“You are looking for a single, brilliant moment and 99% of the time, you won’t get it. But remember this: when at last you get that shot you’ve been looking for, in a thousandth of a second, all those frustrations and near-misses will have paid off.”

Who are the next great street photographers? Where will we find them? Photo editor Olivier Laurent shares his insights.

In her moving portraits and melancholic landscapes, Ashfika Rahman pieces together the hidden stories of young people who have been wrongly detained by police in Bangladesh.

In Julia Chang-Lomonico’s family portraits, an unassuming character takes center stage: the living room couch—a stable marker of time amidst the chaos and evolution of family life.

Using photography as a therapeutic tool, Sima Choubdarzadeh’s images protest the repression of women in Iran’s public sphere, channeling anger into intimate moments of connection and revelation.

Deep in the Ozarks, Terra Fondriest’s tender pictures document her family’s connection with each other, the land and with the surrounding community.

Enayat Asadi’s searing black and white photographs bear witness to the brutal trafficking of Afghan refugees crossing Iran’s eastern border.

Inviting his subjects to his Californian backyard with a week’s worth of their trash in tow, Gregg Segal’s confronting portraits draw attention to our careless relationship to waste.

Reading Time: < 1 minute In our latest collaborative discussion partnering with the photographic network Le Book, writer, editor and curator Tom Seymour talks NFT’s, the digital revolution, and the future of photography with digital artists Adam Broomberg and Antony Cairns.
The post 1854 Presents: Adam Broomberg and Antony Cairns in partnership with Le Book appeared first on 1854 Photography.

Reading Time: 3 minutes As two photographers piece together the story of one man and his family, they also reckon with the legacies of German colonisation in the present-day Republic of Cameroon
The post Confronting a colonial past appeared first on 1854 Photography.

Reading Time: 2 minutes Bird educator Tristan Plot can tell if a bird is on edge from the position of its wings. Todde’s images explore this symbiotic connection with his animals
The post Francesca Todde illustrates the empathy and sensitivity between humans and animals appeared first on 1854 Photography.

Reading Time: 4 minutes On the tenth anniversary of Amy Winehouse’s tragic death, Blake Wood remembers the moments he spent with the artist in Camden and St Lucia, and his desire to capture her as a person, not a persona
The post For the record: Blake Wood on photographing beloved icon and close friend Amy Winehouse appeared first on 1854 Photography.

Reading Time: < 1 minute James Gerrard-Jones explores the changing face of marketing photography with Sophie Ebrard and Louise Hagger
The post 1854 Presents: James Gerrard-Jones, Sophie Ebrard, and Louise Hagger in partnership with Le Book appeared first on 1854 Photography.

Reading Time: 4 minutes Presenting each participant’s portrait alongside images of their favourite place, van Cuyk documents over 100 young people, as they carve out spaces for expression within the built environment
The post Erik van Cuyk’s diptychs of young skaters and BMXers express the strength and individuality of youth appeared first on 1854 Photography.

Reading Time: 2 minutes Named moving image winner of OpenWalls Arles 2021, Campos’s film Samba de Lamento explores the different layers of her hybrid cultural identity
The post Cecilia Sordi Campos finds reconnection with herself through samba appeared first on 1854 Photography.

Reading Time: < 1 minute In this collaboration between 1854 presents and the global photographic network Le Book, writer, editor and curator Tom Seymour hosts a discussion between Touch Digital founder Greame Bull Craig, and 2017 Lens Culture Emerging Talent Award winner Nicholas White.
The post 1854 Presents: Graeme Bulcraig and Nicholas J R White in partnership with Le Book appeared first on 1854 Photography.

The post Capturing the Anthropocene: Changing Depictions of the Climate Crisis appeared first on Magnum Photos.

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La Calle Abierta Como Un Sueño Hacia Cualquier Azar (The Street Open Like A Dream To Chance) documents the wanderings of Bolivian photographer Ignacio Prudencio throughout different areas of Lima. As a newcomer to the city, Prudencio purposefully got lost in the Peruvian capital to better understand it. The ensuing sequence is highly abstract, composed of unrelated images […]

This begins a series of posts that examine the work of participants and instructors that have featured in the ASX/VOID workshops from 2019 and will now be used to illustrate the Nearest Truth Workshops taking place in Athens in November of 2019.     Nearest Truth is a podcast devoted to photography and culture at […]

  Guido Guidi’s photographs emanate from concerns that underpin a long tradition of art in Italy. While most of his images are consultations of place and perspective, the larger considerations for his work examine a minute rendering of color palette, shadow, and subscribe to a cornucopia or semi-neutral examinations of “the moment”. These images, in […]

  Despite my years of thin gruel during my time in London, I count myself as lucky for being able to divide my time there into simply “getting by” and avoiding bureaucracy. I have little talent for the regular custom of monthly, let alone weekly subscription to anything in which demands of my time are […]

  There are global moments in history that feel like tipping points of major changes when you view them retrospectively. In the case of Michael Kerstgens exceptional new book 1986 (Hartmann Books, 2021), the writing on the wall could not be more clear looking back at the year. I remember 1986. I am old enough […]

  Though change is metered through the concept of progress in urban space, oftentimes there is an arrestation of form as its transitions from one set of facades to its new progressive and updated counterpart. This arrestation sees the hybridity of new and old caught in a transitional moment in which both are vying for […]

In 79 a.d, Mount Vesuvius erupted with a volcanic activity that completely destroyed the Bay of Naples region including the small, but thriving community of Pompei. Pompei was a Roman enclave like most at the time. It had markets, homes, and open-air theatres that featured beautiful mosaics, Roman sculptures and was situated close to the […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…

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