LensCulture’s 2024 list of favorite photobooks highlights 34 diverse titles showcasing the personal favorites of experts around the world.

With a delicate eye for detail, color and texture, French photographer Vasantha Yogananthan’s epic interpretation of the “Ramayana” takes a painterly precision to the medium of photography.

Spanning four decades of Nigel Shafran’s personal journals, this beautiful publication interweaves his life and art to chronicle the British photographer’s loving devotion to the everyday.

In the face of growing anti-immigrant sentiment, Sachiko Saito explores the struggles of the Kurdish community of Japan — building a nuanced portrayal of her neighbors as they grapple with identity, exclusion, and cultural survival.

Bridging the past and the present, Eirini Androulaki takes the suicide letter of a Greek teacher who lived on the island of Folegandros in the early 20th century to explore themes of illness, social stigma and historical narratives.

By presenting these subjects in black and white, this series of portraits seeks to reveal the quieter side of these performers stripped of their colorful costumes and over-the-top personas.

In this brave account of a family navigating breast cancer, Anna and Jordan Rathkopf turn the camera on each other. Capturing resilience, vulnerability and the tenderness of caregiving, the book offers an honest look at how chronic illness impacts all areas of life.

This new photobook blends documentary style with magic realism, challenging perceptions of Colombia often tied to drug trafficking, and revealing complex narratives beneath surface appearances.

The renamed Camera Club of New York builds community in both photography and its local neighbourhood
The post Baxter St breaks down barriers to lens-based artists in New York appeared first on 1854 Photography.

They makeup a handful of stores that have shot to renown for sourcing rare printed matter – here, they share their favourite photo books 
The post IDEA, High Valley Books and Climax Books: the task of sourcing the rarest photo books and print ephemera appeared first on 1854 Photography.

A turbulent decade riven by social and political change, the 1980s were also fertile ground for British photography
The post At Tate Britain, a major survey on photographing Britain throughout the ’80s appeared first on 1854 Photography.

The Lebanese artist blends image-making into her multidisciplinary approach to achieve stylised 3D collages exploring memory and womanhood
The post For Yasmina Hilal, photography is just one piece of the puzzle appeared first on 1854 Photography.

The photographer reflects on her recent participation in the 1-54 Contemporary African Art Fair with Rand Al-Hadethi
The post Sara Benabdallah is capturing the kaleidoscope of Moroccan womanhood appeared first on 1854 Photography.

The Studio — Staging Desire at Autograph Gallery explores the late Nigerian photographer’s practice centred around queer expression
The post Mark Sealy on Rotimi Fani-Kayode: A 1980s Brixton studio on the frontlines of radical change appeared first on 1854 Photography.

Bronc Girls explores the unexpected way women are reclaiming bodily autonomy in the US
The post Inside the high-risk world of women bronc riders with Jennifer McCord appeared first on 1854 Photography.

The American artist tells Sarah Moroz about his latest show I, Narcissus, an exploration of self-love, at Houk Gallery
The post “Why is it bad to find beauty within yourself?”: Ron Norsworthy’s Black, queer subversion of a Greek myth appeared first on 1854 Photography.

The post Syria: The Aftermath of December 8 appeared first on Magnum Photos.

The post Damascus in the Days Following the Fall of Al-Assad appeared first on Magnum Photos.

The post Beyond the Silence, an Exhibition in Mexico appeared first on Magnum Photos.

The post Matt Black’s American Artifacts appeared first on Magnum Photos.

The post Beyond the Silence, An Exhibition in Kazakhstan appeared first on Magnum Photos.

The post Like a Blood Stain on a Handkerchief appeared first on Magnum Photos.

The post Salih Basheer’s Return to Sudan appeared first on Magnum Photos.

The post A Message on A.I. appeared first on Magnum Photos.

  I’m listening to Aphex Twin’s Selected Ambient Works Volume Two (Expanded Version), though I should be listening to the original score for Ilias’s book Forecast (Origini Edizioni, 2023, Second Edition). I apologize to Daphne Kotsiani, Y. Fotiadis, D. Joss, and I. Dimitriadis, who have added an audio piece of sculpted piano interludes that one […]

  In the realms of art, we celebrate a single act of creation. We give license to a nearly ideological pursuit of aura, a way in which we receive the act of a single creation as a roughly divine measure of human success. Yet, in photography and creating a photobook, which begs for narrative and […]

It would be hard to hand this photobook to someone in a decontextualized state and expect them to understand the modalities of ecstasy and horror that permeate the frames. In the first seventy or eighty percent of the book, figures cavort and twist and are undetermined by a common goal. They are bodies of a […]

  Recovery – Muriel Verbist by Sofie Crabbé A woman is looking at us. She stares at us. We stare back. An act we can carry out rather casually, given that we’re observing photographic portraits. The format is reminiscent of identity card photos. We see a face, shoulders, and part of an upper body. A […]

  Bharat Sikka has been on a substantial creative streak, publishing photobooks often and with high integrity and significance. I had a conversation with him about his last FW: Books titled The Sapper, a tome that explored his relationship with his father, a retired military man. One can see it as a type of collaboration, […]

This is a fascinating and unexpected title. I suspect that some people might consider it a repeat of images that circulate through Larry Clark’s opus Tulsa, and that is not a wrong way to feel about it, but what is important is how we see the periphery of images from that incredible body of work […]

  In her first book, Arbeit, Laura Bielau found monumental images of tiny things in her studio workspace. The notion of art and labor were at the fundament of the documents she produced. Everything from an empty Amazon envelope to a rubber band was magnified and challenged for their quotidian usage. Enlarged and brought into […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…