Shooting in the deepest folds of night, these photographs of architectural forms scattered across the desert in Israel are enigmatic relics of the history of the region.
Out on her partner’s ranch in remote Montana, Lauren Grabelle documents her surroundings with a bite, picturing life as it is lived in wilderness, bordered by mountains and shared with a variety of beasts.
Chameleon is a photographic series about hiding and revealing — a metaphor of duality exploring masculinities and spaces beside the heteronormative structure.
A new book brings a generosity of vision and humanity to small regions of Appalachia — as seen by a resident and former photojournalist whose heritage as an Indigenous Mexican and Filipino plays an important part, too.
A fruit-farmer/photographer uses his camera to meticulously record the species he breeds and grows, adding his loving photographic vision to a long lineage of botanical art.
Braving the harsh elements to create a community outside the confines of mainstream society, these portraits introduce us to a motley crew of squatters occupying a corner of the Sonoran Desert.
Reimagining portraiture as a playful practice of deconstruction, Karen Navarro’s visual puzzles remind us that identity is a fluid and multifaceted process.
A 25-year-old Romanian photographer appropriates the same tools of the former Securitate secret police to try to come to grips with her parent’s and their generation’s apparent inability to embrace 21st century freedom.
Reading Time: 6 minutes After a year-long postponement due to the pandemic, we revisit our interview with the photographers ahead of the event opening this weekend, which now includes new work from Marie Smith
The post Vanessa Winship and Phoebe Kiely take up residence along Cumbria’s long-neglected seaboard, “a place of great fragility and also great resilience” for West Coast Photo Festival appeared first on 1854 Photography.
Reading Time: 2 minutes Jodie Bateman, Paola Jiménez Quispe, Imogen Freeland and Joanna Helena are among the winners of BJP and 1854’s 2021 Female in Focus award, with the exhibitions sponsored by MPB, celebrating women’s contribution to contemporary photography
The post Female in Focus 2021: The winners appeared first on 1854 Photography.
Reading Time: 3 minutes After meeting during their undergraduate degrees at Cambridge University, the collective bonded over a hate of work. Here, we speak to members Lola Olufemi and Christie Costello about what becomes possible when we are lazy
The post Creating Change: Bare Minimum Collective on prioritising laziness appeared first on 1854 Photography.
Reading Time: 3 minutes Spending her photographic career photographing some of the planet’s most remote and inaccessible environments, Skubatz travels to a tiny town in the Arctic that is at the forefront of its changing landscape.
The post Marzena Skubatz photographs the effects of climate change on the world’s fastest-warming town appeared first on 1854 Photography.
Reading Time: 2 minutes In Indonesia’s rural communities, where laptops and internet access are sparse, classes are being taught over the airwaves
The post Agoes Rudianto documents walkie-talkie schooling in rural Indonesia appeared first on 1854 Photography.
Reading Time: 3 minutes Since its inception in 1979, Fraenkel Gallery in San Francisco has been at the forefront of situating photography in the art world. Here, its president reflects on this shift.
The post In the Gallery with Frish Brandt appeared first on 1854 Photography.
Reading Time: 3 minutes The New Woman Behind the Camera. Presenting the overlooked contributions of over 120 female photographers from 20 different countries
The post The New Woman Behind the Camera appeared first on 1854 Photography.
Reading Time: 3 minutes “This is something that’s really good for you; good for everyone. So how come only one kind of person is seen doing it?” Part of a new campaign from yoga studio Stretch, Ma’s latest work sets out to subvert homogenous ‘wellness’ imagery
The post Behind the Campaign: Sirui Ma revisualises yoga culture for Stretch London appeared first on 1854 Photography.
Every photographer parent that I know has what to the non-parenting world seems like a self-indulgent family album project. Every. one. of. them. Myself. included. Some have several. Making photographs of the family is part of the experience of getting through life. We use the camera to illustrate the mundane, the banal, and the exciting […]
Gabriele Basilico is not an artist whose career I had given much consideration to outside of his architectural and urban planning-like topographic images. His poetic monochrome images of both historic cities and bustling urban centers, with their deep and penetrating contrasty shadows, and his fixation between newly built technocentric cities and conversely dormant economically-challenged cities […]
“We often expect high-end production values in contemporary photobooks, but not every publication can afford some of the eccentricities that we have become accustomed to. In this sense, Tempo reminds us that our material expectations shouldn’t dismiss publications that use humble materials, often produced outside the usual centers of culture and power.”
In reading Darius Khondji’s interview with American Cinematographer Magazine from November 5th, 2018 regarding his cinematography work on various films, including David Fincher’s epic noir Se7en (1995), I am reminded of the significance that color balance plays when sculpting atmosphere in a film and also in a photographic body of work. In regarding […]
Let’s start at the end with the text that closes Providencia by the Chilean Alejandro Zambra. The author, who lives in Mexico City, felt the urge to visit his country after days of increasingly violent protests against the government due to economic inequality. The unrest eventually led to a curfew and the declaration of a state of […]
The age of capital has led civilization to the age of indeterminate surveillance. We are largely unaware of the incremental prying and scrutinizing gestures that global capital has beset upon us. We believe that surveillance, both state and capital are symptoms of our buying patterns in the very least and are maximized by our […]
Laura Bielau’s Arbeit 2016-2019 (Spector Books, 2021) is a stripped-back and minimal series of investigations that regards the environmental working effects and detritus of art labor in 2021. Though the aims are not overtly class-oriented or political, they function as a personal case study between the artist and the alien consumer objects that become […]
Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…
In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…
She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…
Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…
Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence? Are we looking for an explanation? For reasons? Justification? Or are we simply denying our own…
Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…
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