Moyra Davey dips into the archive of the late American artist Peter Hujar, threading her images together with his to create a photographic duet steeped in the quiet allure of the everyday.
There’s more than meets the eye in these photos of daily life in Poland, taken between 1944 and 1989. A disturbing new book draws together images taken by the secret police to explore photography as a tool of power.
Constructing “ephemeral micro-states” and occupying them for 24 hours, Rubén Martín de Lucas questions the artificiality of borders and makes stark our fraught relationship with planet earth.
An emerging artist explores the burning issues playing out in public and private across the United States, interrogating ideas around nationalism and militarism as expressed in the intimacy of her own family.
In his latest offering, the unnerving universe of Roger Ballen’s photographs grows another dark layer through the words of Italian poet Gabriele Tinti.
Meet the ‘Climbing Cholitas’ or ‘Cholitas Escaladoras Bolivianas’ — a group of Aymara indigenous women who are breaking stereotypes, scaling mountains, and shifting perceptions.
Prompted by personal loss, Ioanna Sakellaraki embarked on a photographic journey back to her native Greece to immerse herself in the culture of grief and explore its liminal space with her camera.
Reading Time: < 1 minute Inner Journey is a raw and introspective portrayal of Harris’ experience as an autistic, non-binary, transgender artist, tracing their struggles with mental illness, self-love and gender identity
The post Marvel Harris wins MACK First Book Award 2021 appeared first on 1854 Photography.
Reading Time: 5 minutes In a country where identifying as LGBTQ+ can threaten your existence, the openness with which Ponomarev’s participants share their stories carves a path for others to do the same
The post Oleg Ponomarev shares the experiences of transgender men and women in Russia appeared first on 1854 Photography.
Reading Time: 3 minutes Director Tracy Marshall-Grant gives insight into the year-long festival, and its aims to nurture a new cultural network and celebrate the communities of the port city
The post Bristol Photo Festival: building a lasting legacy appeared first on 1854 Photography.
Reading Time: < 1 minute “Photography is a tool that can help people grow”
The post 1854 Presents: Bruno Ceschel on rethinking the photobook appeared first on 1854 Photography.
Reading Time: 3 minutes “Nothing is cookie-cutter. Everything is personal,” says the founder of New York-based firm ALMA Communications
The post Industry Insights: Hannah Gottlieb-Graham on publicity and the importance of a personalised approach appeared first on 1854 Photography.
Reading Time: 2 minutes Lupu’s ethereal images straddle fantasy and reality, capturing the liminality of an increasingly online world
The post Ira Lupu captures the Ukrainian cam girls navigating ‘the virtual gaze’ appeared first on 1854 Photography.
Reading Time: 2 minutes Using household cleaning products like sanitizer, soap, bleach, and disinfectant, Muirhead sought to visualise the unseen effects of the virus
The post Nicola Muirhead’s obscured polaroids attempt to reveal the invisible threat of Covid-19 appeared first on 1854 Photography.
Reading Time: 2 minutes The Director of Photography at The New Yorker and Female in Focus 2021 judge discusses the importance of women’s perspectives on the world, and what she’s hoping to see in this year’s award entries
The post Female in Focus: Joanna Milter on championing a gender-equal photography industry appeared first on 1854 Photography.
One can think of the urban environment in its various stages of building and tearing down as an interlocking mechanism similar to a pocket watch or Rubik’s cube. Each part of the city, its buildings, its billboards, and its many pieces interlock to provide traction for the cogs of the watch to continue its movements. […]
“In avoiding the self-imposed restrictions of the Bechers and their countless imitators, López Luz spares us from the tediousness of some of those series, dissecting singular aspects of the urban environment with great insight.”
I think of Massimiliano Tommaso Rezza’s process as being a dislocated type of photographic practice. His work functions on the viewer being able to unlock parts of his cryptic use of images, but never all. One is asked to recognize inherent photographic themes and usages, but it is very difficult to place an exacting context […]
Eiko Grimberg is concerned with two pivotal subject matters within his work. The first is the way in which we interpret the historical. The second is the way in which we interpret architecture. In his work, these two aspects overlap and produce an air of uncertainty in which dogmatic and ideological thinking is critiqued […]
What looks benign or without consequence can be illusory. What lies below the surface can provide a catalog of answers. The distant past as a concept is very hard to photograph. In thicket and open clearing, in water and desert, it is difficult to unlock the image of ancient history. We can only […]
Eiji Ohashi’s Roadside Lights Seasons: Winter is deceptively simple in its approach. The main theme of the book considers a constant in the Japanese landscape through the repeated photographic investigation of its roadside vending machines. Though beautifully photographed, the book details one type of subject matter across the beautiful backdrop of Japan at night. It […]
What a strange process it is to sift through the remains of an anonymous person’s photographic trail. You look for clues of authorship, economic circumstance, and their loved ones who emerge through their images in repetition. You try to stitch together a narrative when there may very well not be one to consider. This is […]
Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…
In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…
She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…
Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…
Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence? Are we looking for an explanation? For reasons? Justification? Or are we simply denying our own…
Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…
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