These loving, intimate portraits taken in the author’s vibrant backyard garden in Devon celebrate everyday beauty, interconnectedness, and metaphors of the garden and the human heart.
Jesse Lenz deep dives into the beauty of his own backyard, photographing everyday life in rural Ohio tuning into the landscape, its wildlife and his children to create images full of awe and wonder.
Taking the cleansing phase of the lunar cycle as her starting point, Ada Marino summons the rebellious energy of the female body in her black and white photos, calling for resistance and renewal in the face of patriarchal oppression.
In the liminal space between mountains and rivers, Yan Sun creates images suffused with Chinese history, renewing the subjects of traditional painting with his contemporary photographic observation.
Documenting his journey from Oakland to attend the historic March on Washington, Kamal X’s monochrome images capture the love, power and strength of 2020’s charged summer of Black Lives Matter protests.
A slow-burning meditation on loss, Max Miechowski’s portrait of the British east coast documents the seaside communities living on the edge of the country—an area that is gradually disappearing due to coastal erosion.
In this profile from 2014, the Dutch photographer discusses her Cold War travels, influences, and Roman Catholic upbringing
The post Revisiting the life, work and wit of the late Bertien van Manen appeared first on 1854 Photography.
Set up in Beirut in 1997, the AIF has become a key institution in the region – and has now expanded in a larger public-facing home
The post Get to know the Arab Image Foundation appeared first on 1854 Photography.
Rebecca Topakian watched on alongside Russian soldiers as Nagorno-Karabakh was absorbed into Azerbaijan
The post Picturing the swift and overlooked end to the Armenia-Azerbaijan conflict appeared first on 1854 Photography.
Ahead of a major touring exhibition in the US and UK, the artist talks through her polymathic reimagining of the portrait – and of society itself
The post An audience with Mickalene Thomas appeared first on 1854 Photography.
Themed Back to the Future, the South London festival is expanding in scope and duration
The post Vivienne Gamble on stretching Peckham 24 into multiple futures appeared first on 1854 Photography.
Akihiko Okamura photographed the Vietnam War before arriving in Ireland – and his view of the North’s sectarian violence was uniquely poetic
The post Derry via Tokyo: How an outsider captured the Troubles in colour appeared first on 1854 Photography.
I am quite taken with the text in Thana’s excellent new book, How Shall We Greet the Sun, published, like her last book, I Don’t Recognize Me in the Shadows, by Lecturis. I am uncertain exactly how she is engaging with the concepts of sentimentality and nostalgia, being that she seems to be using […]
War is good business for some, and misery for most everyone else. The executives of defense contractors such as Lockheed Martin or Raytheon, people who directly profit from the outbreak and continuation of war, are incentivized to hope for its continuation rather than its cessation, because where there is war (in Yemen, Ukraine, or in […]
I must admit that I am kind of shocked seeing Storch’s work in grainy, dissolved Anders Petersen/Yutaka Takanashi-esque monochrome. Having been a massive fan of his lushly saturated Keepers of the Ocean book in color, published by Disko Bay Books just a few years ago, I feel quite different about this despite the similar […]
Henriette Sabroe Ebbesen’s new book Self Reflection, published by Danish young heavyweight Disko Bay, is a fascinating foray into the psychic territory of mirror play, in which bodies double, dissolve, and align with the subconscious. It would be easy to call the work psychedelic, but that precludes pre-existing conditions, which, like Surrealism, are contained in […]
Putting my thoughts on this book together has taken me a while. Most of this comes down to trying to understand how I feel about the subject or lack of subject within the work and the position of the author(s) to that. I often have a knee-jerk reaction when it comes to people photographing […]
Ruptures and Raptures It is hard to know where to start writing about a book with such ominous tendencies at its heart. Monuments by Trent Parke, published by Stanley/Barker in 2023 and its third printing in spring 2024, has a doomsday proximity to it. It is hard to explain why I feel this […]
“Of what one cannot speak, whereof one must be silent.” L.W. Sure, it’s slightly glib to usher in a review with Wittgenstein’s oft-quoted (often misaligned, here too) citation regarding meaning and language. It will surely make scholars of the philosopher’s work uncomfortable/annoyed. Yet, I frequently think of this quote for my purposes […]
Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…
In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…
She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…
Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…
Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence? Are we looking for an explanation? For reasons? Justification? Or are we simply denying our own…
Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…