38 curators, artists, editors and photography experts share their personal favorite photobooks from 2022 — a delightfully diverse list of great recommendations.

Weaving together portraits, landscapes, found objects, and advertising imagery in his new photobook, Shane Rocheleau presents an unsparing view of complicated American history.

Crista Dix, the Executive Director of the Griffin Museum of Photography and juror on this year’s Art Photography Awards, delights in discovering and showcasing new artists and their ideas.

Izabela Radwanska Zhang—the first female editor of British Journal of Photography and juror on this year’s Art Photography Awards—discusses her editorial vision, and how Art photography transcends other genres.

Brian Clamp, founder of CLAMP New York — and a juror in this year’s Art Photography Awards — offers candid insight and advice about the international art marketplace, galleries, career strategies, and more.

A visual love story to the most common automobile on the roads of Romania, and the people who drive them.

Drawing on decades of experience in the fine art world, renowned gallerist Anna Walker Skillman offers her perspective on what’s shifted and what remains unchanged at the core of great photography.

A leading expert in the field shares her thoughts on the “golden age” of photobooks and offers advice to aspiring authors.

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  “He capered toward Bill, and the mask was a thing on its own, behind which Jack hid, liberated from shame and self-consciousness.” William Golding, Lord of the Flies   “In Huts, Temples, Castles, MACK returns with a new book from Ursula Schulz-Dornburg. As is the distinct emphasis on architecture and vernacular sensibility, all typological […]

  Full Article on Patreon   “In thinking over the melange of the photobook, its audiences, and their perceived dismissal or avoidance of other mediums, every once in a while, a book lands on my desk that has, at its base, some considerations for other media. In the case of Belgian artist Lars Duchateau’s excellent […]

  Full Article on Patreon   “The Banquet is a different affair built around the same context of mourning. Instead of pictures of himself or his deceased wife, Araki presents a catalog of their last meals together. The images are shot with a close-up ring flash and a short lens to give a microphotographic feel […]

  ” I once wrote an article that attempted, through literary aspirations, to tie our willingness to utilize memory with gaming and strategic and beneficial outcomes. The simple idea outlined in the writing was that when something is at stake, our memory functions on a high level. When we are asked for something specific, where […]

    Editor’s Note: I wrote the original press release for this book. Pointing this out before you read the review for transparency is fair and necessary, as it will inevitably show some bias. In place of a review for this concern, I have decided to extend the format with what appears as inanity but […]

Evgenia Ignatova Highlights   “No art is bereft of political possibility, yet, there is a strain of representation and often politicized meaning that photography is asked to perform in the 21st Century. We are perhaps losing sight of what photography does well, which is to give form to the optical unconscious of the moment that […]

  Going through a box of photographic sketchbooks this week after a prolonged studio move reminded me of the importance of sketching ideas for photobooks ahead of or at least coinciding with moving to digital realms to begin the process of editing and sequencing. My book Dein Kampf (MACK, 2019), has precedents in the photographic […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…