Catherine Panebianco gives life to pictures from the past by photographing them in new settings, refreshing the ritual and recycling her family’s memories.

A sharp new take on ‘street’ photography, Jeff Mermelstein’s new book captures the dazzling highs and lows of everyday life in New York through the phone screens of its citizens.

Curious about the changing nature of our relationship with public space and how we move through it, this photographer’s sharp observations dissect the minute interactions that play out on the street.

How can something beautiful provide evidence of the atrocious? This project grapples with the millions of Soviet Ukrainian deaths under Stalin’s policy of forced starvation in the early 1930s.

This elegant coming-of-age series follows a young woman with Down syndrome as she experiences love, friendship and the nurturing bonds with her mother and nature.

Canadian photographer Tony Fouhse traces the fascinations that have fueled his long and varied career, leading him to his latest project: a dystopian take on his familiar surroundings.

A new book brings together 200 artists, writers and thinkers to make a beautiful, polyphonic ode to Roland Barthes’ famed ‘Winter Garden’ photograph—a deeply personal image of his mother that he writes about, but never discloses.

Cinematographer Kevin Fletcher stepped into the shoes of a photographer and took to the streets for this year-long project: a love letter to the complexities of his hometown, Portland.

Anjuman’s poetic images tackle issues of violence and oppression, many of which have affected Anjuman herself

Sejud’s work oscillates around ideas of freedom, and attempts at its limitation, on a personal and political level

“Photography for me is all about utilising the real world, re-contextualising and appropriating it”

“I’m very interested in self-presentation as a way of exposure. And also as a way to communicate. We need to produce pictures, almost on a daily basis, in order to show that we’re still active”

“I wanted to form a collective, which could exist outside the rules of convention; a collective of people as lost as myself”

Blending embroidery and photography, Malik interrogates misogyny and violence against women in her native India

The poetic photographs of Zibelnik conceal powerful and disturbing narratives

Bourouissa is the winner of this year’s Deutsche Börse Photography Foundation prize. Here, we revisit an interview about his retrospective, which presented 15 years of documenting life on the margins

It seems that the world is evolving at warp speeds.  Capturing this moment preserves our history through its people.  Photography is a powerful tool in the preservation of our cultural heritage. 
The post Matriarchs-Framed by Windows and Doors by David Shedlarz appeared first on Dodho.

It is hard to imagine a spot of greater human diversity than the Amazon Rainforest, it’s a tropical Babel. In these woods one finds old mythological sagas of the First Peoples: the Xipaya, the Kuruaya, the Kayapó, the Xikrin, the Parakanã, the Asuriní, the Arara, the Juruna.
The post Amazon Rainforest; Like Unicorns? by Miguel Pinheiro appeared first on Dodho.

Thomas James Parrish & Folk London present Oh India, a fundraising photography project. In 2016 Thomas travelled across India on a documentary-travel photography project, working in places such as Darjeeling, Nubra Valley and Leh Ladakh.
The post Oh India by Thomas James Parrish appeared first on Dodho.

My project is about closeness with mom. In my childhood, my mother almost never was near. First because of her second marriage, then because of her alcoholism. And then she completely disappeared. 
The post Looking for my mother by Elena Liventseva appeared first on Dodho.

This is where the forest begins, where the valley rises into the mountain, and the first kiss is shared. This is where the land ends, where the river meets the ocean, and the lovers say goodbye.
The post Viewpoint by Journey Gong appeared first on Dodho.

Before the rise of smartphones, the only people who used image editing tools were those who knew how to use Photoshop. Luckily, this is not the case anymore.
The post 4 Great Picture Editing Tools You Should Check Out appeared first on Dodho.

The exhibition “René Groebli – Platinum Palladium Prints” introduces the viewer to the exciting work of Groebli with pictures that were created using the noblest, most stable and most exclusive process. Each enlargement is unique. Such a print loses none of its intensity over time and is not permanently damaged by exposure to light. The shades of gray are many times richer and so fine compared to the silver gelatin prints that even in dark…
The post René Groebli: Platin Palladium Prints 1946 – 2006 appeared first on Dodho.

For years, next door football pitch although teams and track athletes used it for practice, it was in an overall decline. Yet, because it was a very familiar space
The post Office view by Stefanos Kouratzis appeared first on Dodho.

  “This is a study of composition rendered in a warm burgundy-the result of the image’s “loss” of its true color over time”   The cover of the book is a testament to time and change with an indebted sense of the corporeal. A red rust color permeates the image and a long shadow of […]

“Lake Geneva is situated along the borders of France and Swtizerland and is surrounded by dauntingly beautiful Chablis Alps, which features Le Grammont,-the region’s highest summit”   I had the pleasure of visiting the Swiss Biennale Festival Images Vevey last week. The festival, which occurs every two years in the small, but lush town of […]

  “Obviously, the European annual of the 30s and 40s such as Das Deutsche Lichtbild catered to various image-makers and sensibilities that would end with the war”   The tradition of the 20s, 30s, and 40’s photoannual provided for a number of great image-makers to exhibit some of their finest single images. Annuals such as […]

  “This ‘gendering’ includes everything from one’s awareness of their own individual body, to global political and social issues (the feminine pose, the masculine blue colour, the ‘masculinity’ of war)”     Mayumi Hosokura’s New Skin begins with a single quote on its inside cover. It is a quote by Donna Haraway, from her 1988 […]

  “Sunlight arms color photographs with daisies and when it refutes initiation, it instead lends pestilence to limbs that once lovingly embraced the nectar of its floral inhabitants”   Color is a very sensitive pursuit. It curries favor with no artist. It has an understanding about it that exceeds what appears outright as a seasonal […]

“Are classifications necessary? What are there limits? Who can photograph who and what? “   I am always curious by what we consider the exotic in photographs. I often find myself thinking of the vestigial media forms of the past- all the inconsistencies, problematic discourses, and general selling of anything “other” in photographs, magazines and […]

“Engman himself is absent from the work, and his interest in the figure of his mother most often seems like the distant one of the artist: she is a familiar material, repeatedly made strange by his methods.”

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…

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