In his series of haunting images, Michał Dyjuk rethinks photography in an attempt to preserve the memory of a lesser-known tragedy of the 20th century that unfolded in the forests of Augustow, his home in Poland.

A poetic examination of loss, grief, and healing, Mauro Corinti’s “Cose Certe” takes the landscape of the Apennine Mountains as a starting point to search for symbols and meaning.

Bubi Canal’s photographic imagination transports us to a fantastical universe inhabited by bright, colorful creatures fashioned, in part, from hybrid mythologies and found materials.

Through portraiture, José Ibarra Rizo explores his past as an immigrant, focusing his camera on those who share his experience and using commonality and empathy to undermine the idea of “otherness”.

Across 108 pages of images and diaristic reflections, Jess T. Dugan weaves together an intimate view of queer life, from its loves and losses to the exploration of desire and growth that have been at the heart of their journey.

This Argentinian artist doubles up crumpled and pristine photographs of the same places to create evocative landscapes expressing the fragility of the natural environment.

Jeanette Spicer’s evocative portraits of friends and family play with light and space to challenge viewers to rethink intimacy, representation and relationships.

Devashish Gaur’s layered approach to portraiture builds visual conversations between three generations of men in his family, exploring the intimacy and distance embedded in family archives.

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Reading Time: 3 minutes This Women’s History Month, artists Eliza Hatch and Bee Illustrates present their curatorial debut, alongside a programme of workshops and panel discussions
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Reading Time: 3 minutes “Choices we make as humans about our bodies, choices we make about the technology we develop, choices we make ‘for’ the environment, are all intertwined. We can’t look into problems from just a single perspective.”
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Reading Time: 3 minutes “Nothing about the experience of motherhood is linear. It is complex, raw and messy,” says Freeland, one of the winners of Female in Focus 2021
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The post Dexter McLean’s photographs of a suburban Jamaican community challenges misrepresentations of the country appeared first on 1854 Photography.

The post Nanna Heitmann, Yael Martínez and Jonas Bendiksen win Regional Prizes at the 2022 World Press Photo Contest appeared first on Magnum Photos.

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  Were all just passengers here, some of us just feel the need to document our experiences to convey, reflexively back to ourselves, that we were ever really present. We rely on the camera as a means for which to confirm our existence and our incremental movements here under the increasingly hot sun. The camera […]

  Paolo Gasparini’s lengthy career and intense scrutiny of the Latin American social and political landscape from the point of view of an outsider looking in has produced, by proxy of his many photobooks and serial investigations of place, an incredibly rich document of Latin America caught in-between disjointed moments of upheaval and the hope […]

PHOTOBOOK YEAR-LONG COURSE MAY 2022 – MAY 2023 The Intent ​ I have been enthralled with the photobook medium since the late 90s. I do not see the photobook as a simple vessel for photography. I see it as a medium that can be understood as the final message. The book suits me as a […]

  Note: There is a soluble parable lurking in the back of my mind that I wish to tether to this review of Francesco Merlini’s photobook The Flood. I am not sure I believe in it myself. Parables are strange pronouncements offered by someone as if in authority, moral or other. Therefore, one cannot help […]

Cristóbal Hara is a name that I had not explored until late last year with the co-publication of his book España Color 1985-2020/Spain in Color 1985-2020. The Spanish and English versions were respectively handled by  Editorial Rm and Matt Stuart‘s Plague Press. I had seen it advertised throughout the year, mostly from Matt’s Instagram page […]

  The Minox pocket camera was developed in 1936 by Walter Zapp to provide the public with a small compact camera that was easily portable and that was economically feasible for a budding amateur class of photographers to purchase. Its innovative design, compact, small, and easily hidden were later co-opted as something of a novel […]

I had the pleasure of talking to Alexis Fabry on the publication of the catalogue of Battered Latin America, the exhibition he co-curated earlier this year at the Fondation A Stichting in Brussels. The book compiles the work of twenty photographers, including lesser-known names (Jaime Villaseca, Agustín Martínez Castro) and many of the region’s luminaries (Paz […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…

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