In this challenging exploration of masculinity and patriarchal privilege — through portraits, object studies and nudes — Carolyn Drake performs an exorcism of male power, where empathy and violence collide.

For four years, Yulia Skogoreva has been documenting female sumo wrestlers fighting for recognition in a sport from which they are banned, following the story of Nana—a young sumo wrestler who dreams of going pro.

You’re invited to saunter through the curving streets of this Tuscan hill-top town while you discover 26 remarkable photo exhibitions on the theme of More or Less.

Working under the moniker ‘Bureau d’Etudes Japonaises’ photographer Bruno Quinquet deftly applies a conceptual approach to street photography, exploring the 23 wards of Tokyo from the perspective of a postman.

Scattered across more than 15 different venues throughout the city, Tokyo’s free outdoor international photo festival opens this month showing work that revolves around the theme “Link Up!”

In an imaginative exhibition on view in Philadelphia, Anne Eder invites visitors into an uncanny, sensorial world of images, sculptures and smells, crafted from her forages in local woodlands.

A photo essay about the small community living in the isolated town of Barentsburg on a Norwegian island in the far north — a location so remote it can only be reached by helicopter, snowmobile or ship.

A visit to Hokkaido triggered Tamaki Yoshida to think deeper about the relationship between humanity and the natural world—a process that resulted in these kaleidoscopic images.

As Paris Photo 2023 gets under way, Diane Smyth takes a look at the other must-see shows and fairs taking place across the city this week
The post Beyond Paris Photo: Here’s what not to miss in the capital this week appeared first on 1854 Photography.

As the Elles × Paris Photo initiative celebrates its first five years with a new publication, we speak to 2023 curator Fiona Rogers and look ahead to the array of fringe events taking place in Paris later this month
The post ‘A metaphor for wider political issues’: Looking ahead to Elles x Paris Photo appeared first on 1854 Photography.

Based in a former mining area in northern France, Centre régional de la photographie is honouring the past to bring photography to the present. Director Audrey Hoareau reveals the innovative ways the centre is reaching out to the local community and beyond
The post ‘We are a support system and we respect the artistic project’: the French museum democratising photography appeared first on 1854 Photography.

Photojournalist Mariusz Smiejek has spent much of his life attempting to understand conflict in the North of Ireland. His Belfast exhibition shows the lasting impact of the violence
The post ‘We should understand how easily people are affected by wars’: Documenting the intergenerational trauma of The Troubles appeared first on 1854 Photography.

Co-curator Azu Nwagbogu explains how this year’s festival will resurface hidden histories – and why, for the first time, it’s expanded into Benin
The post ‘We should all be thinking of scenarios that bring us together’: What to expect from LagosPhoto 2023 appeared first on 1854 Photography.

Ahead of the release of his new volume, Book of the Road, the photographer discusses his work, his inspirations and how a multiple sclerosis diagnosis led him to revisit his archive
The post ‘I was a privileged white man, but I was trying to do something radical’: Daniel Meadows’ Free Photographic Omnibus appeared first on 1854 Photography.

Curator Thyago Nogueira spent three years working with Moriyama on The Photographers’ Gallery retrospective
The post Behind the scenes of Moriyama’s London takeover appeared first on 1854 Photography.

Most of the best photography is being shown beyond The Regent’s Park tent, as institutions and galleries mount their biggest shows of the year for the visiting masses
The post Your photography guide to London’s Frieze Week appeared first on 1854 Photography.

The post Moises Saman Documents the Effects of Devastating Floods in Libya appeared first on Magnum Photos.

The post Nanna Heitmann’s Photographs of Life in Russia During Wartime appeared first on Magnum Photos.

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The post 100 Photos for Press Freedom by Abbas appeared first on Magnum Photos.

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The post A Year in Ukraine appeared first on Magnum Photos.

The post Magnum Digest #185: News and Projects from January 2023 appeared first on Magnum Photos.

The post Lindokuhle Sobekwa named inaugural Kobal Fellow appeared first on Magnum Photos.

Dan Skjæveland is a Norwegian artist living in Trondheim. He recently published his first monograph with Nearest Truth Editions. I spoke to Dan about his way into photography, his process and the making of his book 33 Suspensions. — ASX: Let’s talk about your beginnings. How did you come to photography? Dan Skjæveland: I came to photography […]

  Peppered throughout major cities, including Berlin, where the new photobook Triple Seven by Anne Lass was shot, are clandestine spaces that most of the population will never enter or see. Men’s clubs in North London, brothels in Marseilles, and small gambling rooms in Berlin, as Lass has photographed, are secreted behind a façade of […]

I Am Not A Robot (Witty Books, 2023) asks more questions than it answers. How do we differentiate from the illusions of our constructed virtual worlds and that of reality? How do we satiate our requirement and desire for order in ever-changing environments? Are we confined to an existence based on binary calculations, or can […]

During a talk he gave to his students at the San Francisco Art Institute (SFAI) in 1980, Larry Sultan opened up about the challenges he faced with his latest series of photographs featuring swimmers in the community pools of the Bay Area. The young photographer struggled to justify this new body of work, as the […]

Coal mining is a very peculiar enterprise. The 19th and 20th Centuries committed untold heaves of labor to its extraction. It fuels communities, yet its extraction suggests a disemboweling of the land where these communities settle. The prospect of coal mining is one of capital and capitalism. The very human clay that mines these enterprises […]

Workers: The Human Clay (Steidl, 2023) is the most comprehensive volume to focus on Lee Friedlander’s near seventy year fascination with work and those who do it. Edited by Joshua Chuang and bringing together 253 images stretching as far back as 1958, this book functions well as an overview of a subject that has persisted […]

  I feel a common bond with this book. Aapo Huhta has explored a few different terrains that I have also explored or happened upon over the last decade, and he has combined them compellingly. It is another book in an increasingly exciting year for the publisher Kult Books, whose imprint I am following closely […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…