In Julia Chang-Lomonico’s family portraits, an unassuming character takes center stage: the living room couch—a stable marker of time amidst the chaos and evolution of family life.

Using photography as a therapeutic tool, Sima Choubdarzadeh’s images protest the repression of women in Iran’s public sphere, channeling anger into intimate moments of connection and revelation.

Deep in the Ozarks, Terra Fondriest’s tender pictures document her family’s connection with each other, the land and with the surrounding community.

Enayat Asadi’s searing black and white photographs bear witness to the brutal trafficking of Afghan refugees crossing Iran’s eastern border.

Inviting his subjects to his Californian backyard with a week’s worth of their trash in tow, Gregg Segal’s confronting portraits draw attention to our careless relationship to waste.

During Covid isolation, this Irish street photographer shifted his focus to staging irreverent cartoon-like tableaus starring his parents.

Across the world, students are graduating after an unimaginable year. With help from their fellow classmates, artist and writer Dylan Hausthor reflects on the wild ride of completing an MFA amidst the chaos of 2020.

In this feverish photographic hallucination, Cristiano Volk takes a critical look at capitalism, capturing the signs and symbols of our consumerist culture in electric shades of neon.

Reading Time: 2 minutes Moved by her son’s recollection of his dreams, in her latest photobook Ermakova illustrates a story about a boy and his friend who transform into birds
The post Nadezhda Ermakova’s latest book is an intimate and fantastical story based on her son’s dreams of becoming a bird appeared first on 1854 Photography.

Reading Time: 2 minutes Mina Boromand, Emile Gostelie, Francesca Hummler, and Emil Lombardo are the winners of this year’s open call
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Reading Time: 2 minutes Taking cues from the surrounding landscape, as well as Norwegian art history, Brotherus’ latest photobook blends bodies, mountains, and oceans
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Reading Time: 3 minutes
The post CROSSLUCID collaborate with AI to visualise the mysterious life forms of the future appeared first on 1854 Photography.

Reading Time: 2 minutes Afshar’s latest publication is a visible record of the invisible; an attempt to illustrate an ancient belief about the wind’s supernatural powers
The post Hoda Afshar captures the wind and rituals of the islands in the Strait of Hormuz appeared first on 1854 Photography.

Reading Time: < 1 minute Marquis looks back through history to reflect on contemporary representations of queerness
The post Tara Laure Claire’s latest project borrows from the past to meditate on the present appeared first on 1854 Photography.

Reading Time: 3 minutes Operating as muse, stylist and photographer, the publication’s latest cover is entirely Rihanna’s own work. Vogue Italia’s Creative Director, Ferdinando Verderi, reflects on letting the artist take the reins
The post Behind the Cover: Rihanna shoots herself for Vogue Italia’s ‘DIY’ issue appeared first on 1854 Photography.

Reading Time: 2 minutes For her latest project MODA MOODY, Jess Kohl travels to Kuala Lumpur, meeting the nation’s punk subculture
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  Guido Guidi’s photographs emanate from concerns that underpin a long tradition of art in Italy. While most of his images are consultations of place and perspective, the larger considerations for his work examine a minute rendering of color palette, shadow, and subscribe to a cornucopia or semi-neutral examinations of “the moment”. These images, in […]

  Despite my years of thin gruel during my time in London, I count myself as lucky for being able to divide my time there into simply “getting by” and avoiding bureaucracy. I have little talent for the regular custom of monthly, let alone weekly subscription to anything in which demands of my time are […]

  There are global moments in history that feel like tipping points of major changes when you view them retrospectively. In the case of Michael Kerstgens exceptional new book 1986 (Hartmann Books, 2021), the writing on the wall could not be more clear looking back at the year. I remember 1986. I am old enough […]

  Though change is metered through the concept of progress in urban space, oftentimes there is an arrestation of form as its transitions from one set of facades to its new progressive and updated counterpart. This arrestation sees the hybridity of new and old caught in a transitional moment in which both are vying for […]

In 79 a.d, Mount Vesuvius erupted with a volcanic activity that completely destroyed the Bay of Naples region including the small, but thriving community of Pompei. Pompei was a Roman enclave like most at the time. It had markets, homes, and open-air theatres that featured beautiful mosaics, Roman sculptures and was situated close to the […]

A few years ago, the Guatemalan photographer Jaime Permuth researched the archives of the Anacostia Community Museum during his Smithsonian Institution Artist Fellowship, where he found images documenting the Latino Festival. According to curator Olivia Cadaval, the event’s first iteration in 1970 came as a response to an inaccurate census count of Latin Americans living […]

“Ractliffe’s work, whether consciously or not, emerges at a time when the impossibility of representing experience started to gain purchase in discussions around the medium’s shortfalls.”

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…

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