38 curators, artists, editors and photography experts share their personal favorite photobooks from 2022 — a delightfully diverse list of great recommendations.
Crista Dix, the Executive Director of the Griffin Museum of Photography and juror on this year’s Art Photography Awards, delights in discovering and showcasing new artists and their ideas.
Izabela Radwanska Zhang—the first female editor of British Journal of Photography and juror on this year’s Art Photography Awards—discusses her editorial vision, and how Art photography transcends other genres.
Brian Clamp, founder of CLAMP New York — and a juror in this year’s Art Photography Awards — offers candid insight and advice about the international art marketplace, galleries, career strategies, and more.
Drawing on decades of experience in the fine art world, renowned gallerist Anna Walker Skillman offers her perspective on what’s shifted and what remains unchanged at the core of great photography.
Fueling their artistic practice with a deep commitment to innovation, Ukrainian duo Synchrodogs’ latest project takes their dreamlike aesthetic to new terrain through a collaboration with Artificial Intelligence.
Reading Time: 3 minutes Currently on display at New York’s Museum of Sex, Troeller’s celebratory images capture women in moments of pleasure
The post Linda Troeller explores masturbation, female orgasm, and her own sexuality appeared first on 1854 Photography.
Reading Time: 3 minutes Armed with an antique camera, liquid silver, glass and cyanide, Boyd embarked on an emotional and historically loaded journey along the coast of Ireland, the Hebrides, and the Scottish Highlands
The post Alex Boyd’s wet plate photographs chronicle a journey across the Atlantic edges of Britain appeared first on 1854 Photography.
Reading Time: 7 minutes The significance of Black American studio photography has largely been neglected from the medium’s history. An exhibition at the New Orleans Museum of Art (NOMA) endeavours to challenge that, exploring the development and influence of these artists’ work throughout the medium’s first century of existence to the present day.
The post A look back at the importance of Black American studio photography through the decades appeared first on 1854 Photography.
Reading Time: 5 minutes Throughout her career, Jarvis has been intent on empowering the next generation of photographers. Doing this, alongside focused hard work and endurance, has led to the successes she enjoys today.
The post Industry Insights: Shaniqwa Jarvis on empowerment, social change and giving back appeared first on 1854 Photography.
Reading Time: 2 minutes London Art Fair’s annual group show for photography will present 11 multigenerational women and non-binary photographers, whose practices are informed by their Black and mixed diasporic heritage
The post On home and heritage: ‘Beautiful Experiments’ at London Art Fair’s Photo50 appeared first on 1854 Photography.
Reading Time: 4 minutes The book and accompanying retrospective opening next year is about Bhatt’s personal evolution, but also India’s first art school launched after the country gained Independence
The post Photographer, painter and printmaker: Jyoti Bhatt looks back at five decades of work in a new monograph appeared first on 1854 Photography.
Reading Time: 3 minutes Vitturi’s latest show is an intense and abstract exploration of tradition, ancient craftsmanship and culture
The post Colour clash: Lorenzo Vitturi interrogates his mixed cultural heritage, and the ‘hybridity’ of tradition appeared first on 1854 Photography.
Reading Time: 6 minutes The pioneering contemporary self-portraitist reflects on his life’s work as a major, touring retrospective of his work opens in Huis Marseille this month.
The post Samuel Fosso on personal trauma, moments of history and self-representation appeared first on 1854 Photography.
” I once wrote an article that attempted, through literary aspirations, to tie our willingness to utilize memory with gaming and strategic and beneficial outcomes. The simple idea outlined in the writing was that when something is at stake, our memory functions on a high level. When we are asked for something specific, where […]
Editor’s Note: I wrote the original press release for this book. Pointing this out before you read the review for transparency is fair and necessary, as it will inevitably show some bias. In place of a review for this concern, I have decided to extend the format with what appears as inanity but […]
Evgenia Ignatova Highlights “No art is bereft of political possibility, yet, there is a strain of representation and often politicized meaning that photography is asked to perform in the 21st Century. We are perhaps losing sight of what photography does well, which is to give form to the optical unconscious of the moment that […]
Going through a box of photographic sketchbooks this week after a prolonged studio move reminded me of the importance of sketching ideas for photobooks ahead of or at least coinciding with moving to digital realms to begin the process of editing and sequencing. My book Dein Kampf (MACK, 2019), has precedents in the photographic […]
Full Article on Patreon Absalon Kirkeby Still Fantasy Published by Disko Bay |…There have been precedents of abstraction with photography from early 20th Century experiments with photograms, Vortographs, and mid-Twentieth-century experiments in Konkrete Fotografie, or the photography of post-AbEx forms of photographic experimentation with chemigrams and darkroom light painting. Recently, artists from Wolgang Tilmans to […]
Full Article on Patreon National Identity is loosely based on tropes of uncertain but narrow fixity: culture, language, and nationhood. Several mitigating factors have thwarted this fundamental right to the assembly and persistence of identity in the 20th and 21st Centuries. Historically, conquest and colonial desire have eradicated the national identity of oppressed subjects through […]
Review Excerpt Graubard’s Road to Nowhere is a mercurial title. Published by Loose Joints, the last home of which I might expect to find a book on civil war and discontent to be published, the work reflects neither a war book nor a specific Aftermath book. Aftermath or post-event photography is a genre that looks […]
Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…
In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…
She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…
Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…
Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence? Are we looking for an explanation? For reasons? Justification? Or are we simply denying our own…
Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…