Weaving together Andean folklore and Catholic iconography, Marisol Mendez’s bold and beautiful portraits celebrate the syncretic culture of her home country, Bolivia, through its womxn.
These images start as drawings, then become temporary constructions that are photographed and then become flat again — playing with the illusion of depth and volume on a 2-dimensional picture plane.
A visual artist from Taiwan incorporates photography, sculpture, and found objects to create work that speaks to physical and psychological experiences, including the uncertainties surrounding her experience as an immigrant in New York.
As an artist-gardener, Lou-Lou van Staaveren’s camera is an essential part of her gardening toolkit. Her bright and playful images brim with the joys of experimentation and the restorative power of connecting with our surroundings.
In her project “FloodZone,” Anastasia Samoylova explores the steady decay of her adopted-home of Miami, searching for a new photographic language to depict climate change.
In “Nā́rī,” Spandita Malik collaborates with Indian women in the creation of embroidered portraits on fabric, subverting traditional ideas of artistic production and opening a space of creative freedom.
These old-school photograms are artful, abstract, mysterious, and a shocking reminder that discarded plastics will never break down naturally — art as a wake-up call.
Reading Time: 6 minutes
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Reading Time: 3 minutes The biennale’s 50 site-specific installations will light up the Swiss town for three weeks. Here, we speak to the festival’s director Stefano Stoll about its bold, playful, and unpretentious approach
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Reading Time: 5 minutes The winners of this year’s award explore culture, identity, motherhood and more, visualising powerful stories in striking new ways
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Reading Time: 4 minutes Portrait of Britain winner Charlie Clift on the privilege of photographing someone moments after a life-defining event. His subject? Michaela Coel
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Reading Time: 3 minutes Since starting out as an intern 25 years ago, Aperture foundation’s creative director Lesley A Martin has edited scores of photobooks, including cultural touchstones by artists like Rinko Kawauchi, LaToya Ruby Frazier and Antwaun Sargent
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Reading Time: 2 minutes Offering a family-friendly programme of talks, networking and time for personal practice, the event takes place from 19 to 23 September in Devon’s Colehayes Park
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Reading Time: 3 minutes Opening today, an exhibition of new works by the Scottish photographer documents the revellers of London’s Soho, returning to the much-loved party spot after months of Covid-19 lockdowns
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Does one need a photobook about someone else’s family? What universal aspects of image-making allow the work to transcend from a family album to a book that illustrates the broader condition of human understanding, behavior, and endeavor? There are notable examples throughout the history of photography where images of an artist’s family are remembered […]
We have yet to reconcile the deep chasm of exchange in the American order during the fateful summer and winter of 1969. During the rightfully dubbed Summer of Hate, the Manson Family murders shook the very bedrock of the American free lovin’ psyche. The significance of the murders ended the free wheelin’ summer of […]
We fail our images and images fail our desires. In trying to deliberate over which side of failure images are consigned to, the human side versus the side of the function of the image itself, it is hard to not implicate oneself in misunderstanding the function of a photographic image. We have come to expect […]
One of the most profound experiences of my visual life came with the discovery of Jeffrey Silverthorne’s The Woman Who Died in Her Sleep, 1972. I believe that I encountered the image in William Ewing’s book The Body: Photographs of the Human Form, 1994. I could be wrong as I no longer own a copy […]
There is a resurgence in recent years to look at the topic of industry and labor among artists considering the monumental shift that society is experiencing from manual labor to skilled labor. Over half of the projects that I encounter regarding the shift to automation revolve around digital territories-projects about AI, automation, cryptocurrencies, and […]
Ammoniaque is a simple book. I would almost describe the images within it as minimal. Alexis Desgagnés, a Canadian photographer working in Montreal has chosen to focus his attention on one wall, an intimate object oddly teeming with signs of life or human intervention in an industrialized area of the city situated off Moreau […]
I am attracted to the idea of audibility in photographs. In assessing my desire to hear photographs, I would suggest that this stems from a few reasons. Firstly, the static and still nature of a photograph rent from the passing and often raucous movement of life is singular in its condition to be viewed […]
Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…
In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…
She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…
Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…
Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence? Are we looking for an explanation? For reasons? Justification? Or are we simply denying our own…
Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…