Created with a mission in mind, Mark Neville’s new photobook threads his portraits made in Ukraine with research and short stories as a desperate rallying call to action.
Love and life play out in Lin Zhipeng’s colorful images where bodies intimately share space with plants and food, free to bloom and flourish away from the conservatism of Chinese society.
A selection of 66 prints at David Zwirner in London celebrates the singular vision of Roy DeCarava, an artist devoted to making photography “break through a kind of literalness.”
These intimate portraits from Australia — each with a direct statement from the person photographed — crackle with the intensity of human connection and honesty.
Focusing his lens down below onto the streets to document the daily lives of street hawkers in Nigeria, Chukwudi Onwumere’s images explore the intersection between informal trade and public space.
Reading Time: 2 minutes Opening his show at Foam Amsterdam today, the Moroccan photographer blends commercial icons with rich, cultural references to ‘deconstruct the notion of normal’
The post Mous Lamrabat focuses on peace, care and love in his latest exhibition appeared first on 1854 Photography.
Reading Time: 3 minutes In his new book, author, critic and curator Gerry Badger, explores how documentary photographers have depicted Britain’s social and cultural history since the Second World War
The post Gerry Badger on redefining British documentary photography appeared first on 1854 Photography.
Reading Time: 4 minutes Beginning in 1996, Chris Leslie’s visual art project – a photobook, website, and series of events and exhibitions – captures war-torn communities as they rebuilt their lives
The post A Balkan Journey: Chris Leslie reflects on his documentation of post-conflict former Yugoslavia appeared first on 1854 Photography.
Reading Time: 3 minutes Portrait of Humanity Series winner Claudia Gschwend’s project about Sencirk circus is a powerful portrait of dynamic joy
The post Finding hope and resilience in a Senegalese circus school appeared first on 1854 Photography.
Reading Time: 3 minutes As we approach the closing weekend of PHOTO 2022, the Asia-Pacific Photobook Archive’s Isabella Capezio rounds-up her pick of the highlights
The post Highlights from Melbourne’s PHOTO2022 appeared first on 1854 Photography.
Reading Time: 4 minutes Made over the course of almost 15 years in more than 13 countries, Lotman’s book invites us to choose our own adventure
The post Drift through the dreamscapes of Sean Lotman’s latest book appeared first on 1854 Photography.
I am attracted to the idea of audibility in photographs. In assessing my desire to hear photographs, I would suggest that this stems from a few reasons. Firstly, the static and still nature of a photograph rent from the passing and often raucous movement of life is singular in its condition to be viewed […]
Where the interior of anything of consequence meets its exterior lies a point of tension that is best understood by an examination of limits. In terms of social experience and urban dwelling, this is no different. Designs in 20th and 21st-century forms of living have made the urban experience a questionable experiment much to […]
One of the enduring traits found in the photography of Luigi Ghirri is the way in which the artist played with the camera and the optical alignment of photographic images. His quest for optical games, shooting from behind the corner or through the veil as it were created a dialogue in photography that at […]
Christine Gössler exists in my mind, or rather the photographs of her, as the eternal notion of elegy in the photographic medium. Whereas she does not haunt my own memories, I feel the burden and the weight of her portraits through the images shot and books made by her husband Seiichi Furuya. When I suggest […]
Photography has a long history of documenting performances and rituals. The two terms, though separate are inexorably linked when they cross the path of divinity in all of its forms, invocations, and variations. From Christianity to the most abject forms of its antithesis, photography has always been instrumental in the documentation of rituals, the […]
Are we defined by our periods between tragedy or by the politics of the tragedy itself? During the course of the 21st Century, our lives feel constantly intertwined and defined by a sense of paralysis regarding global events. We are a media-manipulated species whose ability to read the political terrain is constantly undermined by […]
Perhaps it is because we live in a time where our affinity towards our natural environment has faced a grave and perilous threat that we are beginning to look inward towards the world around us, particularly to the natural world and the affirming images that it conjures on a micro-level. After centuries of technological […]
Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…
In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…
She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…
Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…
Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence? Are we looking for an explanation? For reasons? Justification? Or are we simply denying our own…
Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…