This new photobook blends documentary style with magic realism, challenging perceptions of Colombia often tied to drug trafficking, and revealing complex narratives beneath surface appearances.

As an only child born under China’s one-child policy, Zihan Wei uses a snapshot aesthetic to explore photography as a language of intimacy and connection to forge a new relationship with her parents.

With a thoughtful gaze born from a deep concern for his surroundings, Adra Pallón explores the devastating consequences of rural depopulation on the culture of Galicia, its environment and the last of its aging inhabitants.

In this 9-minute video interview, photographer Jeff Cowen talks about making an all-new body of work in the south of France — about 60 of the images are being shown at two venues in Amsterdam right now.

Drawing on different mediums to weave together her own visual language, Stephanie Santana’s work builds continuity with the past by exploring the creative process as a way to access generational knowledge.

In her striking collection of portraits, Constance Jaeggi explores Escaramuza—a female-led equestrian performance—and its significance in Mexican-American identity, cementing its place in the monolithic history of the American West.

Inspired by a herbarium made by American poet Emily Dickinson in the 19th century, this new book reimagines each of the 66 plants in the collection as a sublime anthotype—a cameraless photograph made from organic matter.

Over eight years, Koseki has documented the luminous fireflies of Japan, translating their twinkling flight paths into awe-inspiring photographs, and sounding the alarm about the danger to these creatures caused by human intervention and the climate crisis.

Eager to impress on its return to the Grand Palais, Europe’s biggest photography fair is expanding, seeking expertise from outside curators and art institutions
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The artist uses a BlackBerry phone to delve back in time to the 2011 London riots, unravelling an intersection of class, race, and violence in his new Somerset House show
The post Uprising aesthetics and austerity riots: Imran Perretta’s A Riot in Three Acts appeared first on 1854 Photography.

Google and Aperture’s annual prize shines a light on emerging photographers from across the US
The post Visions of homelands and lives between cultures from the winners of the Creator Labs Photo Fund 2024 appeared first on 1854 Photography.

Contributing artists Mounir Raji, Tina Farifteh and Rosângela Rennó discuss their projects with BJP as responses to questions around home, migration & diaspora, and colonialism.
The post The diaspora informs the local yet global visions at Breda Photo Festival 2024 appeared first on 1854 Photography.

After a two-year hiatus Female in Focus is back, tackling the persisting gender disparity in the photography industry – as found in our recent survey
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Palestinian photographer Samar Hazboun records quietly devastating moments of enforced leave
The post Life, interrupted: Gazans caught in limbo in the West Bank appeared first on 1854 Photography.

The photographer’s new book explores family love, loss, and legacy through the lens of ‘Black storytelling’ and poetic documentary images
The post Black family life, memory and ‘purist’ image-making in Kate Sterlin’s Still Life appeared first on 1854 Photography.

Zimmers of Southall is the photographer’s latest photo book interlacing South Asian heritage with West London’s environment
The post Hark1karan captures the BMWs of Southall and its Panjabi community appeared first on 1854 Photography.

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The post A New Chapter for the Cooperative: An Interview with Cristina de Middel appeared first on Magnum Photos.

  As I found with Whatever You Say, Say Nothing by Gilles Peress (Steidl), The Troubles and their representation are incredibly difficult to write about from the point of view of an outsider. It is a very touchy subject. Even posting about it on social media platforms (as I also found out) will have opposing […]

  Forest photography is a challenging art. I mention this regarding the photobook format, as the most significant complication of sequencing a book from a photographic forest yield is the difficulty of repetition. The question is, “How many photographs of trees can I look at without losing interest?” and “How much minute variation of a […]

Some photobooks are detailed by their direct exercises in story building. In contrast, others ask that the viewer read them holistically as an environment, a stage in which ideas are distributed, but with fewer absolutes regarding their nature. Hints are dropped, and some images carry the conceptual load of what the press release suggests as […]

  2024 has been an excellent year for photobooks. I am surprised that after the past few years with fewer titles surfacing into greatness, 2024 has presented so many outstanding titles. It gives me a bit of hope that the medium is picking up again, though I suspect inflation and a general shrinkage of audience […]

  Paul Graham’s new books Ambergris/Verdigris, published this year by MACK, have several parallels worth exploring. First and foremost, it should be said that these titles feel like a return to form. While I am a fan of most of Graham’s bodies of works, the last books have been very inward and family-oriented. There is […]

Moises Saman is one of the most substantive and accomplished conflict photographers working today. A member of Magnum since 2014, he is best known for photographs he has been making for more than two decades working throughout the Middle East, during which time he covered the Iraq War and the Arab Spring. Many of the […]

  As an American living in Europe, I have never gotten my head around the vestigial tail of pagan rituals that still occasionally surface here. They do not happen often, but I am continuously bemused when they do. They seem to function on either fire or water. During the opening season, which includes springtime fertility […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…