A quiet ode to a brother loved and lost, Vivian Keulards’ book “to Hans” finds a form to dwell on the human stories behind addiction, and the complex web it spins around those it touches.
Txema Salvans’ sun-soaked images of the Mediterranean capture the contradictions of contemporary existence, where holidaymakers lounge against the backdrop of a looming post-industrial landscape.
First conceived as a visual letter to her daughter, Ursula Schulz-Dornburg’s recent book gives us an architectural portrait of a city in transition, photographed not long after the collapse of Communism.
Inviting strangers to go through his photographs, Srinivas Kuruganti’s five day experiment turned the personal public, exploring the fluidity of narrative and the boundaries of the archive.
In her delicate study of everyday life in the region of mountainous Adjara, located in Western Georgia, Natela Grigalashvili documents a way of life and rich culture at risk of disappearing.
What is at stake now that we can travel the world through a screen? In her hand-colored photographs, sourced from virtual tours of national parks hosted on Google, Brea Souders invokes the romanticism and tradition of landscape photography to question its status in the present.
The British-South African documentary photographer discusses the white western gaze within the context of her new photobook, They Came From the Water While the World Watched
OpenWalls Arles is an international photography award exhibiting contemporary work in historic locations around the world. The 2020 edition is now on show at Galerie Huit Arles until 05 September In an 8×8 metre tin hut on a construction site outside Mumbai, Anchal Sahni [above] sits down to dinner with her parents and two siblings: homemade aloo bhindi (okra and potatoes simmered in curry) and chapati (flatbread) from scratch, with a side of lentils. There is one tap of running water on the entire site. Anchal has a healthier diet than many middle-class children in India, who can afford to eat out: in Mumbai, a medium Domino’s pizza costs 13 dollars — nearly three times what Anchal’s father earns in a day. In the West, awareness has been burgeoning around the harm of ultra-processed foods packed with salt, fat and sugar. While awareness hasn’t led to substantial change in our behaviour (since the rise of corn syrup alone, the incidence of diabetes in America has tripled), corporations — who promote junk foods to the masses …
Two years since the road-trip that marked the end of her relationship, Cremona revisits the images in which she sought refuge: “The only way to let go was to create something tangible and set it free”
LEMNVIU is the result and manifestation of all this process to understand the sculptures and the artistic vibe of the 80s. The human character in the photos mimics the theme of the sculpture as we know it now, using the body’s expressive means
The post Artistic nude; Lemnviu by Moga Alexandru appeared first on Dodho.
Does the world exist because we perceive it or is it that we perceive the world because it exists instead? What is the ‘a priori’ of all things, the origin, the starting point, if there were any?
The post Colors urbans by Victor Enrich appeared first on Dodho.
The gear used on this trip was the Phase One XF Camera, IQ3 Digital Back, and several Schneider-Kreuznach lenses including the 28mm which I used to capture unique portraiture including the boxer and the farmers.
The post Interview with David Shedlarz; Published in our print edition #12 appeared first on Dodho.
The Isolation Diary is a gentle meditation on mental health and the value of human companionship amid the COVID-19 crisis. The concept of this project is to share a very intimate and personal reflection on the long-term effects of a traumatic societal event such as the recent worldwide pandemic.
The post The Isolation Diary by Gavin Smart appeared first on Dodho.
During the quarantine, London-based photographer Andy Go conducted 71 remote photo shoots in 52 cities and 34 countries. I started it in April, after a month of sitting at home, taking numerous photos of my wife, and developing films manually for the first time.
The post Thread from the world by Andy Go appeared first on Dodho.
Seb Agnew (born 1986) is an award-winning photo artist based in Hamburg, Germany. Within staged images, he creates hyperrealistic sceneries which explore the human psyche and our modern society. Set design, lighting and composition play a major role in his photographic work. Seb loves cinematic and mysterious settings as well as moments of disorientation and lonesome reflection. Depending on the concept, he transforms whole rooms or builds his locations completely as miniature sets in which…
The post Seb Agnew; Published in our print edition #12 appeared first on Dodho.
Ascension is one of a multiple of photographic series that I have done in which I have tried to photograph the story, found between lightness and darkness, that a moment of luminosity tells through the flow of our energy pushing and pulling our forms.
The post Female Nude; Ascension by Dave Hanson appeared first on Dodho.
During the days prior to the pandemic I was ultra-busy planning a photographic shoot with a large team of people, assistants, stylists, hair and make-up team, prop stylists, set designers etc.
The post Looking Out from Within by Julia Fullerton-Batten appeared first on Dodho.
“In literature and film, the desert often serves as a topographic metaphor for interior emptiness, but the reality of this kind of aloneness goes beyond linguistic abstractions – it’s a presence, as palpable as hot sand on the skin.”
“When I graduated from CalArts with an MFA in 1993, I moved to New York City. It’s never an easy time to launch as an artist, but that was a particularly bad time. It was pre-internet, of course, so there were fewer ways to get work seen, and the gallery system was very small […]
“In the case of Arnaud Montagard’s The Road Not Taken, the lens is focused on the remnants of a mid-century American dream as exemplified by gas stations and diners that bear all the vernacular hallmarks of the Atomic Age” The best way to describe human activity in a photograph is to remove […]
“I think what was really drawing me to Marina’s book was how it was animating this story of the mountains, their potential and actual destructive forces and how human lives are so dwarfed in the scale of that force yet so emotionally attached to life in the mountains.” – Sunil Shah
“The Transparencies book published by MACK is also significant in its design, the essay within and sequence of the work, which is chapterized by annual progressions through the 70’s American dream in banal (good word, word of goodness) detail” It is not often that a re-examination of the periphery of a significant […]
Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…
In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…
She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…
Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…
Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence? Are we looking for an explanation? For reasons? Justification? Or are we simply denying our own…
Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…
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