Fueling their artistic practice with a deep commitment to innovation, Ukrainian duo Synchrodogs’ latest project takes their dreamlike aesthetic to new terrain through a collaboration with Artificial Intelligence.

For over five years, Jake Ricker has visited the Golden Gate Bridge almost every day to take photographs. His project pays tribute to the highs and lows of the human experience that play out against San Francisco’s iconic red-orange landmark.

A touching retirement story of a 43-year-old brown bear, and the 80-year-old animal trainer who has cared for her since birth.

An ambitious, challenging, immersive “post-photographic” response to T.S. Eliot’s epic poem “The Waste Land” rises and resonates 100 years after the original writing.

Working in collaboration with their protagonists, Sarah Cooper and Nina Gorfer depict hopeful, powerful “utopian” visions for young women whose lives have been uprooted by forced migration.

In her new book “Some Say Ice”— an eerie portrait of the people, places and animals of the small Midwestern town of Black River Falls—Alessandra Sanguinetti confronts photography’s uneasy relationship to life and death.

Across his lyrical compositions of images, Paul Cupido uses black and white photography as a deeply personal, emotive language to explore the infinite possibilities of our natural surroundings.

In his tender portraits and landscapes in Central Park, Donavon Smallwood sees his work as a mirror for himself and “about being Black in a space of nature.”

Reading Time: 3 minutes Blending fine-art, commercial, and editorial images, Roe Ethridge questions compositional norms and artistic propriety
The post Roe Ethridge presents two decades of work in a vibrant new monograph appeared first on 1854 Photography.

Reading Time: 2 minutes Now in its eighth edition, the photo fair has today announced the first details of its 2023 programme, including naming Martin Parr Photo London Master of Photography 2023
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Reading Time: 2 minutes Set in the village of Prabert in France, Rousset’s images play on the eccentricities of the village and its people, transforming them lovingly into caricatures and tableaus
The post Fiction and absurdity: Thomas Rousset’s exaggerated explorations of rural life appeared first on 1854 Photography.

Reading Time: 7 minutes Presenting three decades of work, Miro Kuzmanovic’s self-published monograph addresses the legacy of the conflicts in former Yugoslavia, and how they have affected contemporary national identity
The post A haunting record of civil and political unrest in the former Yugoslavian states appeared first on 1854 Photography.

Reading Time: 3 minutes The French-Vietnamese artist generates multisensory installations, inquiring the process of making memories through a collision of her cultural references and connections
The post Nhu Xuan Hua distorts her family archive in an expression of her displacement and search for understanding of her past appeared first on 1854 Photography.

Reading Time: 4 minutes We speak to Alessia Glaviano, director of fashion photography festival PhotoVogue, about how this year’s responds to her question: What would Susan Sontag say?
The post PhotoVogue 2022: How does the ubiquity of images shape our ability to feel? appeared first on 1854 Photography.

Reading Time: 3 minutes
The post Mame-Diarra Niang’s ‘Same Guent Guii’: “Forgetting is also a starting point” appeared first on 1854 Photography.

Reading Time: 2 minutes Set within India’s City of Pearls, the festival platforms human interest stories covering love, war, and human rights
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Full Article on Patreon Absalon Kirkeby Still Fantasy Published by Disko Bay |…There have been precedents of abstraction with photography from early 20th Century experiments with photograms, Vortographs, and mid-Twentieth-century experiments in Konkrete Fotografie, or the photography of post-AbEx forms of photographic experimentation with chemigrams and darkroom light painting. Recently, artists from Wolgang Tilmans to […]

Full Article on Patreon National Identity is loosely based on tropes of uncertain but narrow fixity: culture, language, and nationhood.  Several mitigating factors have thwarted this fundamental right to the assembly and persistence of identity in the 20th and 21st Centuries. Historically, conquest and colonial desire have eradicated the national identity of oppressed subjects through […]

Review Excerpt Graubard’s Road to Nowhere is a mercurial title. Published by Loose Joints, the last home of which I might expect to find a book on civil war and discontent to be published, the work reflects neither a war book nor a specific Aftermath book. Aftermath or post-event photography is a genre that looks […]

Alessandra Sanguinetti Some Say Ice MACK/Magnum Photo A girl plays the piano convincingly. Another different girl, spotlit, plays a different piano, slightly less convincingly. Steam rises from a river, possibly black, convincingly. A buffalo mourns Its condition confined between fences during a winter snowstorm, most convincingly. A man’s hands clean a six-shooter pistol, and I […]

  “Throughout Meaker’s book, there is a pervasive sense of an unseen world, a drawing back of the curtain to reveal places that are looked over or are content to sit idyll and unobserved for the sale of their posterity. The artist pivots her camera towards the thicket and stagnant pools of water left behind […]

  As a collector of vintage photography with a penchant for the curious, horrific, and sometimes downright traumatic, it is no surprise that I gravitated to Ossian Brown‘s book Haunted Air published by Jonathan Cape in 2011. There also appears to be a new 2022 edition available. I am reviewing the book now as it […]

    Rob Ball‘s Silent Coast, published by Photo Editions (2022), suggests a distorted type of lyrical documentary investigation where the cruel conditions of political complications atomize the social concerns of a place and its people, reducing the everyday plight of the individual as small, unheard, and unnecessary. An opaque and uneasy accent of dissolve […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…