Phil Toledano has often pushed the boundaries of photography to imagine the future; now he’s tapping into AI to create alternative histories, challenging our belief in any images at all.

Prized old automobiles—that most American of obsessions—are the entry point to the surprising beauty and tenderness of their owners, the communities they belong to, and the aspirations they hold dear.

Traversing 17 of the world’s most influential cities, Anastasia Samoylova’s latest body of work is a multi-layered exploration of the photographs that invade and occupy public space—and the many ways they infiltrate and shape our lives and desires.

A visual catalog of the vibrant and chaotically diverse “stuff of life” that can be found within just a few city blocks of one neighborhood in Hamburg, Germany — It’s a look at consumerism, fashion, excess and bling with a touch of humor, delight and disbelief.

You’re invited to saunter through the curving streets of this Tuscan hill-top town while you discover 26 remarkable photo exhibitions on the theme of More or Less.

From atmospheric studio shots to grainy selfies, Julie Joubert uses a spectrum of different image formats to paint a multilayered portrait of a young man’s journey to define himself in the face of struggle.

These brilliant handmade photomontages are inspired by figurative classical paintings, and serve as meditations on art and the passage of time. They were among the winners of this year’s Critics’ Choice Awards.

Investigating the remarkable return of a lone wolf to south central France, Julien Coquentin’s “Orielle Coupée” uses cyanotypes, landscapes and portraits to tell its story.

Famed for its skyscrapers, the densely packed city-state is also home to a burgeoning photo scene. Photographer and lifelong resident Calvin Chow guides us through the cultural highlights
The post A guide to Singapore’s photography scene appeared first on 1854 Photography.

Ana María Arévalo Gosen, winner of the Marilyn Stafford FotoReportage Award, discusses the realities of young motherhood – and why she hopes to change Venezuela’s abortion laws
The post ‘I could have been one of these girls’: Documenting Venezuela’s teenage pregnancy crisis appeared first on 1854 Photography.

Scottish photographer Margaret Mitchell reflects on returning to a project she started in 1994 – photographing her sister and her children in impoverished Stirling
The post Then and now: Margaret Mitchell reflects on adversity close to home appeared first on 1854 Photography.

We visit the home studio of Katrin Koenning in the leafy Melbourne suburb of Prahran, where the artist connects with the local community to develop her many varied projects
The post In the studio with Katrin Koenning appeared first on 1854 Photography.

The defiant gaze of a leader. The bonds of girlhood friendship. A tender embrace between father and son. These are among the touching moments that make up Portrait of Humanity Vol.5, opening today at Belfast Exposed.
The post Portrait of Humanity opens at Belfast Exposed appeared first on 1854 Photography.

Tish Murtha was a firm believer that photography could be a tool for social change – here, her daughter Ella reflects on the importance and continued relevance of her work
The post ‘Motivated by the desire to document real people’: Reflections on the work of Tish Murtha appeared first on 1854 Photography.

The Australian-born curator has been responsible for some of the most significant shows of the last 15 years. She talks fairs, mentors, and the problem with arts education
The post Dr Susan Bright: ‘I don’t think of curating as categorising photographs’ appeared first on 1854 Photography.

The Bradford artist’s early output was created walking the streets, capturing an industrial society that is now extinct: kids playing, ladies talking in terraced streets and grafters working at full pelt
The post Ian Beesley: ‘I take photographs for the people – working people, who are often overlooked’ appeared first on 1854 Photography.

The post Magnum Welcomes Four New Members appeared first on Magnum Photos.

The post 100 Photos for Press Freedom by Abbas appeared first on Magnum Photos.

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The post A Year in Ukraine appeared first on Magnum Photos.

The post Magnum Digest #185: News and Projects from January 2023 appeared first on Magnum Photos.

The post Lindokuhle Sobekwa named inaugural Kobal Fellow appeared first on Magnum Photos.

The post “The Era of Plenty is Over.” Matt Black on water inequality in the US appeared first on Magnum Photos.

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Full Article on Patreon Julie van der Vaart‘s Blind Spot (VOID, 2022) aims to reconcile the body with geological formations that illustrate the schism between the notion of time and its readability by the mind and body of humankind. A long-term project, the book is a thick volume of van der Vaart’s photographs veiled in […]

Full Article on Patreon   …The book is well-sequenced and edited by the Studiofagnel team, with passages of images coordinated by gold and brown to off-white images of textiles and walls. A labyrinthian element asks the viewer to navigate through the corridors of Polici’s world akin to reading Borges. Nothing is inevitable, but the viewer’s […]

Full Article with More Images on Patreon   It is essential to understand the biography of Tomatsu to understand what the emotion of rage or anger may be prevalent in his work. As a pubescent teen during the atomic bombing of Japan and the subsequent end of the Second World War, Tomatsu recalls the occupation […]

Full Article on Patreon   Preliminary Analysis of Nakahira Takuma For a Language to Come (Kitarubeki Kotoba no Tameni)     There are several things that I love about Nakahira’s book. The idea that he does not make formal considerations such as vertical vs. horizontal page layout a huge deal. He switched to verticality with […]

Full Article on Patreon     I am curious as to what lies between the notion of glancing versus that of observation. Can an observation be reduced to a glance? Can a more prolonged glance become an observation, and what do these questions pose to how we make photographs and how do we view them […]

Full Article on Patreon   So, the dig at post-industrial decay has put a giant bee in my bonnet. But what should I expect about the unspoken class issues that revolve and permeate through and in photography these days? I mean, if you have a New York-London-based photographer stat in your bio and are in […]

Full Article on Patreon   Andreas Gehrke is someone who I have covered previously for his exceptional photobooks. I have nearly every title he has produced, and standouts include Berlin a Brandenburg, among many others. His output is incredible, and he also self-publishes these titles under his imprint Drittel Books. What I find universal in […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…