Dipping into an archive comprising over 30 years of work, many of these 101 photographs pay tribute to Tom Wood’s mastery of color street photography and his love of humanity in and around Liverpool and Merseyside.

Photographed over thirty years ago, Ken Light’s nighttime pictures of migrants captured along the US-Mexico border pose some uneasy questions.

These women are serving life sentences in confinement. Sara Bennett’s collaborative portraits make visible the women impacted by the brutal mechanics of the US prison system, largely outside of the public’s view.

Justine Kurland’s take on the classic American tale of the runaway takes us on a wild ride of freedom, memorializing the fleeting moments of adolescence and its fearless protagonists.

Returning to her hometown in China after many years away, Wang Lu’s images grapple with time and change, from her personal relationship with her father to the shifting cityscape outside his window.

A public art exhibition sprawling through the streets of New York reaffirms the powerful role of art in daily life whilst reimagining the experience of looking at art during the pandemic.

Zanele Muholi teases apart one of her favorite images from her 2016 series of self-portraits in an exclusive conversation with LensCulture.

For the past 8 years, Joey Solomon has been photographing his mother. In the process of taking these monochrome portraits, he attempts to unpack their shared and hereditary mental illness.

Reading Time: 3 minutes
The post Deep-rooted familial trauma is the impetus for Faysal Zaman’s acutely personal work appeared first on 1854 Photography.

Reading Time: 2 minutes In their ongoing project, photographer duo Carlo Lombardi and Miririam Stanke travel across Nomansland, uncovering the aftermath of a landscape damaged by war.
The post “The authorities don’t want journalists or photographers to come.” appeared first on 1854 Photography.

Reading Time: 6 minutes The American photographer whose work tackles subjects affecting himself and others discusses his ever-evolving, multi-layered practice 
The post Zora J Murff pushes the boundaries of photography appeared first on 1854 Photography.

Reading Time: 4 minutes Part gallery, part community space, HOME aims to provide a supportive environment for all
The post Ronan Mckenzie launches HOME: A new Black-led artistic space appeared first on 1854 Photography.

Reading Time: 5 minutes “I would like for audiences to engage with the work, and look at how racism operates in their communities”
The post The enduring relevance of Gillian Laub’s Southern Rites appeared first on 1854 Photography.

Reading Time: 5 minutes The Japanese photographer searches for beauty in the everyday, a philosophy conversely inspired by tragic disasters.
The post Miho Kajioka’s Lightness of Being appeared first on 1854 Photography.

Reading Time: 3 minutes Marco Barbieri documents the stark class divides of a city going through constant reinvention and construction
The post Marco Barbieri investigates the two worlds of Doha, Qatar appeared first on 1854 Photography.

Reading Time: 5 minutes Layered with riffs of cultural and symbolic references, Adam Ferguson’s ongoing series, Big Sky, comments on the ecological deterioration of Australia’s interior regions
The post Adam Ferguson documents the changing landscape of the Australian bush appeared first on 1854 Photography.

South Korea, Jeju island, known for its characteristic basalt volcanic rock, sits off South Korea. It is the home of the renowned Haenyeo or women of the sea who free dive off the black shores of Jeju harvesting delicacies from the sea.
The post Haenyeo; Grandma divers by Alain Schroeder appeared first on Dodho.

China is almost a continent and as such can offer extremes and opposites at the same time; the ancient and very distant culture can still be observed in remote villages, increasingly surrounded by the advancing and swallowing civilization.
The post China; The great wall by Chiara Felmini appeared first on Dodho.

Fleeting moments in life captured in the most classic street-photography style over a decade ranging from 2008 to 2018. All around Europe. From Lisbon to Edinburgh, passing through Dublin, Vienna, Amsterdam, Madrid and the London Soho.
The post Street photography; Stolen Portraits by Michele Punturieri appeared first on Dodho.

No doubt that it was there, at Dhaka, when the spell began. My fascination kept growing and growing when roaming around the network of narrow winding streets in downtown.
The post River life along the banks of the Buriganga by Elena Molina appeared first on Dodho.

These women smoke tobacco, an ancient custom that marks their ancestry, identity and tribal pride. Their attitude was strong. Fierce. They were active participants of every ceremony and the Leaders of the communities. 
The post South Sudan; Smoker women by Ana Maria Robles appeared first on Dodho.

Today palm oil is seen as a substance to be avoided in food uses due to its high percentage of saturated fats, but in Africa this condiment is instead widely used and appreciated.
The post Palm oil production in the Central African Republic Gibi Peluffo appeared first on Dodho.

Promenade’s pictures are without a doubt part of the human side of photography. In Promenade, people are not merely treated as objects in a scene; conversely
The post The human side of photography; Promenade by Carlo Traini appeared first on Dodho.

These works are part of a wider photographic research that explores the impermanence of the natural surrounding and the fragility of our own presence in the land.
The post Photographic research; Landscape Pieces by Silvia De Giorgi appeared first on Dodho.

The post The Magnum Digest: November 27, 2020 appeared first on Magnum Photos.

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The post Bruno Barbey: 1941 – 2020 appeared first on Magnum Photos.

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The post The 2020 Presidential Election, Through the Eyes of Magnum Photographers appeared first on Magnum Photos.

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The post Considering an Election appeared first on Magnum Photos.

“The phrase “necessary fictions” both characterizes state-created realities, whether simulation in the military training context or the deployment and consumption of fictions in civilian society, and also comments on the documentary form.”

  “For artists who do stage their work and find it in situ, the photographic sketchbook is virtually unnecessary as a pre-game facilitator. I would suggest though, that the photographic notebook is an indispensable tool after cheap prints have been made available”   One technical tool that photographers often deprive themselves of thinking through is […]

  “The historical road of photography is paved with books and bodies of work about family. It is a natural resource for making work”     The historical road of photography is paved with books and bodies of work about family. It is a natural resource for making work. Emmet Gowin, Sally Mann, Judith Black […]

  “Struggle is often written in the foundation of our city’s (un)natural architecture”     Struggle is often written in the foundation of our city’s (un)natural architecture. In our rural areas, it is marked by temporary institutions-the grass, trees, fields and clearings bear the organization of bomb craters and sweeps of forest shoulder a mane […]

  “During these moments of quiet solitude in the bitter January cold, a transformation of emphasis on how I began to re-order the world was beginning, but I did not completely understand its momentum”   Childbearing presents a compulsion to re-order the world. You begin to notice things differently. This is due in course to […]

“The picture stays in the kid. Tell heaven don’t wait for me”   What is an image produced if not the perversion of self either in or out of frame? Authorship is dictatorship, no? What to do with a pare?   Game Over, and if this isn’t an obvious affront to the Texas that I […]

“I hear the sound of victory. I hear the sound of victory. I hear the sound of victory”. 1976, the centenary-a procrastinator’s wet dream”   The kids are smiling, their bodies are interlaced within the disused tire mound and the coyote snarls staring dead-eyed and hungry from the top of the bare picnic table. He […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…

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