The latest chapter in this photographer’s long-term ode to love goes big — vacuum-packing his subjects in their surroundings to explore the bonds and binds of family.
Using photographic prints from her personal archive as backdrops, Alison Luntz constructs pre-pandemic tableaus tinged with nostalgia in and around her Brooklyn apartment.
Rejecting colonial documentary methods, this photographer tells the story of Arunachal Pradesh’s Lisu people by harnessing mythological symbolism in his cinematic stills.
Threading together mysteries from her own family history with collective memories, this enigmatic patchwork of documentary and fiction explores the idea of ‘historical truth’ in the transitional period of post-Franco Spain.
In the face of impending ecological crisis, five artists trace our messy, multifaceted entanglement with the natural world through a mutual obsession with rocks.
A sensual document of these trying times, Lisa Sorgini’s series of portraits taken during the pandemic render the complex experience of motherhood in shifting shades of light and darkness.
Reading Time: 3 minutes Beginning with a newborn and ending with a 100-year-old, Lewis captures a portrait of diversity and charm in the East London borough
The post 100 years, 100 stories: Jenny Lewis’ latest photobook on the Hackney community challenges prejudices appeared first on 1854 Photography.
Reading Time: 6 minutes From getting signed, to building networks and negotiating budgets, Ellie Burd (photo agent at Wyatt-Clarke & Jones) gives an in-depth insight into commercial representation
The post Industry Insights: Ellie Burd on the ins and outs of working with an agency appeared first on 1854 Photography.
Reading Time: 5 minutes Years after thousands of migrants arrived in the EU, they remain in temporary accommodation. Now, they demand to be heard
The post Now You See Me Moria poster campaign uses photography and social media to give voice to the giant refugee camp in Lesbos appeared first on 1854 Photography.
Reading Time: 8 minutes A new exhibition at the MOCP in Chicago raises questions of women’s agency over their bodies in the present day
The post The fight for women’s freedoms: Looking back at history through photography appeared first on 1854 Photography.
Reading Time: 2 minutes Journeying along the historic structure, the photographer captures the reality of life as it is today, played out in its shadow
The post Xiaoxiao Xu unravels the ancient myths surrounding the Great Wall of China appeared first on 1854 Photography.
The term family is a loaded concept. It suggests something intimate and forged of a bond that is hard to break though it can be called into question. It never feels like a neutral term. From its earliest days, photography has made use of subjects closest to the operator. Photographing children, partners and parents is […]
Bas Losekoot’s Out of Place is a study of people meandering through urban environments. The locations that Losekoot photographed in the book are cited as Hong Kong, Sao Paolo, Lagos, Mexico City, New York and more. At first glance, the work reminds me of a number of urban image projects of a similar fashion by […]
I don’t know if I believe that photography can define a people or a nation adequately, so I surmise that its best course of action is to speak about these topics in metaphor as if an attempt at truth will not be tolerated by observers from a secondhand accounting. It seems as though a majority […]
“Accompanied by a textual silence throughout the book, the repetition of the same gesture forges a totemic significance by accruing an emotional and auditory power similar to the effects of mantra-chanting.”
Next of Kin is everything I want to see in a photobook. It has the raw energy of sub-culture aesthetics coupled with a formal set of skills that exhibits the artist’s obviously studied qualities. It suggests that you can keep the energy of your life in your work and still know how to […]
In leafing through Anton Roland Laub’s critical “Last Christmas (of Ceaușescu)”, I find myself thinking about how traumatic justice is performed for a public and how we respond to images broadcast in which death is used to reclaim sovereign unification. I am reminded that these documents or transmissions facilitate belief that is necessary to […]
I missed this book first time around. The first edition sold out fairly quickly and has been republished in an affordable second edition by the original publisher Witty Kiwi. I will be honest in admitting that I am following contemporary photography from China at a distance. My knowledge of it is relative to Ren Hang, […]
Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…
In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…
She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…
Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…
Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence? Are we looking for an explanation? For reasons? Justification? Or are we simply denying our own…
Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…
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