and Creative Director, Laura Sackett (left) and Editorial Assistant, Alyssa Monte (right)LensCulture Co-Founder and Creative Director, Laura Sackett (right) and Leica Gallery Director, Michael Foley (left)Hi-res upload

testErgo ServEnjoy more great photography:A Cure for AnthropoceneIn and Out of FashionA Life Told with ID PhotosBeyond the ForestSoon to Be Gone: Lithuania’s Fading CountrysidePur·suit

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testAlexander IglesiasEnjoy more great photography:Identification of fruits: As a fruit farmer and breederBest of 2017: Five of Our Favorite Video InterviewsHorizon2016 LOOK3 Festival of the PhotographEnaBelongingFrom the series, “I Love It Here, I Hate It Here”From the series, “I Love It Here, I Hate It Here”From the series, “I Love It Here, I Hate It Here”From the series, “I Love It Here, I Hate It Here”

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As Paris Photo returns for its 28th edition, artistic director Anna Planas explains how the photofair is taking an expanded approach
The post What does Paris Photo 2025 have in store? appeared first on 1854 Photography.

In a time of censorship and climate denial, what is the role of photography? Now on show at V&A South Kensington alongside eleven shortlisted photographers, Alfredo Jarr reflects on feelings of hope and helplessness in the midst of environmental disaster. 
The post Alfredo Jaar wins Prix Pictet Storm appeared first on 1854 Photography.

Lines of Engagement, How Technology, Ethics and Trust Shape Photojournalism Today provided an urgent insight into the contemporary construction of visual narratives, hosted at the London College of Communication but open to all in person and online
The post Lines of Engagement with contemporary photojournalism appeared first on 1854 Photography.

The South Korean festival reaches for a new conception of the world in which humans are part of a wider, more symbiotic flow. Artistic director Emmanuelle de l’Ecotais explains
The post Daegu Photo Biennale tackles the Anthropocene appeared first on 1854 Photography.

Four young European photographers have been named laureates of Carte Blanche Students 2025
The post Carte Blanche Students 2025: Emerging European photographers take the spotlight appeared first on 1854 Photography.

Rapidly expanding across the city’s historic venues since its 2018 inception, 212 Photography Istanbul puts the focus on discovery with an enticing mix of local and international artists
The post A photo festival in Istanbul boasts a female-led festival team and a dynamic discovery approach appeared first on 1854 Photography.

At MK Gallery, Milton Keynes, Dare to Look brings together over four decades of work by the Chilean artist
The post “Letting oneself be photographed is highly courageous”: A retrospective of Paz Errázuriz’s intimate gaze appeared first on 1854 Photography.

The Austin-born artist engages with the Texas African-American Photography Archive to reveal a compelling portrait of kinship in the American South
The post Rahim Fortune paints with colour for his latest exhibition at CPW, Kingston appeared first on 1854 Photography.

  Batia Suter’s work has several substantial iterations at its heart. It stems from an understanding of volume and how images function, both in terms of their materiality and their historical context. This is most evident in her opuses Parallel Encyclopedia I and II, both published by Roma. The work that Suter makes can be […]

As if the war legacy of Dunkirk had not already been recognized as a pivotal shit eating point in its past, its charred hand to swollen coal-crusted mouth, poisoned by ethanol overload and toxic industrial habitat, history has now favored turning it from a battle-scarred historical footnote into a vast hellscape busy with killing off […]

Once on a departing flight from LAX, Mark Ruwedel glanced down from the height of his window seat and noticed a short tract of sand between the runway and the coastal highway. What stretched out below him was the El Segundo Dunes Preserve, the last remaining sand dunes in Los Angeles, still marked by the […]

Photography has always had a complicated relationship with memory. It promises to hold on to moments, but it also shows how unreliable memory really is. This tension runs through two recent photobooks by one of the most interesting Japanese photographers working today. Family of Lies (Three Books, 2024) and Tebajima (Kawazu Kikaku, 2024), by Hajime […]

Reading cities by line has become a complicated chore in 2025. There are incongruent movements on the city streets, with all manner of debris and flotsam that collude to control our vision, distorting the potential of reading the city by line and encroaching on a sense of the city and our environment as orderly, maintained, […]

While reviewing my work over the past few days, I have begun to realize the essential nature of architecture in my oeuvre, as well as in contemporary photography in general terms. I think most of this is due to its observable primacy in our environments. Buildings, structures, and other habitable (and inhabitable) objects reign over […]

  *not pictured My version of this film begins with the establishing shot in the same manner as Désirée’s. I pan over downtown Los Angeles. I try to skip the normative sunset, smog-ambitious, clichéd photographs of the city. I am not focusing on anything in particular. I am not overly concerned with landmarks, not interested […]

I say: Whatever you do, as artists, be brave. But he says: This is not my world. Together, these catchphrases denote the content we fell into in the midst of…

Often in the evening, when everything is quiet and all the movement around me has died down, I look towards one of my living room walls. It took some time…

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori….

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing…