In these award-winning photographs by Sam Ferris, intense golden sunlight bounces off the steel-and-glass urban canyon walls of Sydney’s Central Business District — illuminating passersby and setting the stage for countless fleeting encounters on the city streets.

Richard Mosse’s “The Castle” uses the discomforting, non-human vision of the thermographic camera to explore the refugee camps that characterize today’s migrant crisis.

Bertien van Manen’s “Archive” offers a deep-dive into the Dutch photographer’s extraordinary career, mapping out her empathetic, vernacular approach to the documentary genre through images as well as extracts from her journal.

Using her practice as a way to reflect on and heal family trauma, Naomieh Jovin works intimately with her family album, intervening in the archive and adding new perspectives with her own photographs.

Moving away from a documentary approach, Hoda Afshar’s enigmatic new book engages with the elements to trace the complex history of a group of islands in the Strait of Hormuz on the southern coast of Iran.

With the keen eye of a street photographer, Argus Paul Estabrook captures a world of black-and-white abstractions and kaleidoscopic views of commuters in the Seoul metro system.

Inspired by a collection of objects left behind by her grandmother, Hannah Altman builds a visual world to explore the customs retold and translated over time across the Jewish diaspora.

Alice Mann’s joyful portraits document South Africa’s drum majorettes, capturing the pride and performance of the young, all-female groups that practice this competitive sport.

Reading Time: 6 minutes The photographers discuss the close relationship between an energetic and free practice with political agency and belonging
The post Joy as an act of resistance: Nadine Ijewere, Prarthna Singh, Dorian Ulises López Macías and Kwabena Sekyi Appiah-Nti appeared first on 1854 Photography.

Reading Time: 3 minutes 1854’s FastTrack programme promotes unsigned talent in the commercial sphere. Here, three winners discuss their practices, reflecting on autonomy, intimacy, and playfulness
The post Introducing 1854’s Fast Track Vol. 2 winners: Kelly-Ann Bobb, Tayla Nebesky, and Hiro Tanaka appeared first on 1854 Photography.

Reading Time: 5 minutes Far removed from the patriotic flag-waving that lays claim to the country, rene matić’s love letter to their Black, Brown and queer community offers an alternative vision of britishness. defiant and sincere, its very existence makes it an incidental voice of protest
The post Rene Matić: “This book is where I’ve come from” appeared first on 1854 Photography.

Reading Time: 16 minutes We revisit an interview with the visual activist ahead of their first major survey in Germany opening at Gropius Bau
The post Zanele Muholi: Art and activism appeared first on 1854 Photography.

Reading Time: 3 minutes Established in Johannesburg in 2005, Afronova became the first African gallery to show Malian master photographer Malick Sidibé in 2007 and Mozambican photojournalist Ricardo Rangel in 2008
The post In the Gallery with: Emilie Démon appeared first on 1854 Photography.

Reading Time: 5 minutes Vikesh Kapoor’s mother delivered over 3000 children throughout her career as an obstetrician-gynaecologist in Lock Haven, Pennsylvania. The artist’s new series, commissioned by Leica, in collaboration with 1854, reflects on that history.
The post A story of devotion in a rural Pennsylvanian town appeared first on 1854 Photography.

Reading Time: 3 minutes 1854’s FastTrack programme promotes unsigned talent in the commercial sphere. Here, three winners discuss their practices, reflecting on teamwork, learning from new mediums, and the possibility for new queer photography
The post Introducing 1854’s Fast Track Vol. 2 winners: George Mcleod, Aviya Wyse, Hidhir Badaruddin appeared first on 1854 Photography.

Reading Time: 4 minutes On assignment for The New York Times, Ducke travelled to one of Russia’s new military outposts in the Arctic where he witnessed an awakening of activity.
The post Emile Ducke on photographing Russia’s attempt to defend its rapidly melting Arctic border appeared first on 1854 Photography.

The post The Magnum Digest: November 19, 2021 appeared first on Magnum Photos.

The post The Magnum Digest: October 28, 2021 appeared first on Magnum Photos.

The post Bruce Davidson and Alec Soth Recognized in the RPS Awards 2021 appeared first on Magnum Photos.

The post Magnum announces new Nominees, Associate and Member at its 74th AGM in Paris appeared first on Magnum Photos.

The post The Magnum Digest: September 24, 2021 appeared first on Magnum Photos.

The post Thomas Dworzak’s Khidi – The Bridge appeared first on Magnum Photos.

The post On Art, Life, and Cricket’s Answers to Both appeared first on Magnum Photos.

The post The Book of Veles: How Jonas Bendiksen Hoodwinked the Photography Industry appeared first on Magnum Photos.

There isn’t much more that can be said regarding the importance of Friedlander’s work on the psyche of subsequent generations of photographic enthusiasts and artists alike. From his self-portraits to his Little Screens, Friedlander’s work is simultaneously charged with an inner and external pathos that presents both as a partial reflection of the artist’s psyche […]

Geographies, histories, feelings, and representations are often interwoven in narrative tapestries, though the patterns created by their threads don’t always yield a unifying image. Raquel Bravo’s Mato Grosso opens with a man’s silhouette, the artist’s father, followed by several shots of dense foliage. How this man’s story relates to these landscapes will slowly unravel through […]

I have just returned from Athens from our first Nearest Truth Workshop and have been considering at great length the duality of living and being in a city. Having lived a large portion of my life in a city, and have now removed myself and my family to the remoteness of the countryside, this trip, […]

  It is perhaps unsurprising that humans cling to material relics that remind them, in their shallow wisdom, of former glories that they themselves may never have lived. Monuments, crumbling statues, cenotaphs, and national symbols are built in order to honor perceived historical moments that shutter the mind, present illusions of grandeur, and present failed […]

“It’s how I fill the time when nothing’s happening. Thinking too much, flirting with melancholy.” Tim Winton, Breath       This land that surrounds us, this land that gives impregnable meaning to our terminal character and its capacity to acknowledge our decline never fails to remind us of our place on this spinning orb, […]

Every photographer parent that I know has what to the non-parenting world seems like a self-indulgent family album project. Every. one. of. them. Myself. included. Some have several. Making photographs of the family is part of the experience of getting through life. We use the camera to illustrate the mundane, the banal, and the exciting […]

Gabriele Basilico is not an artist whose career I had given much consideration to outside of his architectural and urban planning-like topographic images. His poetic monochrome images of both historic cities and bustling urban centers, with their deep and penetrating contrasty shadows, and his fixation between newly built technocentric cities and conversely dormant economically-challenged cities […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…

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