In this constellation of portraits, Alisa Martynova shines a light on the individual stories of migrants who have come from Africa to Italy and France, set against enigmatic nocturnal landscapes.
The 55th edition of the world-renowned French festival invites visitors to submerge themselves in compelling images and narratives around this year’s theme, Beneath the Surface.
This year’s PHotoESPAÑA brings to life the themes at the heart of Erwin Olaf’s work, posthumously celebrating the acclaimed Dutch visual artist with a well-designed, anti-white-cube exhibition.
In this series of surreal portraits made in Upstate New York, Logan White explores the edges of girlhood and its fantasies and uncertainties through the intimacy of medium-format photography.
Drawing on religious iconography and the visual codes of internet culture, Lúa Ribeira portrays the artists at the heart of Spain’s trap and drill scenes — a musical movement entangled in the many crises of our present moment.
Iconic photographer Martin Parr just released a book of his fashion photography — reflecting 30 years of his highly original style and distinct sense of humor.
The German photojournalist spent over six decades travelling the globe, capturing everything from Korean War veterans to the smallpox epidemic in 1960s Bihar
The post Around the world with Thomas Hoepker appeared first on 1854 Photography.
Zoning in on a small town in Normandy, ‘Non Fiction’ lends its characters a self-conscious ambiguity
The post Stranger than fiction: Henri Kisielewski on his French fantasies appeared first on 1854 Photography.
“This feeling of disquiet or of encompassing the darkness was very of the moment”
The post A disquieting feeling pervades Arles’ Discovery Award appeared first on 1854 Photography.
For two years, Batniji took screenshots of the glitchy video calls he made to his family back in Gaza, now compiled into a book
The post Taysir Batniji commemorates pre-war Gaza via ‘poor images’ appeared first on 1854 Photography.
Founded by Jean-Marie Donat and peers, the group takes up the cause of non-professional photographers, offering a sociological reading of everyday images
The post You’re all invited to the Vernacular Social Club appeared first on 1854 Photography.
Mehmet Malkoç spends long periods with guests in rural settings, allowing his photojournalistic style to permeate
The post The Turkish artist elevating wedding photography appeared first on 1854 Photography.
The most respected photofestival in the world continues to seek out new voices, says director Christoph Wiesner
The post What to see at Les Rencontres d’Arles 2024 appeared first on 1854 Photography.
Moroccan One to Watch Imane Djamil brings a photojournalistic eye to emotive and misunderstood migration stories
The post ‘Exchanging one purgatory for another’: Geography and aspiration off the Moroccan coast appeared first on 1854 Photography.
“What did we talk about, my dad and I? The different kinds of plyboard and woodworking joints, the correct way to change the bit of a drill and to hold and level and aim the gun of the welder, how to tell when a tyre has gone bald […]” – Sara Baume, Handiwork, 2020 I […]
Everything in this book reminds me of my upbringing in the Midwest. It feels so painfully familiar. When I mention pain in my assessment, it is because some of this experience gnaws at me and upends the chapters of my life that I have found hard to celebrate or close. I am woefully disobedient […]
There has been a much-needed turn away from the constraints of documentary photography over the past couple of years in favor of something less direct and more lyrical. I can think of several fantastic artists working away from the documentary with a tendency toward erasing its constrictive need for relational dialog. Federico Clavarino, […]
Photographer Larry Sultan’s iconic photobook Pictures from Home, initially published in 1992, found renewed acclaim with its 2017 re-release by MACK. Sultan’s intimate exploration of familial bonds captured the attention of audiences worldwide, culminating in an exhibition at the Museum of Modern Art in New York in 1989. The impact of Sultan’s photographic series resonated […]
It is challenging not to mention Martin Scorsese’s 1976 film Taxi Driver, concerning Bill Henson’s recent book Liquid Night, published by Stanley/Barker. I am unsure why some writers have avoided it, but here we are. Liquid Night is a sumptuous and gem-like nighttime foray into Times Square (1989) and the adjacent cinema district, beginning at […]
Mikael Siirilä’s Here, in Absence, published by IIKKI in an edition of 500 copies with a soundtrack, is one of 2024’s finest photobook offerings thus far. It was lodged between the somnambulist type of photography previously found in Ralph Gibson and Duane Michal’s dream-state work. The book explores singular images in monochrome that have […]
Ikko Narahara – Where Time has Vanished by Joel Pulliam It has been on my mind for a while to write about something that I am provisionally calling “New Orientalism.” It is the phenomenon of highly regarded photographers dropping into Tokyo for a few weeks or months, taking pictures, and then publishing a book. I […]
Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…
In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…
She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…
Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…
Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence? Are we looking for an explanation? For reasons? Justification? Or are we simply denying our own…
Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…