LensCulture’s group exhibition at Photo London featured the work of 60 remarkable photographers, May 10-14, 2023. Here’s a view of selected work, and links to all 60 participating photographers.

In portraits suffused with surrealism, Cathy Cone’s multi-layered images play with the transformative nature of photographs, inviting us to see the world anew.

In his deceptively simple photographs, Valery Poshtarov pushes against the narrow confines of modern masculinity to capture moments of tenderness between fathers and their sons.

A powerful outdoor exhibition in London reflects on the manifold ways the climate emergency is affecting communities across the world—and how we can visualize these urgent stories of devastation.

Shooting from the heart—without looking through her viewfinder—Mikiko Hara’s luminous photographs teeter between private and public life, exploring what it means to use a camera as a way of being in the world.

Troy Williams’ intimate portraits of characters he meets in his New York neighborhood are immersed in the spirit of belonging and freedom found on downtown city streets.

Here is a preview selection of photographs that will be on display at Photo London this year May 10-14, 2023.

Using photography to come to terms with a concussion, Jacob Black’s images teeter between clarity and confusion to explore the dreamlike way he sees the world post-accident.

Travel from quiet gardens to the world’s financial capitals in entries from Loose Joints, Dewi Lewis and Photo Editions
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Inspired by the theory of plate tectonics, the South Korean artist wields everyday objects in her elegant towers, creating quiet, weightless images
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Fascinated by the scientific and mythical implications of nuclear fusion experiments, Ezio D’Agostino traversed into the depths of ITER, the world’s largest power plant dedicated to harnessing solar energy.
The post Ezio D’Agostino interrogates one of the most expensive engineering experiments in human history appeared first on 1854 Photography.

David Moore’s pictures of Midlands housing estates pioneered kitchen sink realism in colour. Revisiting them is a chance for archival control and new representation, he tells Louise Benson
The post ‘It was social curiosity as much as anything else’: David Moore on the real England of the 1980s appeared first on 1854 Photography.

David Aruquipa Pérez’s images of Las Chinas Morenas highlight an often-overlooked fight for queer liberation
The post ‘A challenge to power’: Archival images of Bolivia’s queer carnival performers appeared first on 1854 Photography.

Interrogating the unseen infrastructures that govern our lives, Trevor Paglen’s technology-driven practice has led him to deserts and oceans across the world, and even into space.
The post In the studio with Trevor Paglen appeared first on 1854 Photography.

Exploring self-presentation and gender representation, Fosso was awarded the £30,000 prize for the retrospective Samuel Fosso at the Maison Européenne de la Photographie, Paris
The post Samuel Fosso wins the Deutsche Börse Photography Foundation Prize 2023 appeared first on 1854 Photography.

With Scotiabank’s CONTACT Photography Festival underway this month, Naomi Skwarna unpicks the artists, places, and ideas behind the outdoor programme, from utopic posters to North African billboards
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Full Article on Patreon     I am curious as to what lies between the notion of glancing versus that of observation. Can an observation be reduced to a glance? Can a more prolonged glance become an observation, and what do these questions pose to how we make photographs and how do we view them […]

Full Article on Patreon   So, the dig at post-industrial decay has put a giant bee in my bonnet. But what should I expect about the unspoken class issues that revolve and permeate through and in photography these days? I mean, if you have a New York-London-based photographer stat in your bio and are in […]

Full Article on Patreon   Andreas Gehrke is someone who I have covered previously for his exceptional photobooks. I have nearly every title he has produced, and standouts include Berlin a Brandenburg, among many others. His output is incredible, and he also self-publishes these titles under his imprint Drittel Books. What I find universal in […]

Full Article on Patreon     …In assessing Dark Matter, I am also reasonably confident that this use of newspaper imagery is lodged in the artist’s practice from influences such as Michael Schmidt, whose book Ein–Heit, produced in the 90s, made great use of similar aesthetics of inconvenient German history, which was photographed and hung […]

  Full Article on Patreon     …Further images within images add to the sense of a lived space as Becher family photos from the 20s and 30s adorn mantels and countertops, with a finesse of an image, ala the Bechers, of a water town, sat, out of frame, lithely resting against a presumed wedding […]

Alejandro Acin The Rest is History ICVL Studio and supported by Sala Kursala Programa Cultural   The machinations of history are in constant flexes of exchange. They are impermanent, their concept a flux, or are often a mess of contradictions. We are taught history as if it were permanent, an established and often binary set of […]

  There comes a point in our lives when the incessant cavorting, energy expulsion, and general themes of youth come to a crawling end. Associated with the recognition of these moments are a series of mid-life acknowledgments. First, if one takes up the standard biology-the coupling, work, and family routines, the dissipation of specific energies […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…