An eclectic year-end list of favorite photobooks of 2023 — personal recommendations from photographers, photography experts, friends and colleagues around the world.
Through an intimate portrait of sisters Jae and Jenni, Andriana Nativio recalls her own girlhood bond with nature, while commenting on the forces that seek to disrupt it.
Following a traumatic brain injury, Lisa Murray delved deep into the inner workings of her mind, camera in hand, in an attempt to piece back together her story. The outcome is a touching, imaginative visual exploration of healing.
Traveling through Gabura Union in Bangladesh, Shunta Kimura documents impact, adaptation, and resilience in his quiet photographs of everyday life on the frontlines of rapid climate change.
Collecting photos from her daily life, the Internet, newspapers, and free image libraries, Swiss photographer Florence Iff amalgamates vast webs of organisms, structures, and scenes into a portrait of a planet in crisis.
Following in the footsteps of Monet and Van Gogh, Abelardo Morell took his DIY tent camera to the fabled French landscapes of Giverny and Arles in search of a new view.
Nazraeli Press has published work by Alec Soth, Marilyn Minter, Daido Moriyama, and many others. We sat down with Nazraeli’s founder and publisher to learn more about the photobook world.
Bringing the myths of her native region of Bavaria into an enigmatic visual reality, Elena Helfrecht has built a photographic ritual she enacts every year around winter solstice.
The Iranian artist discusses the multifaceted violence – and resistance – in The Fury, a set of powerful nude portraits and dance-inspired film
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Set in a coastal Scottish village, Alicia Bruce’s new book follows a community determined to defend their homes and land
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Our final books roundup of 2023 takes us from Belgium to Lahore to Berlin and beyond, with entries from Jason Koxvold, Keisha Scarville and Tami Aftab
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With the physical space closed for renovation, Fotomuseum Winterthur’s digital curator reveals how ASMR livestreams and ‘sludge content’ are keeping online momentum high
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The country’s largest photography event returns to Hyderabad for its 9th edition. Here’s what to see at Madhapur’s State Gallery of Art and elsewhere
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Featured in the Agenda section of our upcoming Portrait issue, the Biennale has been cancelled in response to Facebook posts by one of its three Bangladeshi curators – sparking contention among the organisers and curatorial team
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A new retrospective of the American photographer brings his works into conversation with those of French sculptor Aristide Maillol, while also surveying his eye for dogs, double acts, and life’s “charming parallels”
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How do you make a documentary about a documentarian? Director Paul Sng talks about balancing image, sound and testimony in his film on Tish Murtha
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There is a strange and perplexing photograph in Curran Hatleberg’s photobook, River’s Dream (TBW, 2022), which shows a man with a large swarm of bees attached to his face and body. The image is bewildering. The man is sitting down in a chair, with no protective gear, and his eyes are closed. His hands are […]
Keisha Scarville and I spoke via email to discuss her new book lick of tongue, rub of finger, on soft wound (MACK, 2023), which was shortlisted for the Aperture/Paris Photo First PhotoBook Award. The book is constructed with images from several bodies of work over the past 20 years, each of which in its own way investigates […]
I did not want to use Bladerunner as an analogy for this photobook simply because the title implies an association. I find nothing immediate in the book that relates the film to Uta’s miasmatic and crepuscular photographs. However, I could marginally make that leap if I wanted to chalk the images up to having a […]
For the complete list, please consult the Nearest Podcast in the following weeks, where I will MC over a much longer list of the great books published this year. For this list, I wanted to keep the books down to five that I feel will define the artist’s career or are crucial to the medium. […]
Carla Williams can make the world beyond us seem a simple place. Looking at the self-portraits she made over a fifteen year period, from 1984-1999, may briefly lull us into a false apprehension of the world as containing little interest of its own. Such is the poetic depth of these pictures, which, when edited and […]
Joachim Brohm’s work has influenced my way of thinking about photography, particularly his work regarding architecture. Though Joachim might not say that his work is directly about architecture, how he photographs sites and buildings has been vital in opening my eyes to new possibilities for seeing potential subject matter. Known for several high-profile and […]
The photographs in this series were taken between 2020-2022 in Germany. Taken in seemingly forgotten spaces that bear the traces of past human intervention. The places are in a state of transformation, which is slowly taking place. Sometimes, it is a seeming recapture of nature or a blurred state of abandonment. In photographically precisely […]
Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…
In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…
She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…
Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…
Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence? Are we looking for an explanation? For reasons? Justification? Or are we simply denying our own…
Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…