Made in collaboration with his two kids, Pedro Guimarães’ book is a different take on the family album—one that bounces back and forth between imaginations to conjure up the spectres, smiles and scrapes of childhood.

Former LensCulture Award winners share their best creative advice as well as tips for advancing your career as a portrait-maker and photographer. The second in a two-part series.

Across a collection of archival images, cyanotypes, newspaper clippings and natural ephemera, Luis Carlos Tovar revisits an unspoken family memory to explore the thorny process of reconciling with Colombia’s past.

Former LensCulture Award winners share their best creative advice as well as tips for advancing your career as a portrait-maker and photographer. The first in a two-part series.

What makes some photographers return to the same places over and over again? Building their projects around a specific location, this collection of artists share a devotion to observing the rhymes and rhythms of a particular place.

Some of LensCulture’s most popular photo highlights from 2022 — a mix of new discoveries, photobook reviews, interviews, essays, solo exhibitions and visual stories.

38 curators, artists, editors and photography experts share their personal favorite photobooks from 2022 — a delightfully diverse list of great recommendations.

Weaving together portraits, landscapes, found objects, and advertising imagery in his new photobook, Shane Rocheleau presents an unsparing view of complicated American history.

Journey through Sari Soininen’s transformative acid trip, the new Centre for British Photography, and the photo journal keeping Hanoi’s scene alive in some of this month’s most read stories
The post Editor’s picks: stories you might have missed in January appeared first on 1854 Photography.

“It’s a way for me and my mum to heal our relationship, for us to get closer and for me to get to know her in a different way,” says Aria Shahrokhshahi, of his OpenWalls Arles winning portrait: Mum went and Fell
The post Frederic Aranda: “Portraiture fails when it is about the photographer” appeared first on 1854 Photography.

As nominations pour in for Laura Poitras’ All the Beauty and the Bloodshed, Daisy Woodward speaks to the film’s director about shame, bravery, and Goldin’s life in activism
The post Beyond dependency: The battles of Nan Goldin appeared first on 1854 Photography.

A major exhibition at Foam presents newfound material from Cole’s extensive documentation of apartheid in South Africa
The post Ernest Cole’s apartheid record expanded in Amsterdam appeared first on 1854 Photography.

The award-winning photographers Rosem Morton, Rania Matar and September Bottoms discuss validation, community and empowering women through photography
The post Community and validation: Leica Women Foto awardees on their career-changing wins appeared first on 1854 Photography.

The Magnum photographer talks to Ravi Ghosh about reissuing The Shipping Forecast, his seminal book navigating the British Isles’ 31 sea areas
The post Mark Power’s chartered waters appeared first on 1854 Photography.

“One day I thought I was God’s chosen one. The next day, I was Satan,” says Sari Soininen. Six years on, the photographer reveals her experience in a book that “sealed the process of healing”
The post Sari Soininen’s visual account of an acid-induced psychosis appeared first on 1854 Photography.

A new exhibition at the International Center of Photography brings together portraits of famous faces by Tacita Dean, Brigitte Lacombe and Catherine Opie
The post Come face to face with Hockney, Scorsese and Patti Smith in New York appeared first on 1854 Photography.

The post Lindokuhle Sobekwa named inaugural Kobal Fellow appeared first on Magnum Photos.

The post “The Era of Plenty is Over.” Matt Black on water inequality in the US appeared first on Magnum Photos.

The post Last Minute Gift Ideas from Magnum appeared first on Magnum Photos.

The post Watching Me, Watching You appeared first on Magnum Photos.

The post Magnum’s second NFT drop is live appeared first on Magnum Photos.

The post Digitizing the Color Archive appeared first on Magnum Photos.

The post After Dark appeared first on Magnum Photos.

The post Sabiha Çimen Wins First PhotoBook Award appeared first on Magnum Photos.

  Full Article on Patreon   In Prisoner In Love, the flow is at once calm and exciting. It is similar to allowing one’s body to be carried downstream in a river safely with a bump on the body’s backside every once in a while to remind them of the rocks beneath the surface. Metaphors […]

    Full Article on Patreon   Returning to the idea of memories, one can feel all of these tendencies in the work used to enforce a slippage of time. Close-up images and somewhat obscure faces place the photographs inside a dream factory or memory farm. These fragments of realism play heavily with our ability […]

Full Article on Patreon   There are pleasant reminders through the book of our interconnectivity and the reach of summer, as seen through the beach environment, which has a very appealing significance to memory, as does the use of golden light in the work. The trigger for possible memories does not end with those images. […]

  The first part of Jörg’s post that needs immediate attention is the following: his response to the broad claims made between the journal questions and the survey responses indicates a lack of serious criticism. I might address that I felt several publisher responses, from my end, were quite diplomatic in their answers. There was […]

  This conversation was recorded as a podcast and then translated into text. With this in mind, familiarity becomes more apparent. Simon Bray is a British artist working on his first photobook, tentatively titled Dear Kairos. Simon is part of the Nearest Truth Year-Long Photobook Program. He has also attended several NT workshops with Raymond […]

Full Article and Full Sequence of Book on Patreon   The desire found in that book functions incredibly obliquely. Images of women do not, even when on a bed and nude, represent sex or an objectifying element; they are reduced to the same void as everything else and feel like a piece of the vortex. […]

Kim Thue from Lode Image is contained in the press pack. Full Article on Patreon   I also believe artists should be open to dialog. Not every conversation is an inquisition, and if your intentions are not poor, we all gain in you underscoring your thoughts instead of hiding from them or our questions. Many […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…