A conversation with Luis Juárez, editor of LATAM’s first queer photography magazine, on its latest issue and collaboration with Nan Goldin
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Galerie Bene Taschen exhibit the works of Jamel Shabazz, Joseph Rodriguez and Gregory Bojorquez throughout the 1980s and 90s, documenting the genre’s rise to popularity
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With a simple glass device, the London-based Pakistani-Bengali artist turns archival photo books into sinister revelations on British colonial histories
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The New York gallery welcomes its artists to co-curate an exhibition marking three decades of work
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Dreams on the Dying Stone charts migration, labour and agriculture in a country which is grappling with a politically polarised mood
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Nimie Li’s graduate project about his mother explores his Chinese-British adolescence and poses questions around how movement effects intimacy
The post “I’m tethered to my mother, and she’s tethered to my queerness”: Nimie Li charts migration, sexuality and family appeared first on 1854 Photography.

The world’s biggest photography festival, Arles largely avoids urgent politics, but includes many interesting exhibitions around images and how we use them
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Brought up in apartheid-era South Africa, Adam Broomberg’s art has always been political and remains so in the Berlin home studio in which he lives and works
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These are postcards from the lip of a commoditized and disheveled Eden masquerading as progressive life on planet zero. These rasterized observations are the Cliff Notes to the end of natural occurrence and abundance. Everything has a place so long as it has a price or a presence deemed valuable. If it cannot be brokered […]

The fever dream that never ended. The late Christine Furuya-Gössler is one of the more complex icons in photographic history. Her face is recognizable at a distance, and numerous exhibitions and books have been made about her and her family, mostly by her husband Seiichi Furuya, a Japanese photographer living in Austria. What makes her […]

I do not believe that humans have developed a sympathetic or synergistic relationship with the cities they passionately build. Enclaves of identity, bastions of activity, cities are, in contemporary times, behemoth-like organims that must be fed, have their circulatory system, and often spread, not unlike a type of virus, slowly devouring everything that lies at […]

There is something undeniably attractive in small ideas executed with precision and clarity. In receiving Cintia Tortosa Santisteban’s new book Screenshots from a series of videos about a rice field and its surroundings (Chose Commune, 2025), I am reminded that it is often the Occam’s razor of production and concept that produces some of the […]

  I know very little about Witold Gombrowicz, let alone Witold Gombrowicz’s book, Memoirs of a Time of Immaturity. Still, upon reviewing his biography, one can’t help but find him a fascinating character. One part Jean Genet, one part Jean-Paul Sartre, Gombrowicz’s work seems to embody the twentieth century’s anxieties, both in terms of the Holocaust and […]

I think by now it is really no surprise how governments, state and corporate sponsored institutions are purposely ignoring any support for the plight of Palestinians. Their silence and complicity are nothing short of disgusting. In the face of witnessing this wholesale murder these entities cite national security and human rights but clearly in a […]

Arguably, the notion of the fragmentary is what drives our collective interrogation of photography as a medium. Photography is an unmitigated discussion regarding what is seen, how it is represented, how it is interpreted, and how the values of the meaning of images circulate, morph, and resist concrete definitions. In this, photography could be considered […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori….

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing…