A visual catalog of the vibrant and chaotically diverse “stuff of life” that can be found within just a few city blocks of one neighborhood in Hamburg, Germany — It’s a look at consumerism, fashion, excess and bling with a touch of humor, delight and disbelief.

You’re invited to saunter through the curving streets of this Tuscan hill-top town while you discover 26 remarkable photo exhibitions on the theme of More or Less.

From atmospheric studio shots to grainy selfies, Julie Joubert uses a spectrum of different image formats to paint a multilayered portrait of a young man’s journey to define himself in the face of struggle.

These brilliant handmade photomontages are inspired by figurative classical paintings, and serve as meditations on art and the passage of time. They were among the winners of this year’s Critics’ Choice Awards.

Investigating the remarkable return of a lone wolf to south central France, Julien Coquentin’s “Orielle Coupée” uses cyanotypes, landscapes and portraits to tell its story.

Documenting her journey from Ukraine to The Netherlands with her mother, Hanna Hrabarska’s visual diary grapples with the experience of being forced to leave one’s home in the face of war—and the challenges of arriving in a new country.

By obscuring the faces with embroidery — which would typically be the most important parts of these elementary school class portraits — otherwise overlooked details are brought into focus, such as body language and other embodiments of social convention.

Oleñka Carrasco’s latest photobook and exhibition at the Rencontres d’Arles recounts how grief prompted her search for a lost connection with the house and land in which she grew up — Venezuela.

The Bradford artist’s early output was created walking the streets, capturing an industrial society that is now extinct: kids playing, ladies talking in terraced streets and grafters working at full pelt
The post Ian Beesley: ‘I take photographs for the people – working people, who are often overlooked’ appeared first on 1854 Photography.

Where does photography fit into a legacy literary magazine? Max Ferguson talks poets, projects, and the amateur aesthetic
The post Granta’s photo editor on finding image-text harmony appeared first on 1854 Photography.

The veteran photojournalist has captured the wonders and horrors of his native Medellín for over 40 years. Looking back on his archive, he reflects on documenting the loss and conflict that continue to haunt the Colombian city
The post Henry Agudelo on forty years photographing Colombia appeared first on 1854 Photography.

The world’s most prestigious photography festival returns to the south of France this summer. BJP’s editor Diane Smyth reports on the opening week
The post On the ground at Arles 2023 appeared first on 1854 Photography.

Renowned for his photographic investigations, Mathieu Asselin now turns his lens on Dieselgate, revealing the car industry’s violent and exploitative relationship with nature
The post ‘We need to stop the bullshit’: Mathieu Asselin’s exhausted landscapes appeared first on 1854 Photography.

For centuries, the yak and the Tibetan people have shared an inseparable bond. Kin Coedel tells the story of a nomadic community who stayed true to their traditions when China’s rapidly growing economy threatened Tibet’s way of life
The post Kin Coedel’s ode to Tibet’s yak-yarn craft artists appeared first on 1854 Photography.

Two years since his dramatic separation from artistic partner Adam Broomberg, Oliver Chanarin reflects on collaboration, consent, and his new book
The post ‘I didn’t know how to be a photographer anymore’: The resurrection of Oliver Chanarin appeared first on 1854 Photography.

Galvanised by the brutal events of the Red Summer of 1919, Ones to Watch winner Trent Harlan Bozeman returns to his native Arkansas to document the consequences of Black history
The post Reshaping legacies in the American South appeared first on 1854 Photography.

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The post Magnum Digest #185: News and Projects from January 2023 appeared first on Magnum Photos.

The post Lindokuhle Sobekwa named inaugural Kobal Fellow appeared first on Magnum Photos.

The post “The Era of Plenty is Over.” Matt Black on water inequality in the US appeared first on Magnum Photos.

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Full Article with More Images on Patreon   It is essential to understand the biography of Tomatsu to understand what the emotion of rage or anger may be prevalent in his work. As a pubescent teen during the atomic bombing of Japan and the subsequent end of the Second World War, Tomatsu recalls the occupation […]

Full Article on Patreon   Preliminary Analysis of Nakahira Takuma For a Language to Come (Kitarubeki Kotoba no Tameni)     There are several things that I love about Nakahira’s book. The idea that he does not make formal considerations such as vertical vs. horizontal page layout a huge deal. He switched to verticality with […]

Full Article on Patreon     I am curious as to what lies between the notion of glancing versus that of observation. Can an observation be reduced to a glance? Can a more prolonged glance become an observation, and what do these questions pose to how we make photographs and how do we view them […]

Full Article on Patreon   So, the dig at post-industrial decay has put a giant bee in my bonnet. But what should I expect about the unspoken class issues that revolve and permeate through and in photography these days? I mean, if you have a New York-London-based photographer stat in your bio and are in […]

Full Article on Patreon   Andreas Gehrke is someone who I have covered previously for his exceptional photobooks. I have nearly every title he has produced, and standouts include Berlin a Brandenburg, among many others. His output is incredible, and he also self-publishes these titles under his imprint Drittel Books. What I find universal in […]

Full Article on Patreon     …In assessing Dark Matter, I am also reasonably confident that this use of newspaper imagery is lodged in the artist’s practice from influences such as Michael Schmidt, whose book Ein–Heit, produced in the 90s, made great use of similar aesthetics of inconvenient German history, which was photographed and hung […]

  Full Article on Patreon     …Further images within images add to the sense of a lived space as Becher family photos from the 20s and 30s adorn mantels and countertops, with a finesse of an image, ala the Bechers, of a water town, sat, out of frame, lithely resting against a presumed wedding […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…