Canadian photographer Tony Fouhse traces the fascinations that have fueled his long and varied career, leading him to his latest project: a dystopian take on his familiar surroundings.

A new book brings together 200 artists, writers and thinkers to make a beautiful, polyphonic ode to Roland Barthes’ famed ‘Winter Garden’ photograph—a deeply personal image of his mother that he writes about, but never discloses.

Cinematographer Kevin Fletcher stepped into the shoes of a photographer and took to the streets for this year-long project: a love letter to the complexities of his hometown, Portland.

Through layers of mind-bending work, Brazilian artist Paulo Coqueiro weaves a photo-based approach to writing — revealing mysteries and mistruths surrounding the disappearance of photojournalist Tito Ferraz.

Txema Salvans’ sun-soaked images of the Mediterranean capture the contradictions of contemporary existence, where holidaymakers lounge against the backdrop of a looming post-industrial landscape.

Through her tactile experiments in analog photography, textile arts, and performance, Brooklyn-based artist Hernease Davis treats the creative process as a healing tool.

Agnieszka Sosnowska’s striking self-portraits chronicle rural life in the volatile landscape of her adopted homeland, East Iceland.

A quiet ode to a brother loved and lost, Vivian Keulards’ book “to Hans” finds a form to dwell on the human stories behind addiction, and the complex web it spins around those it touches.

“For this generation of emerging image-makers, the photographer’s eye is illimitable: a picture is just a picture,” writes Antwaun Sargent, curator of a new exhibition opening at projects+gallery in St Louis, Missouri, this Thursday. Just Pictures features the work of Arielle Bobb-Willis, Yagazie Emezi, Joshua Kissi, Mous Lamrabat, Renell Medrano, Ruth Ossai, Justin Solomon and Joshua Woods — photographers who work in the intersection of fine art, fashion photography, and social commentary. In 2019, Sargent published The New Black Vanguard (2019), a book that explores what it means to be a contemporary young black photographer, creating work and thinking about blackness. Much in the same vein, Just Pictures presents a cohort of photographers whose work belongs just as in museums as they do in fashion magazines and social media feeds. Crucially, their work is inspired by an urge to show life as they find it — something that has hitherto been missing. In a statement provided by the gallery, Sargent describes these artists as: “Image-makers who are working between the commercial and conceptual, by creating …

As we begin to see galleries around the UK opening their doors to the public, a familiar bustle of culture breathes life into these spaces once again. Joining them this week is Seen Fifteen, nestled in the heart of Peckham, London and the home of the much celebrated Peckham 24 Festival  – which would have celebrated its fifth edition this summer – as well as a dynamic programme of exhibitions throughout the year. The gallery welcomes visitors back with a new exhibition Hurry Up Please It’s Time, a title taken from a line of a poem by T.S. Elliott, which he wrote during the last pandemic. The show, which brings together the work of five contemporary artists and photographers including Maya Rochat and Laura El-Tantawy, breaking from the scheduled summer programme and instead focusing on the pandemic experience. Jo Dennis, Elena Helfrecht and Martin Seeds will be exhibiting work that was made during the Covid-19 lockdown, with each artist ruminating on the effect this moment has had on our environment. BJP speaks to the founder …

Hirve’s work spans the real and the otherworldly: places become symbols, inviting us to reflect on their meanings beyond physical space

Vibrant colour palettes, music and art come together in Carter’s electric fashion editorials

In Bolivia, ethnonationalism rejects anything that threatens its tradition — Claure asks why

In a free livestream event, the fashion documentary photographer unpacks her recent projects exploring working class youth culture in the UK

With the OpenWalls Arles 2020 open at Galerie Huit Arles until 05 September, British Journal of Photography delves deeper into the ‘Growth’ single image winners

Discovery guides the visual art, photography, and directing duo’s latest project. Truth and fiction blend, creating space for self-discovery

The motivation for my story was a personal experience I had at the age of 10. I was raised at the Flemish countryside in the province of Antwerp. I remember that one cold December night, I was walking back home from a friends’ house with my mom.
The post Interview with Annick Donkers; Published in our print edition #12 appeared first on Dodho.

Photographic series from the Metro Stations in Athens and Thessaloniki during their construction by Pygmalion Karatzas. Commissioned by Attiko Metro and the Hellenic Ministry of Infrastructure and Transport
The post Metro Stations; Unearthed by Pygmalion Karatzas appeared first on Dodho.

An act of resistance and the first cultural event in Paris after the holiday period. Postponed before being reinvented online, Art Paris 2020, the modern and contemporary art fair, will be born again at the end of the summer at the Grand Palais in a real-world version from September 10–13.
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Wakaliwood is a dream of a young man that cames real. Twenty years ago, Isaac Nabwana was a young student with a very deep passion for cinema.
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Sometimes we want to destroy the real space through our imaginative mind. Tried to replace the concrete form of the image to combination of light and shadows and our physical body becomes transparent against light or shadow.
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The one and only, unique and pure – just Harlem, and nothing else. The title introduces Harlem as a magical place of longing that only works and lives within, and cannot carry its characteristics to the outside world.
The post Sole Harlem by Louise Amelie & Aljaž Fuis appeared first on Dodho.

I have always been mesmerised by the intricate details in nature. The way that the veins form on the rear of a leaf, to the standing wave that holds its place as the surrounding stream cascades past.
The post Winter’s Ant Farm by Ty Stedman appeared first on Dodho.

Following latest information issued by the Federal Council, Images Vevey is thrilled to announce that the 2020 edition of its visual arts biennial will take place from 5th to 27th September, pending how the current health situation evolves on an international scale. For the theme of this edition, “Unexpected. Le hasard des choses”, Festival Images Vevey will present near fifty astounding photographic installations, outdoors in the streets, on buildings and in Vevey’s parks, as well…
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  “This ‘gendering’ includes everything from one’s awareness of their own individual body, to global political and social issues (the feminine pose, the masculine blue colour, the ‘masculinity’ of war)”     Mayumi Hosokura’s New Skin begins with a single quote on its inside cover. It is a quote by Donna Haraway, from her 1988 […]

  “Sunlight arms color photographs with daisies and when it refutes initiation, it instead lends pestilence to limbs that once lovingly embraced the nectar of its floral inhabitants”   Color is a very sensitive pursuit. It curries favor with no artist. It has an understanding about it that exceeds what appears outright as a seasonal […]

“Are classifications necessary? What are there limits? Who can photograph who and what? “   I am always curious by what we consider the exotic in photographs. I often find myself thinking of the vestigial media forms of the past- all the inconsistencies, problematic discourses, and general selling of anything “other” in photographs, magazines and […]

“Engman himself is absent from the work, and his interest in the figure of his mother most often seems like the distant one of the artist: she is a familiar material, repeatedly made strange by his methods.”

“Where is “the thing I am not seeing”?”   We’ve become quite accustomed to understanding the importance of photographs based on the frenetic pace that they occupy. Our eyes are expectant. They hover over an image looking at the embedded chaos of news images, photographs of cities, etc. and when they are challenged with a […]

“In literature and film, the desert often serves as a topographic metaphor for interior emptiness, but the reality of this kind of aloneness goes beyond linguistic abstractions – it’s a presence, as palpable as hot sand on the skin.”

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…

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