From the oases of Morocco to the busy streets of Lagos, this year’s BJP competition winners present shared experiences from around the world
The post The Portrait of Humanity Vol. 6 exhibition launches at Four Corners appeared first on 1854 Photography.

The American photographer’s debut monograph was inspired by a celebrated 19th-century poet and the stories of people he met on his journey
The post Byron Smith’s testament to enduring life amidst conflict in Ukraine appeared first on 1854 Photography.

In an old mill overhanging the Leeds and Liverpool canal, Carolyn Mendelsohn has created a light-filled haven.
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The photographer’s career has been overshadowed by her communist links and her more famous brother, but 25 years of her work is now being reappraised
The post Rebuilding Edith Tudor-Hart through a feminist lens appeared first on 1854 Photography.

Beyond Gaza, image-makers are creating representations of Palestinian life that challenge western stereotypes and find beauty in the everyday
The post “I’d like to ask the world for curiosity and action”: The lives of three photographers in Palestine appeared first on 1854 Photography.

Welcome to the World of Slim Aarons displays some of the artist’s most iconic images documenting the life of his glittering subjects
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The photographer grew up gaming in Abu Dhabi and has drawn on her experiences of virtual worlds and multiple cultures to create her surreal images
The post Farah Al Qasimi captures the visual culture of gaming and artificial realities in the UAE appeared first on 1854 Photography.

With over 15 years of experience in the print industry, Faraz Ahmad, Co-Founder of the UK’s leading professional fine art printer and bespoke framers talks to Louise Long about the nitty-gritty of the framing process, the latest trends among photographers, and the creative possibilities the process can offer
The post ‘Framing is an extension of the artist’s work’: inside Beyond Print, the UK’s leading fine art framers appeared first on 1854 Photography.

The post Olympic Training During a War: Rafał Milach In Ukraine appeared first on Magnum Photos.

The post A Tribute to Thomas From Friends and Colleagues appeared first on Magnum Photos.

The post Emin Özmen Documents the Palestinian Wrestling Team appeared first on Magnum Photos.

The post Depardon’s Olympic Archive: Japan, 1964 appeared first on Magnum Photos.

The post US National Conventions Through the Magnum Archive appeared first on Magnum Photos.

The post Remembering Thomas Hoepker (1936–2024) appeared first on Magnum Photos.

The post Beyond the Silence appeared first on Magnum Photos.

The post Magnum Welcomes Two New Members and Two Nominees appeared first on Magnum Photos.

“After people live awhile in a place to which they’ve laid waste, it gets to be easy to hate a great many things. Including themselves. And anything green that tries to rise again.” Robert Adams “There is another world and it is in this one.”  Paul Éluard There have been few post-war American photographers, if […]

  Matthew Genitempo is producing serious photobooks. Of the three books that I am fortunate to have on my shelves, his latest Dogbreath is one of his finest, but it is hard to create a hierarchy between it, Mother of Dogs, and Jasper. All three titles are excellent offerings, and it would benefit photobook makers […]

  The gift of Japanese photography is that it feels like a never-ending field of exploration. It is a wide field of study, and if one invests in the material created in Japan from around 1958 forward, the returns are plentiful. Having put off embracing the canon of Japanese photography for most of my career […]

The discourse surrounding this book is less bleak than the images themselves. Being a fan of Michael Ashkin’s work, I find this book to be his bleakest, yet when I read his words about the meaning of the book, I do not get the impression that it is necessarily its intention. First, we will start […]

    For such impersonal architecture, the environments of airports are rife with sentiment and emotion. When I say that they are impersonal, like much of the Twentieth Century’s functional public meeting spaces, they are often streamlined and defined by their sameness. The function has to override form in such spaces, which disallows individuality. There […]

Finding a nameless source’s review of The Lizard online, I read about how I should interpret Gabriele Rossi’s outsized publication published by Deadbeat Club. In its summation, the author points out several pictures from the book from which they wax lyrical about the sublime qualities of the photographs from the position of a non-American, likely […]

    A perplexing book, Vittorio Mortarotti’s new publication Soil, released this year by Skinnerboox, hints at, amongst other topics, lives lived at the margins of political existence. It does this without ever pushing an obvious agenda or confirming the bias. Throughout the book, certain themes recur. There is a specific anti-narrative device at play […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…