A photo essay about the small community living in the isolated town of Barentsburg on a Norwegian island in the far north — a location so remote it can only be reached by helicopter, snowmobile or ship.
In an imaginative exhibition on view in Philadelphia, Anne Eder invites visitors into an uncanny, sensorial world of images, sculptures and smells, crafted from her forages in local woodlands.
Scattered across more than 15 different venues throughout the city, Tokyo’s free outdoor international photo festival opens this month showing work that revolves around the theme “Link Up!”
A visit to Hokkaido triggered Tamaki Yoshida to think deeper about the relationship between humanity and the natural world—a process that resulted in these kaleidoscopic images.
Through archival imagery and his own pictures, Francesco Pennacchio constructs a photographic bridge to the memory of his mother; a voyage that is equal parts tender and playful.
Juxtaposing intimate self-portraits with medical scans, collages and images of oddly shaped vegetables, Mayumi Suzuki explores her experience of fertility treatment—an issue rarely discussed in Japanese society.
Originally taken as cheap snapshots sold to late-night revelers in Amsterdam, this couple’s collection of Polaroid portraits have become an invaluable archive of the city’s nightlife from when the 70s turned into the 80s.
Turning his lens on people who have chosen to live in remote Poland, Mateusz Kowalik’s award-winning book explores the lure of the wild and the tensions that arise when one turns their back on the comforts of modernity.
Photojournalist Mariusz Smiejek has spent much of his life attempting to understand conflict in the North of Ireland. His Belfast exhibition shows the lasting impact of the violence
The post ‘We should understand how easily people are affected by wars’: Documenting the intergenerational trauma of The Troubles appeared first on 1854 Photography.
Co-curator Azu Nwagbogu explains how this year’s festival will resurface hidden histories – and why, for the first time, it’s expanded into Benin
The post ‘We should all be thinking of scenarios that bring us together’: What to expect from LagosPhoto 2023 appeared first on 1854 Photography.
Ahead of the release of his new volume, Book of the Road, the photographer discusses his work, his inspirations and how a multiple sclerosis diagnosis led him to revisit his archive
The post ‘I was a privileged white man, but I was trying to do something radical’: Daniel Meadows’ Free Photographic Omnibus appeared first on 1854 Photography.
Curator Thyago Nogueira spent three years working with Moriyama on The Photographers’ Gallery retrospective
The post Behind the scenes of Moriyama’s London takeover appeared first on 1854 Photography.
Most of the best photography is being shown beyond The Regent’s Park tent, as institutions and galleries mount their biggest shows of the year for the visiting masses
The post Your photography guide to London’s Frieze Week appeared first on 1854 Photography.
Ahead of his major retrospective at London’s Hayward Gallery, Sugimoto discusses “the consciousness of space” with Marigold Warner, on a tour of his Tokyo complex
The post Building space: In the studio with Hiroshi Sugimoto appeared first on 1854 Photography.
BJP reveals this year’s Carte Blanche shortlist, alongside the four winning photographers who will present their work to the public at the Grand Palais Ephémère during Paris Photo
The post Meet the winners of this year’s Carte Blanche Student competition appeared first on 1854 Photography.
Photography’s rules are made to be broken. Having become frustrated with the medium’s conventions, five artists discuss how sculpture, activism and X-rays keep photography alive in their work. Next up is Gareth Phillips
The post How Gareth Phillips has reimagined the photobook appeared first on 1854 Photography.
During a talk he gave to his students at the San Francisco Art Institute (SFAI) in 1980, Larry Sultan opened up about the challenges he faced with his latest series of photographs featuring swimmers in the community pools of the Bay Area. The young photographer struggled to justify this new body of work, as the […]
Coal mining is a very peculiar enterprise. The 19th and 20th Centuries committed untold heaves of labor to its extraction. It fuels communities, yet its extraction suggests a disemboweling of the land where these communities settle. The prospect of coal mining is one of capital and capitalism. The very human clay that mines these enterprises […]
Workers: The Human Clay (Steidl, 2023) is the most comprehensive volume to focus on Lee Friedlander’s near seventy year fascination with work and those who do it. Edited by Joshua Chuang and bringing together 253 images stretching as far back as 1958, this book functions well as an overview of a subject that has persisted […]
I feel a common bond with this book. Aapo Huhta has explored a few different terrains that I have also explored or happened upon over the last decade, and he has combined them compellingly. It is another book in an increasingly exciting year for the publisher Kult Books, whose imprint I am following closely […]
Incarceration, one of our great social taboos. Out of sight and out of mind is enough for the majority of society, unaware that in the UK, some reoffending rates are over 50%, costing society £18bn a year. The current system is at the very least creaking, if not fundamentally flawed and failing those who, whilst […]
Equine surgery and medical observation; specialized labor and industrial production. In its study of the Clinica Equina Bagnarola, a renowned horse clinic outside of Bologna, Italy, Andrea Modica’s Theatrum Equorum (TIS books, 2022) touches on each of these subjects fluidly and with considerable grace, in a mode closer to aphorism than to essay. Modica’s images […]
The first time I looked through Igor Posner’s Cargó (Red Hook Editions, 2022) I was bewildered. I did not know, for example, that across 160 pages and what feels like triple that number of images, it would express the disjointedness and poignancy of memory, or that it would render the experience of time passing as […]
Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…
In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…
She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…
Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…
Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence? Are we looking for an explanation? For reasons? Justification? Or are we simply denying our own…
Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…