Where does the photographer’s studio end and nature begin? Julie Hamel’s magical image-objects are whole worlds in themselves; a flurry of overlapping views that mimic the hazy edges of memory.

In these barren, eerie landscapes, Hashem Shakeri unveils the failed promises of a major housing project on the outskirts of Tehran.

Braving the harsh elements to create a community outside the confines of mainstream society, these portraits introduce us to a motley crew of squatters occupying a corner of the Sonoran Desert.

Years in the making, Yannis Karpouzis’ new book powerfully captures a sense of time stood still and the overlapping crises that unfolded following the Greek financial disaster of 2009.

A fruit-farmer/photographer uses his camera to meticulously record the species he breeds and grows, adding his loving photographic vision to a long lineage of botanical art.

Ying Ang’s new photobook is an extended self-portrait referencing sleepless nights, the melancholy haze of new motherhood, and the psychological space created by bringing a new life into the world.

In her “salvage operation,” Sue Palmer Stone transfigures discarded debris into detailed, colorful sculptures, teetering on the edge of collapse.

A new book brings a generosity of vision and humanity to small regions of Appalachia — as seen by a resident and former photojournalist whose heritage as an Indigenous Mexican and Filipino plays an important part, too.

Reading Time: 3 minutes Winant’s latest publication contemplates how we understand everything from our body to consciousness through ‘instructional photography’
The post Carmen Winant investigates photography’s potential to teach us how to live appeared first on 1854 Photography.

Reading Time: < 1 minute In this event, Clements discusses past projects, as well as the importance of disability access within the arts. 
The post 1854 Presents: Leah Clements on the physical and the psychological appeared first on 1854 Photography.

Reading Time: 2 minutes Our Collective Breath, created by Tom Carpenter, divides its profits equally between each contributor
The post A new photography zine focused on equality appeared first on 1854 Photography.

Reading Time: 2 minutes After 50 years, the photographer is raising funds to publish his archive of a fishing community
The post Alec Gill: psychologist with a camera appeared first on 1854 Photography.

Reading Time: 3 minutes The project explores the subject through photographing his Meeks’ teenage daughter, who is preparing to leave home for university
The post Raymond Meeks ruminates on the layered concept of ‘home’ appeared first on 1854 Photography.

Reading Time: < 1 minute In this event, the photographer reflects on his latest project, as he documents the invisible, ever present phenomenon of gender.
The post 1854 Presents: William Lakin on conspiracies, experimentation, and masculinity appeared first on 1854 Photography.

Reading Time: 5 minutes This World Alzheimer’s Day, Maja Daniels reflects on her desire to capture a realistic and tender depiction of ageing and memory loss
The post Maja Daniels on documenting people with Alzheimer’s in a French hospital appeared first on 1854 Photography.

Reading Time: 3 minutes It is the first time the Spanish photographer will show the result of her time spent with yakuzas in Japan, in France
The post The new Centre de Photographie de Mougins opens its inaugural show, presenting the work of Isabel Muñoz appeared first on 1854 Photography.

The post The Magnum Digest: September 24, 2021 appeared first on Magnum Photos.

The post Thomas Dworzak’s Khidi – The Bridge appeared first on Magnum Photos.

The post On Art, Life, and Cricket’s Answers to Both appeared first on Magnum Photos.

The post The Book of Veles: How Jonas Bendiksen Hoodwinked the Photography Industry appeared first on Magnum Photos.

The post Four Tumultuous Decades in Afghanistan appeared first on Magnum Photos.

The post The Magnum Digest: September 10, 2021 appeared first on Magnum Photos.

The post 20 Years On: Remembering The 9/11 Attacks appeared first on Magnum Photos.

The post The Magnum Digest: September 3, 2021 appeared first on Magnum Photos.

    In reading Darius Khondji’s interview with American Cinematographer Magazine from November 5th, 2018 regarding his cinematography work on various films, including David Fincher’s epic noir Se7en (1995), I am reminded of the significance that color balance plays when sculpting atmosphere in a film and also in a photographic body of work. In regarding […]

Let’s start at the end with the text that closes Providencia by the Chilean Alejandro Zambra. The author, who lives in Mexico City, felt the urge to visit his country after days of increasingly violent protests against the government due to economic inequality. The unrest eventually led to a curfew and the declaration of a state of […]

  The age of capital has led civilization to the age of indeterminate surveillance. We are largely unaware of the incremental prying and scrutinizing gestures that global capital has beset upon us. We believe that surveillance, both state and capital are symptoms of our buying patterns in the very least and are maximized by our […]

  Laura Bielau’s Arbeit 2016-2019 (Spector Books, 2021) is a stripped-back and minimal series of investigations that regards the environmental working effects and detritus of art labor in 2021. Though the aims are not overtly class-oriented or political, they function as a personal case study between the artist and the alien consumer objects that become […]

This begins a series of posts that examine the work of participants and instructors that have featured in the ASX/VOID workshops from 2019 and will now be used to illustrate the Nearest Truth Workshops taking place in Athens in November of 2021.     Nearest Truth is a podcast devoted to photography and culture at […]

  I was confronted with three parts of a mental soundtrack while paging through Thiago Dezan’s new book When I Hear The That Trumpet Sound (Selo Turvo, 2021, ed. 200). The first track based on title and the book’s black endpapers and the ominous black cover was Behemoth’s Blow Your Trumpets Gabriel, a rich and […]

    Original text by Brad Feuerhelm for Ocean Front Property by Mark Templeton Co-Published by Graphical and The Ice Plant     For the Promise of Water     This is my signaling of a complete and utter devotion to the new forms of feral tropicality. I will suggest here and now that for […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…

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