Amidst chaotic beauty, tales of trials echo through alleyways, reflecting the human spirit, vibrant colors, and dynamic stories of Istanbul.

In a multi-layered group exhibition at the International Center for Photography, a handful of artists make the urgent case for an expansive approach to archives.

Periodically returning from New York to his hometown in British Columbia, Kalum Ko’s keenly observed ongoing series charts the emotional push and pull of the community he grew up in.

Austin Quintana’s documentation of life in New Mexico taps into a sense of timelessness, picturing a place that feels as though it hasn’t changed in centuries.

In Ciudad Juárez, female wrestlers, Luchadoras, fight for respect and safety while inspiring young girls to seek equality inside and outside the ring.

This book explores the global trend of ‘trophy cities’—new capital cities built from scratch to showcase political power and control, often at the expense of local needs.

In her Arctic mission, Laure Winants fuses art, science, and technology, exploring photography’s potential to capture the optical and luminous phenomena of the North and address its environmental issues.

This evocative series weaves astrology, surreal imagery, and raw emotion into a striking exploration of impending motherhood, unplanned pregnancy, and the contradictions of female identity.

Falmouth University’s 120-year legacy is maintained through online courses, allowing emerging photographers to participate flexibly and flourish from any territory
The post Taking risks on your own terms: what Falmouth University’s online MA has to offer appeared first on 1854 Photography.

The new show at Nxt Museum in Amsterdam tackles the current age of machine learning and the role of artificial intelligence in image-making
The post Still Processing argues that artificial intelligence can indeed be one-of-a-kind appeared first on 1854 Photography.

We sit down with Slidefest organiser and Gulf Photo Plus Director Mohamed Somji to hear about the motivations behind the event and this year’s theme, Diaspora
The post Welcome to Slidefest 2025: In conversation with Mohamed Somji appeared first on 1854 Photography.

Welcome to European Kinship: Eastern European Perspective, a special editorial project marking an exhibition of the same name at the Capa Center
The post Identity: What, or who, constitutes an Eastern European? appeared first on 1854 Photography.

Welcome to European Kinship: Eastern European Perspective, a special editorial project marking an exhibition of the same name at the Capa Center
The post Space: Satirising Polish stereotypes and what “being a woman” means in Hungary appeared first on 1854 Photography.

Through the lens of 41 photographers, founder Romaisa Baddar’s new book offers an intimate, nuanced glimpse into domestic spaces throughout the region
The post Middle East Archive invites us to meditate on the spiritual and material power of the living room appeared first on 1854 Photography.

180 Studios hosts Selah, the largest exhibition of the inimitable photographer and filmmaker to date
The post A grand celebration of Gabriel Moses’ repertoire appeared first on 1854 Photography.

The artist’s latest show An Ominous Presence explores the tension between desire, identity, and the act of image-making
The post Inspired by the Internet’s rabbit holes, Ebun Sodipo interrogates Black creativity appeared first on 1854 Photography.

The post Documenting the Dromedary Camels of Mauritania appeared first on Magnum Photos.

The post The Lebanese Civil War, 50 Years Later appeared first on Magnum Photos.

The post USAID: The Human Cost of Trump’s Cuts appeared first on Magnum Photos.

The post In Images: Protest in the Streets of Istanbul appeared first on Magnum Photos.

The post Beyond the Silence: An Exhibition in Lviv, Ukraine appeared first on Magnum Photos.

The post Beyond the Silence, an Exhibition in Cambodia appeared first on Magnum Photos.

The post Fight or Flee: The Price of Freedom appeared first on Magnum Photos.

The post Magnum Chronicles: The Power of Collective Storytelling appeared first on Magnum Photos.

If you happened to attend the 2009 NY Art Book Fair, you might have come across Gregory Halpern’s Omaha Sketchbook on the table of J&L Books. This early version was rough and unassuming, printed on a laser printer and spiral-bound, its pages made from cheap white paper with small contact prints affixed throughout. The images […]

I have never seen a single Sofia Coppola film. This might be surprising for someone reading this book review. Of course, I know her presence and work, but I have not seen the movies for any outward reason. I probably know more about her as a person and a cult hero than  I do about […]

Once in a while, I’ll encounter photographs that scratch or even scar me, embedding themselves into the same subconscious archive that catalogs and buries trauma. I can’t eliminate them; they resurface at the strangest times. Whenever my daughter’s bath water gets too cold, or I’m standing over a tub from a particular vantage point, a […]

  Observational photography. Intrepid photography. Itinerant Photography. How does one deal with and parse out the general economy of images when abroad, away from home? What is home for a photographer who has moved from place to place over the 21st Century? There is an argument regarding the intrepid photographer, one that covers the ground, […]

Othering, debated through the discourse of reading the camera as a difference machine, seems at the crux of much of photography’s woes. Challenged by the notion that the machine is neutral in its observational and technical ability, the authorship and cultural means of producing images are undergoing a fruitful re-assessment of its terms to represent, […]

  With Japanese photography, I have had to change how I look at it from the surface level toward something much more intricate in my understanding of how Japanese artists approach the camera. When I first started looking into the national camera of Japan, the obvious references were already a known quantity to me. Classic […]

I am relatively new to Jochen Lempert’s work, or at least his books. I was aware of his book Phenomena from 2013, which seems a favorite among his fans and commands a decent price at auction. I tend to note these things to argue with or argue against about a book’s “weight” amongst the bevy […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori….

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing…