Bertien van Manen’s “Archive” offers a deep-dive into the Dutch photographer’s extraordinary career, mapping out her empathetic, vernacular approach to the documentary genre through images as well as extracts from her journal.

Using her practice as a way to reflect on and heal family trauma, Naomieh Jovin works intimately with her family album, intervening in the archive and adding new perspectives with her own photographs.

Moving away from a documentary approach, Hoda Afshar’s enigmatic new book engages with the elements to trace the complex history of a group of islands in the Strait of Hormuz on the southern coast of Iran.

With the keen eye of a street photographer, Argus Paul Estabrook captures a world of black-and-white abstractions and kaleidoscopic views of commuters in the Seoul metro system.

Inspired by a collection of objects left behind by her grandmother, Hannah Altman builds a visual world to explore the customs retold and translated over time across the Jewish diaspora.

Alice Mann’s joyful portraits document South Africa’s drum majorettes, capturing the pride and performance of the young, all-female groups that practice this competitive sport.

Diving into family lore during the pandemic, Kai Yokoyama meets his ancestors through photography, weaving together archival pictures from the past with his own hushed images of the present.

In her surreal black and white photographs, Sara Cucè explores the in-between spaces of migration in search of a visual form that describes what it feels like to be neither here nor there.

Reading Time: 3 minutes The photographer’s new book, There Is Nothing Under The Sun, uses image and text to critique a silent system that we cannot escape
The post Kata Geibl discusses the paradox of Capitalism in her practice appeared first on 1854 Photography.

Reading Time: 6 minutes When Curtis’s father died and his family lost their home, his life began to spiral out of control. As part of the CALM x 1854 Homeless Truths commission, a new series of Polaroids sheds light on his experience of homelessness
The post “I see glimpses of something wonderful, but I don’t get to hold it” appeared first on 1854 Photography.

Reading Time: < 1 minute Edward’s new photobook, the second edition of which launches today, frames Jamaica through his eyes 
The post Insider, Outsider: Jeano Edward’s EverWonderful appeared first on 1854 Photography.

Reading Time: 3 minutes The Slovenian image-maker, a winner of last year’s Decade of Change, stresses the importance of collaborative, solution-based environmental photography
The post Climate Resilience: Ciril Jazbec on documenting a hopeful future appeared first on 1854 Photography.

Reading Time: 6 minutes “People can’t see mental health illnesses or autism; it is not like having a broken leg. That’s what I’d like to get across.” One of five participants of the CALM x 1854 Homeless Truths commission, Saffron was once homeless. Here, she presents a window into her life
The post I Am Not a Dog on a Chain appeared first on 1854 Photography.

Reading Time: 2 minutes The two-day event is the first convening of female photography organisations, curators, artists and directors from around the world, and includes 1854’s Female in Focus exhibition
The post WOPHA Congress: Women, Photography, and Feminisms launches today in Miami appeared first on 1854 Photography.

Reading Time: 3 minutes The four shortlisted artists were announced today, with the winner revealed next spring at The Photographers’ Gallery, London
The post Deana Lawson, Gilles Peress, Jo Ractliffe and Anastasia Samoylova are the finalists for the Deutsche Börse Photography Foundation Prize 2022 appeared first on 1854 Photography.

Reading Time: 2 minutes Lee Shulman, founder of the project, discusses a new book blending Parr’s archive with the vintage slides he’s collected for almost half a decade
The post Life Unfiltered: The Anonymous Project meets Martin Parr appeared first on 1854 Photography.

The post The Magnum Digest: November 19, 2021 appeared first on Magnum Photos.

The post The Magnum Digest: October 28, 2021 appeared first on Magnum Photos.

The post Bruce Davidson and Alec Soth Recognized in the RPS Awards 2021 appeared first on Magnum Photos.

The post Magnum announces new Nominees, Associate and Member at its 74th AGM in Paris appeared first on Magnum Photos.

The post The Magnum Digest: September 24, 2021 appeared first on Magnum Photos.

The post Thomas Dworzak’s Khidi – The Bridge appeared first on Magnum Photos.

The post On Art, Life, and Cricket’s Answers to Both appeared first on Magnum Photos.

The post The Book of Veles: How Jonas Bendiksen Hoodwinked the Photography Industry appeared first on Magnum Photos.

I have just returned from Athens from our first Nearest Truth Workshop and have been considering at great length the duality of living and being in a city. Having lived a large portion of my life in a city, and have now removed myself and my family to the remoteness of the countryside, this trip, […]

  It is perhaps unsurprising that humans cling to material relics that remind them, in their shallow wisdom, of former glories that they themselves may never have lived. Monuments, crumbling statues, cenotaphs, and national symbols are built in order to honor perceived historical moments that shutter the mind, present illusions of grandeur, and present failed […]

“It’s how I fill the time when nothing’s happening. Thinking too much, flirting with melancholy.” Tim Winton, Breath       This land that surrounds us, this land that gives impregnable meaning to our terminal character and its capacity to acknowledge our decline never fails to remind us of our place on this spinning orb, […]

Every photographer parent that I know has what to the non-parenting world seems like a self-indulgent family album project. Every. one. of. them. Myself. included. Some have several. Making photographs of the family is part of the experience of getting through life. We use the camera to illustrate the mundane, the banal, and the exciting […]

Gabriele Basilico is not an artist whose career I had given much consideration to outside of his architectural and urban planning-like topographic images. His poetic monochrome images of both historic cities and bustling urban centers, with their deep and penetrating contrasty shadows, and his fixation between newly built technocentric cities and conversely dormant economically-challenged cities […]

“We often expect high-end production values in contemporary photobooks, but not every publication can afford some of the eccentricities that we have become accustomed to. In this sense, Tempo reminds us that our material expectations shouldn’t dismiss publications that use humble materials, often produced outside the usual centers of culture and power.”

    In reading Darius Khondji’s interview with American Cinematographer Magazine from November 5th, 2018 regarding his cinematography work on various films, including David Fincher’s epic noir Se7en (1995), I am reminded of the significance that color balance plays when sculpting atmosphere in a film and also in a photographic body of work. In regarding […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…

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