Tatiana Lopez’s lush cyanotype portraits of Sapara women portray the intertwined connections between dreams, body, and nature.

A new book by Aperture dives deep into the career of Judith Joy Ross, one of America’s leading portraitists, bringing together over 200 images to explore the sensitive eye and sharp intuition that guides her practice.

Making poetry out of her intimate domestic rituals, Ruth Lauer Manenti casts her home in the Catskill Mountains as the main character in “Excerpts,” a slow-burning series on the charged atmosphere of our everyday spaces.

A poetic, photographic meditation on the relentless power of Nature to reclaim its territory — it also poses questions about the mutability of human memory.

Announcing a group show celebrating the richness and diversity of new contemporary photography, featuring award-winning photographers from 41 countries on six continents — May 20-22, 2022.

Orphaned images from old experiments, archives and random purchases find a home in Ian Jackson’s contemporary reflection on stereoscopy, which explores the mysterious gap created when two images sit side-by-side.

In his series of haunting images, Michał Dyjuk rethinks photography in an attempt to preserve the memory of a lesser-known tragedy of the 20th century that unfolded in the forests of Augustow, his home in Poland.

A poetic examination of loss, grief, and healing, Mauro Corinti’s “Cose Certe” takes the landscape of the Apennine Mountains as a starting point to search for symbols and meaning.

Reading Time: 3 minutes In his new monograph, Reaching for Dawn, the photographer travels across Liberia, documenting a population living in the aftermath of civil war
The post Elliott Verdier reflects on the unwritten histories of national trauma appeared first on 1854 Photography.

Reading Time: 5 minutes
The post Jo Ractliffe on capturing South Africa’s violent legacies of apartheid, and Angola’s civil war appeared first on 1854 Photography.

Reading Time: 3 minutes The photographer’s practise uses gesture and performance to harness the power of anger
The post Patricia Voulgaris interrogates angst and rage, and what it means to be a feeling human appeared first on 1854 Photography.

Reading Time: 3 minutes Following the Russian invasion of Crimea in 2014, Yelena Yemchuk spent five years travelling to the southern Ukraine city of Odesa to document young people volunteering to join the army. Underpinned by a sense of curiosity and wonder, Yemchuk’s upcoming photobook is a reminder of the love and lives of the young Ukrainian people now faced with war
The post Yelena Yemchuk’s Odesa: A floating dreamland appeared first on 1854 Photography.

Reading Time: 3 minutes “The work speaks to me and my desires and how they intersect with other people’s identities and desires,” says Dugan
The post Intimacy, desire and survival in Jess T. Dugan’s celebration of queer love appeared first on 1854 Photography.

Reading Time: 3 minutes The British-Asian photographer uses his lens to explore the ancient practise of Mallakhamb – an intricate sport fusing wrestling with yoga
The post Vivek Vadoliya captures the powerful potential of the body in his debut photobook appeared first on 1854 Photography.

Reading Time: 2 minutes Tim Richmond’s latest photobook is a “love letter” to the people and places of a 20-mile stretch of coast in Southwest England
The post Love Bites: Life along the margins of the Bristol Channel appeared first on 1854 Photography.

Reading Time: 2 minutes Among the individual category winners, Edward Burtynsky is awarded this year’s prize for Outstanding Contribution to Photography. 
The post Adam Ferguson is named Sony World Photographer of the Year 2022 appeared first on 1854 Photography.

The post Border Story: Russia-Ukraine War appeared first on Magnum Photos.

The post Witnesses – Thomas Dworzak: Refugees at the Border, Sudan, 2020 appeared first on Magnum Photos.

The post Nanna Heitmann, Yael Martínez and Jonas Bendiksen win Regional Prizes at the 2022 World Press Photo Contest appeared first on Magnum Photos.

The post The Magnum Digest: March 4, 2022 appeared first on Magnum Photos.

The post Ukraine: Updates from Magnum Photographers in the Field appeared first on Magnum Photos.

The post The Magnum Digest: February 11, 2022 appeared first on Magnum Photos.

The post Magnum Photos and Obscura Collaborate to Create New Collections of NFTs appeared first on Magnum Photos.

The post The Magnum Digest: January 28, 2022 appeared first on Magnum Photos.

  Perhaps it is because we live in a time where our affinity towards our natural environment has faced a grave and perilous threat that we are beginning to look inward towards the world around us, particularly to the natural world and the affirming images that it conjures on a micro-level. After centuries of technological […]

  Were all just passengers here, some of us just feel the need to document our experiences to convey, reflexively back to ourselves, that we were ever really present. We rely on the camera as a means for which to confirm our existence and our incremental movements here under the increasingly hot sun. The camera […]

  Paolo Gasparini’s lengthy career and intense scrutiny of the Latin American social and political landscape from the point of view of an outsider looking in has produced, by proxy of his many photobooks and serial investigations of place, an incredibly rich document of Latin America caught in-between disjointed moments of upheaval and the hope […]

PHOTOBOOK YEAR-LONG COURSE MAY 2022 – MAY 2023 The Intent ​ I have been enthralled with the photobook medium since the late 90s. I do not see the photobook as a simple vessel for photography. I see it as a medium that can be understood as the final message. The book suits me as a […]

  Note: There is a soluble parable lurking in the back of my mind that I wish to tether to this review of Francesco Merlini’s photobook The Flood. I am not sure I believe in it myself. Parables are strange pronouncements offered by someone as if in authority, moral or other. Therefore, one cannot help […]

Cristóbal Hara is a name that I had not explored until late last year with the co-publication of his book España Color 1985-2020/Spain in Color 1985-2020. The Spanish and English versions were respectively handled by  Editorial Rm and Matt Stuart‘s Plague Press. I had seen it advertised throughout the year, mostly from Matt’s Instagram page […]

  The Minox pocket camera was developed in 1936 by Walter Zapp to provide the public with a small compact camera that was easily portable and that was economically feasible for a budding amateur class of photographers to purchase. Its innovative design, compact, small, and easily hidden were later co-opted as something of a novel […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…

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