Responding to the wave of destruction unfolding around him, Ukrainian photographer Evgeniy Zaets’ new project searches for order in his everyday surroundings.
This long-term photography project follows four young Arab women as they contend with hostilities, prejudice and vibrant daily life in Israel, their home country.
Weaving together portraits, landscapes, found objects, and advertising imagery in his new photobook, Shane Rocheleau presents an unsparing view of complicated American history.
Californian Mimi Plumb gives us a slow-burning view of San Francisco from the moment she first encountered it, leading us through the people and places that she met across four decades of a life lived in and around the “Golden City.”
Hand-cut photo collages made from vintage gay calendars in which a muscular silhouette becomes a window that both reveals and conceals to create tension between the layers.
This long-term photographic project draws attention to the multiple uses of make-shift cages in efforts to constrain and protect property in the harsh environment of the Namib desert.
This new book by award-winning street photographer Matt Stuart is filled with insights and advice garnered over decades of making stunning street photographs on a daily basis.
Reading Time: 3 minutes The 25-year-old photographer and her four siblings were homeschooled, guided by their desires and passions rather than a prescribed curriculum.
The post Julia Gat’s decade-long project invites us to reimagine what we define as learning appeared first on 1854 Photography.
Reading Time: 2 minutes The Polish photographer’s work is often rooted in the political and social landscape of her home country
The post Tension and discomfort: Marysia Swietlicka’s practice is driven by themes of religion, eroticism, illness and spirituality appeared first on 1854 Photography.
Reading Time: 2 minutes How do you visualise the non-visual, something so intangible as aroma?
The post Christelle Boulé crystallises the magic of perfume in her mesmerising images appeared first on 1854 Photography.
Reading Time: 4 minutes Featuring the work of 20 artists – including photographer Max Pinckers and conceptual artist Martha Rosler – this exhibition from Photo Triennal Hamburg explores appropriation, identity and the changing role of the image
The post Give and Take: Hamburger Kunsthalle’s latest exhibition poses questions for the ‘retinal era’ appeared first on 1854 Photography.
Reading Time: 2 minutes Suzuki’s latest book is titled Sokohi: a Japanese word used to describe visual impairment that translates as ‘shadow at the bottom’
The post Moe Suzuki visualises her father’s experience of losing his sight appeared first on 1854 Photography.
Reading Time: 3 minutes The young Indian photographer combines archive, sketches and still life and more, to illustrate hidden truths from his home country’s complex past
The post Through performance and docu-fiction, Abhishek Khedekar ruminates on life within community appeared first on 1854 Photography.
Reading Time: 5 minutes
The post Osceola Refetoff’s poignant survey of man’s presence in the deserts of the American West appeared first on 1854 Photography.
Reading Time: 3 minutes Despite the boldness of its statement, many of the exhibition subjects are absent from the work, given NI’s fraught record with LGBTQ rights
The post A Bigger Picture at Golden Thread Gallery foregrounds 15 Northern Irish feminist and queer lens-based approaches on the theme of home appeared first on 1854 Photography.
We fail our images and images fail our desires. In trying to deliberate over which side of failure images are consigned to, the human side versus the side of the function of the image itself, it is hard to not implicate oneself in misunderstanding the function of a photographic image. We have come to expect […]
One of the most profound experiences of my visual life came with the discovery of Jeffrey Silverthorne’s The Woman Who Died in Her Sleep, 1972. I believe that I encountered the image in William Ewing’s book The Body: Photographs of the Human Form, 1994. I could be wrong as I no longer own a copy […]
There is a resurgence in recent years to look at the topic of industry and labor among artists considering the monumental shift that society is experiencing from manual labor to skilled labor. Over half of the projects that I encounter regarding the shift to automation revolve around digital territories-projects about AI, automation, cryptocurrencies, and […]
Ammoniaque is a simple book. I would almost describe the images within it as minimal. Alexis Desgagnés, a Canadian photographer working in Montreal has chosen to focus his attention on one wall, an intimate object oddly teeming with signs of life or human intervention in an industrialized area of the city situated off Moreau […]
I am attracted to the idea of audibility in photographs. In assessing my desire to hear photographs, I would suggest that this stems from a few reasons. Firstly, the static and still nature of a photograph rent from the passing and often raucous movement of life is singular in its condition to be viewed […]
Where the interior of anything of consequence meets its exterior lies a point of tension that is best understood by an examination of limits. In terms of social experience and urban dwelling, this is no different. Designs in 20th and 21st-century forms of living have made the urban experience a questionable experiment much to […]
One of the enduring traits found in the photography of Luigi Ghirri is the way in which the artist played with the camera and the optical alignment of photographic images. His quest for optical games, shooting from behind the corner or through the veil as it were created a dialogue in photography that at […]
Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…
In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…
She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…
Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…
Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence? Are we looking for an explanation? For reasons? Justification? Or are we simply denying our own…
Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…