As an only child born under China’s one-child policy, Zihan Wei uses a snapshot aesthetic to explore photography as a language of intimacy and connection to forge a new relationship with her parents.

With a thoughtful gaze born from a deep concern for his surroundings, Adra Pallón explores the devastating consequences of rural depopulation on the culture of Galicia, its environment and the last of its aging inhabitants.

In this 9-minute video interview, photographer Jeff Cowen talks about making an all-new body of work in the south of France — about 60 of the images are being shown at two venues in Amsterdam right now.

Drawing on different mediums to weave together her own visual language, Stephanie Santana’s work builds continuity with the past by exploring the creative process as a way to access generational knowledge.

In her striking collection of portraits, Constance Jaeggi explores Escaramuza—a female-led equestrian performance—and its significance in Mexican-American identity, cementing its place in the monolithic history of the American West.

Inspired by a herbarium made by American poet Emily Dickinson in the 19th century, this new book reimagines each of the 66 plants in the collection as a sublime anthotype—a cameraless photograph made from organic matter.

Over eight years, Koseki has documented the luminous fireflies of Japan, translating their twinkling flight paths into awe-inspiring photographs, and sounding the alarm about the danger to these creatures caused by human intervention and the climate crisis.

This B&W photo essay puts you in the middle of a city-wide playful water fight in the streets of Bangkok during New Year’s celebrations.

The festival contrasts regional Estonian artists with European creatives resonating with a web of social issues, Sarah Moroz reports
The post Foto Tallinn showcases a compact but meaningful glimpse of contemporary photography appeared first on 1854 Photography.

After its inaugural event was curtailed by the pandemic, Bristol Photo Festival returns with a second edition that is both locally rooted and outward looking
The post Imperialism, economics and new talents at Bristol Photo Festival 2024 appeared first on 1854 Photography.

Following on from their last venture, founders Serbest Salih and Amar Kılıç tell BJP about why they use photography with displaced children
The post Fotohane Darkroom offers children from the Kurdish, Syrian and Iraqi borders a space to express themselves appeared first on 1854 Photography.

A working photographer and farm labourer, Joanne Coates’s latest work asks who can still afford to make rural land their home
The post Joanne Coates addresses class and age inequality in the northern countryside appeared first on 1854 Photography.

Diane Smyth speaks to the Czech photographer about her career between Prague and England and the resistance to being pigeon-holed
The post “Being a single mother, a woman photographer and an immigrant was not easy”: Markéta Luskačová’s Children appeared first on 1854 Photography.

BJP reveals the four artists selected to show their work at the Grand Palais in the 2024 Paris Photo Carte Blanche Student competition. Plus the other 16 shortlisted series
The post Announcing the 2024 Paris Photo Carte Blanche Student competition winners appeared first on 1854 Photography.

Photography and poetry have a long-standing connection and the pairing is enjoying renewed popularity. Rachel Segal Hamilton speaks with photographers and poets to find out why
The post Taking a stanza: The relationship between photography and poetry appeared first on 1854 Photography.

Playful yet deadly serious, Mari Katayama’s studio is testament to her fiercely independent approach to art and creativity
The post In the Studio with Mari Katayama appeared first on 1854 Photography.

The post U.S. Focus: Immigration in Arizona appeared first on Magnum Photos.

The post A New Chapter for the Cooperative: An Interview with Cristina de Middel appeared first on Magnum Photos.

The post U.S. Focus: Democracy in Georgia appeared first on Magnum Photos.

The post PEACE FOR ALL: Cristina de Middel for UNIQLO appeared first on Magnum Photos.

The post PEACE FOR ALL: Lindokuhle Sobekwa for UNIQLO appeared first on Magnum Photos.

The post PEACE FOR ALL: Olivia Arthur for UNIQLO appeared first on Magnum Photos.

The post Larry Towell’s The Man I Left Behind appeared first on Magnum Photos.

The post Olympic Training During a War: Rafał Milach In Ukraine appeared first on Magnum Photos.

  Paul Graham’s new books Ambergris/Verdigris, published this year by MACK, have several parallels worth exploring. First and foremost, it should be said that these titles feel like a return to form. While I am a fan of most of Graham’s bodies of works, the last books have been very inward and family-oriented. There is […]

Moises Saman is one of the most substantive and accomplished conflict photographers working today. A member of Magnum since 2014, he is best known for photographs he has been making for more than two decades working throughout the Middle East, during which time he covered the Iraq War and the Arab Spring. Many of the […]

  As an American living in Europe, I have never gotten my head around the vestigial tail of pagan rituals that still occasionally surface here. They do not happen often, but I am continuously bemused when they do. They seem to function on either fire or water. During the opening season, which includes springtime fertility […]

Editor’s note: I just got some more background info on the making of the book. So, it turns out this has always been the intended size (as designed in totality by Chris) and that Steidl actually did print it one point, but the estate rejected the printing for it being overly muddy, which is really […]

Letting my unconscious, rather than my intellect, dictate the progression was important. For reasons I don’t entirely understand, being nude became part of the project early on. And working against that white wall near the two front windows in the so-called living room became a central point. —Melissa Shook I might’ve mistakenly read Sally Stein’s […]

  I am confident that most of us are stringing life together one moment at a time without a significant game plan or goal to outline our actions’ progression. Nothing is holding the seams of it all together, and for that, I am partially thankful and partially disappointed. Life is a never-ending chain of circumstances […]

“After people live awhile in a place to which they’ve laid waste, it gets to be easy to hate a great many things. Including themselves. And anything green that tries to rise again.” Robert Adams “There is another world and it is in this one.”  Paul Éluard There have been few post-war American photographers, if […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…