Returning to her childhood home, Tajette O’Halloran confronts her difficult memories through photography, finding beauty and value where once was tragedy.

These men, all over 70, identify themselves as gay and live in Israel. Each portrait is accompanied by a short text, touching on aging, dreams, love, exclusion, and fears.

From his pictures of wars and famines from around the world to his social documentary work in Britain, this retrospective draws together work from all aspects of this British photographer’s remarkable career.

An eye-catching group of 80 swimmers, ages 11-76, meets regularly at a lake in Bristol, UK, to practice and perform synchronised swimming and celebrate friendship.

This award-winning photo story captures the intense sun-bleached atmosphere, harsh natural environment, and bleak social conditions of the dense new housing developments being built in areas surrounding Tehran.

An intimate look at a lovable circus master, acrobat, juggler and spinner of magical tales, whose elaborate, brightly colored home is known as “Circincà” — the circus at home.

Luscious black-and-white images create a nearly wordless story about an ex-soldier’s retreat to wild nature in search of balance, peace and connection.

Using photographic prints from her personal archive as backdrops, Alison Luntz constructs pre-pandemic tableaus tinged with nostalgia in and around her Brooklyn apartment.

Reading Time: 5 minutes For 1854 and BJP’s latest open-call, we’re partnering with pioneers of the digital art space, New Art City, to create a once-in-a-century virtual exhibition. Founders Don Hanson and Sammie Veeler muse on the future of showcasing art, building a more accessible creative climate and more
The post “Collective abundance for artists and sustainable economies for art”: The founders of New Art City on the future of virtual exhibitions appeared first on 1854 Photography.

Reading Time: 3 minutes Part of a three-part commission series celebrating the determination and agency of remarkable girls around the world, applications are now open for the second women photographer to help Malala’s mission.
The post Against All Odds: Malala Fund announces their second call-to-entry in collaboration with 1854 appeared first on 1854 Photography.

Reading Time: < 1 minute The intimate book explores the unspoken bonds visible across US society
The post An archive of touch: Ken Graves and Eva Lipman’s Restraint and Desire appeared first on 1854 Photography.

Reading Time: 2 minutes Presented alongside personal experiences of lockdown, Charlotte Ellis’ joyful portraits remind us of the camaraderie and patience that brightened the early months of the pandemic
The post Doorstep Diaries: Remembering last summer’s lockdown appeared first on 1854 Photography.

Reading Time: 2 minutes
The post The intimate honesty of Jamie Hawkesworth’s portraits of strangers appeared first on 1854 Photography.

Reading Time: 3 minutes Running until 30 June, the 2021 programme examines a provocative array of future(s) against the backdrop of Belfast
The post From activism to A.I. and Orwellian surveillance to climate change: The public installations on show at this year’s Belfast Photo Festival appeared first on 1854 Photography.

Reading Time: 4 minutes The artist invites us to Lincolnshire’s sparsely populated Wolds, where he has converted a 20th century stable into a workshop, printing studio and makeshift gallery
The post In the studio with Theo Simpson appeared first on 1854 Photography.

Reading Time: 4 minutes A new “career accelerator” for unsigned artists, 1854’s FastTrack open call promotes fresh talent in the commercial sphere. Here, we meet three of this year’s 18 winners: from South Wales to South America, they talk culture, convention-breaking and connecting with people from behind the lens
The post Introducing 1854’s FastTrack winners: Otto Masters, Marisol Mendez and Irina Shkoda appeared first on 1854 Photography.

The post The Magnum Digest: June 18, 2021 appeared first on Magnum Photos.

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The post Magnum 2020 appeared first on Magnum Photos.

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The post Announcing plans for the expansion of the Magnum Gallery appeared first on Magnum Photos.

The post The Magnum Digest: May 14, 2021 appeared first on Magnum Photos.

The post An Update and Look Forward from Magnum appeared first on Magnum Photos.

The post Photographing Australia’s Black Summer appeared first on Magnum Photos.

A few years ago, the Guatemalan photographer Jaime Permuth researched the archives of the Anacostia Community Museum during his Smithsonian Institution Artist Fellowship, where he found thousands of images documenting the Latino Festival. According to curator Olivia Cadaval, the event’s first iteration in 1970 came as a response to an inaccurate census count of Latin […]

“Ractliffe’s work, whether consciously or not, emerges at a time when the impossibility of representing experience started to gain purchase in discussions around the medium’s shortfalls.”

    Maki’s images in Japan Somewhere (Zen Foto Gallery), produced over a fourteen-year period feel anxious and compressed. Though specific to one country, the Frenchman’s images feel anything but declarative. They feel ambulatory, intrepid,  and often chaotic as if shot in a constant state of momentum and high velocity. The frames are heavily compressed […]

    Sébastien Cuvelier’s Paradise City (GOST, 2020) combines several rich storytelling elements into one photobook that considers Iran as a historic place pitted against the tumultuous change of the past fifty years as a backdrop for interrogation. Using his own photographs and images shot by his uncle in 1971 on his own odyssey, Cuvelier […]

    Glancing at Steel Town by Stephen Shore (MACK, 2021) gives the reader the impression that what they are looking at has a point of fixity in the past. The images, produced in 1977 for Fortune Magazine, and have a quality that suggests a bygone era. Whether it is the kitsch interior of Eddie’s […]

“Searles believes that everything in nature has a soul, and these images show her desire to connect with it, calibrating color and composition to establish actual and abstract relations between time, culture, and the natural world.”

Anne Immelé’s Oublie Oublie is a book about a transitional time and place. Between 2019 and early 2020, the French artist surveyed municipal works and changes in the neighborhood of Le Nouveau Drouot in Mulhouse, France where she lives and teaches photography. The urban environment of her images suggests the 1950s’ and 60’s city planning […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…

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