In this feverish photographic hallucination, Cristiano Volk takes a critical look at capitalism, capturing the signs and symbols of our consumerist culture in electric shades of neon.

Returning to his childhood neighborhood of Spring Valley, Al J Thompson’s first book is a loving testimony to a shifting landscape and the faces of those living in it.

Riffing on the depiction of women across the history of art, Carlota Guerrero’s own take on the ‘divine feminine’ that unfolds across the pages of her first monograph is a strong and sensual one.

Returning to her childhood home, Tajette O’Halloran confronts her difficult memories through photography, finding beauty and value where once was tragedy.

In this series of introspective portraits taken during lockdown, a young photographer opens up before the lens, exploring her dual heritage with honesty and intimacy.

A collaboration between mother and daughter, these bright and playful portraits capture an evolving relationship, unfolding in front of the lens.

LensCulture is looking for an experienced marketing writer to communicate with our global audience of photographers and photography lovers.

Moyra Davey dips into the archive of the late American artist Peter Hujar, threading her images together with his to create a photographic duet steeped in the quiet allure of the everyday.

Reading Time: < 1 minute In the final session in our Female in Focus mini-series we approach an underrepresented topic in the art photography world: Motherhood.
The post Female in Focus x 1854 Presents: Photographing Motherhood appeared first on 1854 Photography.

Reading Time: 3 minutes In The Land of Promises, Lefèvre revisits her own history, and the histories of others whose lives were implicated by the China’s one-child policy
The post Youqine Lefèvre retraces and reclaims the story of her adoption from China appeared first on 1854 Photography.

Reading Time: 3 minutes
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Reading Time: 2 minutes Through the lenses of over 50 different photographers, New Queer Photography traverses a heady mix of identities, experiences, dynamics and aesthetics to counter “one-dimensional” perceptions of queerness
The post Benjamin Wolbergs’ vast and vibrant anthology seeks to redefine queer representation appeared first on 1854 Photography.

Reading Time: 3 minutes Devoted to the photographic preservation of LGBTQ+ history, the founder of ClampArt has exhibited and represented a broad array of artists for over two decades. Here he shares his story, process, and advice for emerging artists
The post In the Gallery with: Brian Clamp appeared first on 1854 Photography.

Reading Time: 2 minutes The photographer considers the complexities of gender and the transformation of the body, drawing on their Muy Thai training and study of the queer community
The post Elle Pérez proposes a different way of seeing, through a queer gaze appeared first on 1854 Photography.

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The post “Slice by slice”: A photographer fragments the body appeared first on 1854 Photography.

Reading Time: 2 minutes Winner of the BJP International Photography Award 2019, Jack Latham discusses his latest photobook Latent Bloom — which seeks to visualise how machine learning adapts and transforms every engagement we have online
The post “I see a lot of parallels between algorithms and the natural world”: Jack Latham unearths the organic nature of artificial intelligence appeared first on 1854 Photography.

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The post Photographing Australia’s Black Summer appeared first on Magnum Photos.

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“Searles believes that everything in nature has a soul, and these images show her desire to connect with it, calibrating color and composition to establish actual and abstract relations between time, culture, and the natural world.”

Anne Immelé’s Oublie Oublie is a book about a transitional time and place. Between 2019 and early 2020, the French artist surveyed municipal works and changes in the neighborhood of Le Nouveau Drouot in Mulhouse, France where she lives and teaches photography. The urban environment of her images suggests the 1950s’ and 60’s city planning […]

    An Interview between Zak R. Dimitrov, Beata Bartecka, and Łukasz Rusznica regarding their book How to Look Natural in Photos Palm* Studios and OPT.     How to Look Natural in Photos is a functional, yet very aesthetically pleasing book. It examines the way photography operates as a mechanism and a tool for […]

    Edward Steichen’s gestural Studies of Isadora Duncan at the Parthenon, Charlotte Rudolph’s studies of German dancers, James Abbe’s still frames of Anna Pavlova, Barabra Morgan’s studies of Martha Graham and her Letter to the World, and a number of other medium-defining images can be accredited to an embrace of the body in movement. […]

The photograph on the cover of Jardín de mi padre (My Father’s Garden, 2020) shows Luis Carlos Tovar, carried in his mother’s arms as an infant. On the right side of the image, a man’s arm reaches from outside the frame towards Luis Carlos – his fingers are only a few centimeters away. Time is […]

I do not remember the majority of my dreams. I am told that I often erupt from the fugue state of sleep in panic, screaming, and moaning. The times that I do remember my dreams, something awful is occurring in them. They seem to be hinged on the anxiety associated with flight or fight responses. […]

Thana Faroq’s I Don’t Recognize Me in the Shadows is a book of complicated subjects. First, there is the subject at the heart of it all, namely Thana and her experience as a Yemeni Refugee who found her way to the Netherlands through the gruelling and heart-wrenching ordeal of leaving her family in Yemen where […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…

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