For its latest issue, La Bohemia, the magazine’s team wanted to “conceive bohemia as something we must safeguard and preserve” amid a global polycrisis
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Visitors are treated to a breadth of approaches, from Polish subculture archives to intimate domestic imagery
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Keerthana Kunnath reveals how a community of South Indian bodybuilders dismantle longstanding perceptions of femininity and body image
The post In India, female bodybuilding is as challenging as it is rewarding appeared first on 1854 Photography.

A collective for photobook-makers in the SWANA region, aka TAWLA aims to highlight their narratives and recently created a publication featuring Palestinian photographers
The post The collective driving support of SWANA photographers appeared first on 1854 Photography.

The show at the Whitechapel Gallery pays homage to the artist’s notable role in art-ivism, spotlighting his heavy use of archival photography and manipulating mass-produced images
The post Peter Kennard’s five-decade retrospective of political art and activism appeared first on 1854 Photography.

The West Asian and North African Women’s Art Library explores what roles photography and archives play for diasporic and marginalised communities
The post The art library decolonising photo archives appeared first on 1854 Photography.

Long fascinated by her family’s association with the secret society, Lily Barton went in search of concealed truths – camera in hand
The post ‘The camera erased the fact that I am a woman’: An uneasy step into the world of Freemasonry appeared first on 1854 Photography.

The East Wing artistic director shares her insights on non-profits, commercialising photography, and why you don’t need a physical space to nurture talent
The post San Fran, Cork, Dubai, Berlin – catching up with Peggy Sue Amison appeared first on 1854 Photography.

The post Olympic Training During a War: Rafał Milach In Ukraine appeared first on Magnum Photos.

The post A Tribute to Thomas From Friends and Colleagues appeared first on Magnum Photos.

The post Emin Özmen Documents the Palestinian Wrestling Team appeared first on Magnum Photos.

The post Depardon’s Olympic Archive: Japan, 1964 appeared first on Magnum Photos.

The post US National Conventions Through the Magnum Archive appeared first on Magnum Photos.

The post Remembering Thomas Hoepker (1936–2024) appeared first on Magnum Photos.

The post Beyond the Silence appeared first on Magnum Photos.

The post Magnum Welcomes Two New Members and Two Nominees appeared first on Magnum Photos.

  The gift of Japanese photography is that it feels like a never-ending field of exploration. It is a wide field of study, and if one invests in the material created in Japan from around 1958 forward, the returns are plentiful. Having put off embracing the canon of Japanese photography for most of my career […]

The discourse surrounding this book is less bleak than the images themselves. Being a fan of Michael Ashkin’s work, I find this book to be his bleakest, yet when I read his words about the meaning of the book, I do not get the impression that it is necessarily its intention. First, we will start […]

    For such impersonal architecture, the environments of airports are rife with sentiment and emotion. When I say that they are impersonal, like much of the Twentieth Century’s functional public meeting spaces, they are often streamlined and defined by their sameness. The function has to override form in such spaces, which disallows individuality. There […]

Finding a nameless source’s review of The Lizard online, I read about how I should interpret Gabriele Rossi’s outsized publication published by Deadbeat Club. In its summation, the author points out several pictures from the book from which they wax lyrical about the sublime qualities of the photographs from the position of a non-American, likely […]

    A perplexing book, Vittorio Mortarotti’s new publication Soil, released this year by Skinnerboox, hints at, amongst other topics, lives lived at the margins of political existence. It does this without ever pushing an obvious agenda or confirming the bias. Throughout the book, certain themes recur. There is a specific anti-narrative device at play […]

“What did we talk about, my dad and I? The different kinds of plyboard and woodworking joints, the correct way to change the bit of a drill and to hold and level and aim the gun of the welder, how to tell when a tyre has gone bald […]” – Sara Baume, Handiwork, 2020 I […]

  Everything in this book reminds me of my upbringing in the Midwest. It feels so painfully familiar. When I mention pain in my assessment, it is because some of this experience gnaws at me and upends the chapters of my life that I have found hard to celebrate or close. I am woefully disobedient […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…