This Argentinian artist doubles up crumpled and pristine photographs of the same places to create evocative landscapes expressing the fragility of the natural environment.

Across a collection of 108 images and diaristic reflections, Jess T. Dugan weaves together an intimate view of queer life, from its loves and losses to the exploration of desire and growth that have been at the heart of their journey.

Jeanette Spicer’s evocative portraits of friends and family play with light and space to challenge viewers to rethink intimacy, representation and relationships.

Devashish Gaur’s layered approach to portraiture builds visual conversations between three generations of men in his family, exploring the intimacy and distance embedded in family archives.

This three-volume publication draws on the mass of outtakes from William Eggleston’s 1976 MoMA exhibition to explore his luminous approach to color photography.

Former LensCulture Award winners share their best creative advice as well as tips for advancing your career as a portrait-maker and photographer. The second in a two-part series.

In their wry and playful self-portraits, Mitchell Moreno embodies a host of different characters—inspired by the titles of online dating adverts—to explore the performativity of digital hook-up culture.

Former LensCulture Award winners share their best creative advice as well as tips for advancing your career as a portrait-maker and photographer. The first in a two-part series.

Reading Time: 3 minutes Australia’s largest photography festival returns to Melbourne’s streets and galleries in April, with 90 exhibitions by 123 international artists including Cindy Sherman, Helmut Newton, Gillian Wearing, Mohamed Bourouissa, Poulomi Basu, Luo Yang, and more
The post Being Human: PHOTO 2022 returns to Melbourne appeared first on 1854 Photography.

Reading Time: < 1 minute “[The images] are about the process of their own making. They are about going into the ecstatically specific world and creating a connection between the ephemeral (light, time) and the physical (eyeballs, film)”
The post An eclectic mix of images composes Alec Soth’s latest photobook appeared first on 1854 Photography.

Reading Time: 2 minutes
The post Marzena Hans addresses the social stigma surrounding menopause and ageing appeared first on 1854 Photography.

Reading Time: 2 minutes The exhibition, which closes this Saturday 26 February, features the work of series winners Jodie Bateman and Paola Jimenez Quispe
The post Final days of Female in Focus 2021 at Four Corners Gallery, London appeared first on 1854 Photography.

Reading Time: 3 minutes Growing up in Australia, Kumar was dismissive of her Indian heritage. ‘Ghar’ and ‘Nagar’ – meaning ‘home’ and ‘town’ in Hindi – are part of her ongoing efforts to re-discover her “Indianness”, as she puts it
The post Anu Kumar reconnects with her hometown in India appeared first on 1854 Photography.

Reading Time: 4 minutes Research and intuition guide the  Hungarian artist as he creates expressive works animating form and colour. We visit his east London studio, where a visual wonderland of thoughts and ideas engulf the walls
The post In the Studio with Marton Perlaki appeared first on 1854 Photography.

Reading Time: 3 minutes Showcasing three series exploring memory, fantasy and loss, the South African artist Lebohang Kganye’s first US show opens in Santa Monica next week
The post Lebohang Kganye examines the relationship between storytelling and truth appeared first on 1854 Photography.

Reading Time: 2 minutes Laub has been photographing her family for the last 20 years. The resulting photobook is by turns lavish, hilarious, and moving
The post Gillian Laub demonstrates how political division has impacted families across the US appeared first on 1854 Photography.

The post Ukraine: Larry Towell and Jérôme Sessini in Conversation appeared first on Magnum Photos.

The post The Magnum Digest: February 11, 2022 appeared first on Magnum Photos.

The post Magnum Photos and Obscura Collaborate to Create New Collections of NFTs appeared first on Magnum Photos.

The post The Magnum Digest: January 28, 2022 appeared first on Magnum Photos.

The post The Magnum Digest: January 14, 2021 appeared first on Magnum Photos.

The post Zied Ben Romdhane: Come Hell or High Water appeared first on Magnum Photos.

The post Witnesses: Lindokuhle Sobekwa – Generations of Refugees in Dadaab appeared first on Magnum Photos.

The post Nanna Heitmann: Witnesses – When The Birds Will Fly Again appeared first on Magnum Photos.

  Were all just passengers here, some of us just feel the need to document our experiences to convey, reflexively back to ourselves, that we were ever really present. We rely on the camera as a means for which to confirm our existence and our incremental movements here under the increasingly hot sun. The camera […]

  Paolo Gasparini’s lengthy career and intense scrutiny of the Latin American social and political landscape from the point of view of an outsider looking in has produced, by proxy of his many photobooks and serial investigations of place, an incredibly rich document of Latin America caught in-between disjointed moments of upheaval and the hope […]

PHOTOBOOK YEAR-LONG COURSE MAY 2022 – MAY 2023 The Intent ​ I have been enthralled with the photobook medium since the late 90s. I do not see the photobook as a simple vessel for photography. I see it as a medium that can be understood as the final message. The book suits me as a […]

  Note: There is a soluble parable lurking in the back of my mind that I wish to tether to this review of Francesco Merlini’s photobook The Flood. I am not sure I believe in it myself. Parables are strange pronouncements offered by someone as if in authority, moral or other. Therefore, one cannot help […]

Cristóbal Hara is a name that I had not explored until late last year with the co-publication of his book España Color 1985-2020/Spain in Color 1985-2020. The Spanish and English versions were respectively handled by  Editorial Rm and Matt Stuart‘s Plague Press. I had seen it advertised throughout the year, mostly from Matt’s Instagram page […]

  The Minox pocket camera was developed in 1936 by Walter Zapp to provide the public with a small compact camera that was easily portable and that was economically feasible for a budding amateur class of photographers to purchase. Its innovative design, compact, small, and easily hidden were later co-opted as something of a novel […]

I had the pleasure of talking to Alexis Fabry on the publication of the catalogue of Battered Latin America, the exhibition he co-curated earlier this year at the Fondation A Stichting in Brussels. The book compiles the work of twenty photographers, including lesser-known names (Jaime Villaseca, Agustín Martínez Castro) and many of the region’s luminaries (Paz […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…

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