In his latest offering, the unnerving universe of Roger Ballen’s photographs grows another dark layer through the words of Italian poet Gabriele Tinti.
Meet the ‘Climbing Cholitas’ or ‘Cholitas Escaladoras Bolivianas’ — a group of Aymara indigenous women who are breaking stereotypes, scaling mountains, and shifting perceptions.
Prompted by personal loss, Ioanna Sakellaraki embarked on a photographic journey back to her native Greece to immerse herself in the culture of grief and explore its liminal space with her camera.
Curated by Efrem Zelony-Mindell, this book surveys the rich and elastic world of black-and-white photography via the works of over 140 artists and essays from Zelony-Mindell, David Campany, and Gregory Eddi-Jones.
These portraits of people who live in Naples feel as if they could have been made on the set of a movie — Each character comes to life in a single frame, and seemingly sets the stage for an intriguing narrative.
Surrendering himself to the natural cycles of his grandmother’s rural life in southern Poland, Tomasz Kawecki spends lockdown searching for magical creatures in the forests of his childhood.
Reading Time: 3 minutes Quirke’s latest project marks his departure from the carefree years of early adulthood
The post Cole Flynn Quirke memorialises the formative years of his early-20s appeared first on 1854 Photography.
Reading Time: 4 minutes Al J Thompson, Elena Cremona, Cemre Yesil, Max Siedentopf, Nonzuzo Gxekwa and Hubert Crabieres ruminate on the theme of Power
The post Picture This: Power appeared first on 1854 Photography.
Reading Time: < 1 minute “It’s about where the road leads you”
The post 1854 Presents: Anastasia Samoylova on the multiple lives of Florida appeared first on 1854 Photography.
Reading Time: 2 minutes Vivek Vadoliya, Bharat Sikka, and Prarthna Singh are amongst the photographers donating work to the cause
The post The new online print sale raising funds for India’s Covid-19 crisis appeared first on 1854 Photography.
Reading Time: 5 minutes Sheth is the director of photography at the Telegraph’s popular Sunday magazine, Stella. Here, she discusses how she got into picture editing, and shares valuable advice for aspiring editorial photographers
The post Industry Insights: Stella’s Krishna Sheth on building a career as a photo editor appeared first on 1854 Photography.
Reading Time: 3 minutes Winner of the BJP International Photography Award 2020, Lhuisset parallels the heroism of Kurdish guerilla fighters in Iraq with their plight once they come to seek refuge in Europe
The post “If nobody told you it was a project about refugees, you’d never know”: Emeric Lhuisset interrogates the power of perception in conflict photography appeared first on 1854 Photography.
Reading Time: 3 minutes This month we come to the final instalment of the Leica x 1854 Commission Series, which each month provides a single photographer the chance to receive £5000 to create a body of work using Leica’s world-famous equipment. The last of the three themes and the focus of this month’s call for submissions is Witnesses of: Individuality.
The post The final theme of the Leica x 1854 Commission Series, Witnesses of: Individuality, is now open appeared first on 1854 Photography.
One can think of the urban environment in its various stages of building and tearing down as an interlocking mechanism similar to a pocket watch or Rubik’s cube. Each part of the city, its buildings, its billboards, and its many pieces interlock to provide traction for the cogs of the watch to continue its movements. […]
“In avoiding the self-imposed restrictions of the Bechers and their countless imitators, López Luz spares us from the tediousness of some of those series, dissecting singular aspects of the urban environment with great insight.”
I think of Massimiliano Tommaso Rezza’s process as being a dislocated type of photographic practice. His work functions on the viewer being able to unlock parts of his cryptic use of images, but never all. One is asked to recognize inherent photographic themes and usages, but it is very difficult to place an exacting context […]
Eiko Grimberg is concerned with two pivotal subject matters within his work. The first is the way in which we interpret the historical. The second is the way in which we interpret architecture. In his work, these two aspects overlap and produce an air of uncertainty in which dogmatic and ideological thinking is critiqued […]
What looks benign or without consequence can be illusory. What lies below the surface can provide a catalog of answers. The distant past as a concept is very hard to photograph. In thicket and open clearing, in water and desert, it is difficult to unlock the image of ancient history. We can only […]
Eiji Ohashi’s Roadside Lights Seasons: Winter is deceptively simple in its approach. The main theme of the book considers a constant in the Japanese landscape through the repeated photographic investigation of its roadside vending machines. Though beautifully photographed, the book details one type of subject matter across the beautiful backdrop of Japan at night. It […]
What a strange process it is to sift through the remains of an anonymous person’s photographic trail. You look for clues of authorship, economic circumstance, and their loved ones who emerge through their images in repetition. You try to stitch together a narrative when there may very well not be one to consider. This is […]
Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…
In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…
She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…
Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…
Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence? Are we looking for an explanation? For reasons? Justification? Or are we simply denying our own…
Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…
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