Using his own body as a playground to explore queerness, Matthieu Croizier twists and turns his way through a personal metamorphosis captured in these carefully staged images.
Meet 30 of the first gay men, lesbians, bisexuals, transgenders and intersex people (*LGBTIs) who dared to openly embrace their sexual orientation — now all over 70 years of age and living in The Netherlands.
Diana Markosian takes on the role of director in this cinematic project, restaging her family’s emigration from post-Soviet Russia to America into a surreal rendition of the immigrant experience.
Exceptional new street photography is the focus of a new exhibition in Paris that features 30 women photographers from 20 countries — here’s a generous preview of 7 artists from the show.
“You are looking for a single, brilliant moment and 99% of the time, you won’t get it. But remember this: when at last you get that shot you’ve been looking for, in a thousandth of a second, all those frustrations and near-misses will have paid off.”
In her moving portraits and melancholic landscapes, Ashfika Rahman pieces together the hidden stories of young people who have been wrongly detained by police in Bangladesh.
Reading Time: 4 minutes “We wanted to create something that felt limitless.” Inspired by Michael and Janet Jackson’s iconic ‘Scream’ music video, the creative duo unpack their latest futuristic fashion story
The post Behind the Cover: AB+DM on shooting Willow Smith for Nylon appeared first on 1854 Photography.
Reading Time: 2 minutes Using technological interventions, the photographers expose hidden, forgotten, and destroyed parts of the landscape
The post Miki Kratsman and Shabtai Pinchevsky’s ‘Anti-mapping’ unveils histories of forced displacement in Israel and Palestine appeared first on 1854 Photography.
Reading Time: 4 minutes Ten years on, the sheer power and scale of 2011’s riots remain terrifying. But David Levene captured a counter-narrative to the “seductive” side of the chaos, photographing the aftermath and clean-up
The post David Levene on documenting the aftermath of the London riots appeared first on 1854 Photography.
Reading Time: 3 minutes In her debut monograph, Souders plays with the elasticity of photography to conjure vibrant new energy in a medium often restrained by tradition
The post Brea Souders challenges what we expect a photograph to be appeared first on 1854 Photography.
Reading Time: 3 minutes With Portrait of Britain 2021 open for entries, a selection of this year’s judging panel consider why Portrait of Britain is important today — and crucially, how artists can stand out from the crowd
The post “Your take on British identity deserves to be shared”: The Portrait of Britain jury on this year’s award appeared first on 1854 Photography.
Reading Time: 2 minutes The Imperial War Museum’s latest exhibition, featuring over 50 newly commissioned portraits, is a testament to the perseverance of a people who endured the unimaginable
The post Over 50 portraits showcase the histories and legacies of Holocaust survivors appeared first on 1854 Photography.
Reading Time: 3 minutes “At its heart, this exhibition is a story of family,” says Wiles. “Photography is not just a thing that is done by ‘photographers’. These pictures are part of their story.”
The post Life after displacement: Rich Wiles’ four year collaboration with the al-Hindawi family appeared first on 1854 Photography.
Reading Time: 6 minutes On the final weekend of the photographer’s first survey exhibition, Ractliffe reflects on her approach to photographing South Africa during apartheid’s later years
The post Jo Ractliffe’s documentation of apartheid was distinct appeared first on 1854 Photography.
This begins a series of posts that examine the work of participants and instructors that have featured in the ASX/VOID workshops from 2019 and will now be used to illustrate the Nearest Truth Workshops taking place in Athens in November of 2021. Nearest Truth is a podcast devoted to photography and culture at […]
I was confronted with three parts of a mental soundtrack while paging through Thiago Dezan’s new book When I Hear The That Trumpet Sound (Selo Turvo, 2021, ed. 200). The first track based on title and the book’s black endpapers and the ominous black cover was Behemoth’s Blow Your Trumpets Gabriel, a rich and […]
Original text by Brad Feuerhelm for Ocean Front Property by Mark Templeton Co-Published by Graphical and The Ice Plant For the Promise of Water This is my signaling of a complete and utter devotion to the new forms of feral tropicality. I will suggest here and now that for […]
La Calle Abierta Como Un Sueño Hacia Cualquier Azar (The Street Open Like A Dream To Chance) documents the wanderings of Bolivian photographer Ignacio Prudencio throughout different areas of Lima. As a newcomer to the city, Prudencio purposefully got lost in the Peruvian capital to better understand it. The ensuing sequence is highly abstract, composed of unrelated images […]
This begins a series of posts that examine the work of participants and instructors that have featured in the ASX/VOID workshops from 2019 and will now be used to illustrate the Nearest Truth Workshops taking place in Athens in November of 2021. Nearest Truth is a podcast devoted to photography and culture at […]
Guido Guidi’s photographs emanate from concerns that underpin a long tradition of art in Italy. While most of his images are consultations of place and perspective, the larger considerations for his work examine a minute rendering of color palette, shadow, and subscribe to a cornucopia or semi-neutral examinations of “the moment”. These images, in […]
Despite my years of thin gruel during my time in London, I count myself as lucky for being able to divide my time there into simply “getting by” and avoiding bureaucracy. I have little talent for the regular custom of monthly, let alone weekly subscription to anything in which demands of my time are […]
Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…
In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…
She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…
Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…
Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence? Are we looking for an explanation? For reasons? Justification? Or are we simply denying our own…
Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…
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