John Blakemore (1936-2025), was an influential British photographer and teacher, renowned for his landscape and still-life photography.

Drawing inspiration from the Dutch Golden Age, Lia Darjes’ theatrical still lifes capture her furry neighbors feasting at her garden dining table at night. “Plates I-XXXI” is a surreal glimpse into the secret world of animals that unfolds in our absence.

A look back at some favorite photography, writing, and interviews from the first 20 years of LensCulture — pure inspiration from some of the best photographers on the planet!

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Triggered by personal loss during the pandemic, Italian photographer Cinzia Laliscia’s soft and enigmatic images revisits her family legacy to pay tribute to the rhythms of rural life at her grandparents’ home in Loreno.

Alec Soth’s new book avoids straightforward answers. Set against the playful, chaotic backdrop of art schools, it delves into creativity, self-discovery, and the existential aspects of becoming—and remaining—an artist.

A new book celebrates the quirky self-portraits of Alan Adler: a photo booth manager from Melbourne who built an imaginative relationship with the analog machines he tended to for over five decades.

From high-tech to off-the-grid approaches, Charles Négre’s playful still lifes invite us to engage with the imaginative breadth of ‘prepper’ culture—a global movement of people preparing solutions to survive the end of the world.

BJP catches up with Director Lydia Melamed Johnson to learn more about the fair, this year unveiling the new Discovery sector
The post Discovery and innovation compliment industry legends at AIPAD’s Photography Show 2025 appeared first on 1854 Photography.

The photographer discusses his deep connection with horses, the universal truths they embody, and how they inspire his sensorial photography
The post Illustrating the details of nature with Domenico Matera appeared first on 1854 Photography.

The photographer worked in collaboration with coastal communities in Colombia to advocate against the devastating effects of narcotics
The post Santiago Escobar-Jaramillo forms a surprising perspective on the drug trade appeared first on 1854 Photography.

With his chronicle of the communities struck by government incompetence, the photographer tells BJP that “it’s important to look at history”
The post Book of the Month: How Nick Hedges captured the mid-century housing crisis of ‘slum Britain’ appeared first on 1854 Photography.

Setting up a mobile studio in a Bolivian market, the photographer offered locals free portraits – Sergio Valenzuela-Escobedo speaks with him about collaboration, performance and the societal role of the itinerant photographer
The post Portrait as performance: Daniel Mebarek’s lens on Indigenous identity and Andean culture appeared first on 1854 Photography.

The Greek photographer’s latest solo show blends his photography with found imagery to create an actively critical voice, Phin Jennings finds
The post Stranger than fiction: Yorgos Prinos doesn’t want to dictate the meaning of his work appeared first on 1854 Photography.

The Iranian-British artist spends time volunteering for NGOs as well as creating material for his Sketchbook series
The post Shooting in Ukraine, Aria Shahrokhshahi insists he is not a war photographer appeared first on 1854 Photography.

The Tunis-born fashion artist uses photography to express the complications of queer love and personal history
The post Bachir Tayachi’s debut solo show leads us through his everyman journey of heartbreak appeared first on 1854 Photography.

The post Magnum Chronicles: The Power of Collective Storytelling appeared first on Magnum Photos.

The post Remembering Constantine Manos (1934–2025) appeared first on Magnum Photos.

The post Syria: The Aftermath of December 8 appeared first on Magnum Photos.

The post Damascus in the Days Following the Fall of Al-Assad appeared first on Magnum Photos.

The post Beyond the Silence, an Exhibition in Mexico appeared first on Magnum Photos.

The post Matt Black’s American Artifacts appeared first on Magnum Photos.

The post Beyond the Silence, An Exhibition in Kazakhstan appeared first on Magnum Photos.

The post Like a Blood Stain on a Handkerchief appeared first on Magnum Photos.

Mårten Lange’s The Palace, KARL, 2024, is a brilliant continuation of his last self-published photobook, Threshold (KARL, 2023). The two books share a systematic approach to addressing iterations of architecture that morph and suggest, among other things, portals to history and the domestic interior as ephemeral markers, respectively. The shift from his previous books, Ghost […]

Charles Johnstone, Au Revoir Anna, 2023   The history of the television on art and photography/photobooks is compelling. My interest stems from having grown up with the television as the primary utility of my creative life. When I say television, I am not thinking of regular programming, but instead of the vast array of films […]

  Change is not always a fast process. Stating what is an obvious observation, ruminating over the nature of change or our perception of change in local geography is pertinent. I think we like to denote the object status of “change” as being implicit, noticeable, and understood as event-driven, clear, and not necessarily attached to […]

What can be said other than Thank You?

A and not THE. Let’s be clear from the get-go that what we are talking about is A, or one, interpretive history of London’s East End through the prism of photography and, arguably, property and labor by esteemed archivist/documentarian Chris Dorley Brown, whose recent book A History of the East End, published by Nouveau Palais […]

The story a nation tells itself is crucially important to its people’s sense of national identity. It serves also as a way of establishing and maintaining a shared set of values. Primordialism is the dogmatic belief that one’s national origins are defined by skin colour, blood and a spiritual belonging, but if you don’t subscribe […]

  I am sure many of these people are dead. That is not what distinguishes the book or what makes it great. Instead, what is challenging is being alive during that part of history when the faces and bodies inhabiting the frames are familiar, enhanced by the glow from a window. Some of their bodies […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…