First conceived as a visual letter to her daughter, Ursula Schulz-Dornburg’s recent book gives us an architectural portrait of a city in transition, photographed not long after the collapse of Communism.

Inviting strangers to go through his photographs, Srinivas Kuruganti’s five day experiment turned the personal public, exploring the fluidity of narrative and the boundaries of the archive.

In “Wee Muckers – Youth of Belfast”, Toby Binder captures the ebbs and flows of teenage life across the divided communities of Northern Ireland.

In her delicate study of everyday life in the region of mountainous Adjara, located in Western Georgia, Natela Grigalashvili documents a way of life and rich culture at risk of disappearing.

What is at stake now that we can travel the world through a screen? In her hand-colored photographs, sourced from virtual tours of national parks hosted on Google, Brea Souders invokes the romanticism and tradition of landscape photography to question its status in the present.

Can photography be used as a tool of healing? Here’s a look at how seven very different artists have responded to the experience of ill-health.

A riot of garish colors and plastic (or sad-looking real fast food burgers), Jonathan Blaustein’s still lifes subvert the visual language of product photography to explore the themes of American consumption and consumerism.

Rebelling against the conservative conventions of schooling in Poland, Karolina Wojtas has given a carte blanche to her inner child, resulting in an explosion of mess, materials and experimentation.

Two years since the road-trip that marked the end of her relationship, Cremona revisits the images in which she sought refuge: “The only way to let go was to create something tangible and set it free”

The Brighton-based organisation remodel their biennale festival and annual magazine, with the aim of widening access and passing on power

In a free live event, the Istanbul-based photojournalist unpacks a decade of documenting LGBTI+ asylum seekers around the world

“It’s a world in which Black folks can appear intimate, in unison with themselves, and in sync with one another”

British Vogue’s September issue is photographed by Misan Harriman, the first Black male cover photographer in the magazine’s 104-year history

Michael Bailey-Gates, Paolo Roversi, Marie Tomanova, Kacey Jeffers, and Nina Manandhar respond to the theme transgression through image and text

In a new series, Sophie Harris-Taylor reveals the challenges and joys of breast-feeding for several women

In a new book, Ryan Debolski captures the connections that form among migrant labourers seeking momentary respite on the sandy beaches of Oman

During the days prior to the pandemic I was ultra-busy planning a photographic shoot with a large team of people, assistants, stylists, hair and make-up team, prop stylists, set designers etc.
The post Looking Out from Within by Julia Fullerton-Batten appeared first on Dodho.

Panos Mary is a photographic duo, and this is not their only unusual feat. These Greek islanders belong to the new documentalists. They portray realities through poetic images in pastel color fantasies.
The post Interview with Panos & Mary, The new documentalists appeared first on Dodho.

There is a place where commercial activity is carried out on top and not necessarily because of its transactions of considerable value, but you can literally run out of air so you don’t buy anything, usually crowded with people, this place contains daily aspects that partly reflect the society it represents.
The post Trade in clouds by Gillmar Villamil appeared first on Dodho.

About a year and a half ago I created a dinner series called, At Home with Momoko, where I would host 8-10 women once a month.
The post A Mad World by Momoko Fritz appeared first on Dodho.

At 37.5 ° you enter the anti-Covid-19 control field (you cannot enter the workplace and in all those places where the temperature control at the entrance is in force).
The post 37,4° A photographic project of Carlo Pettinelli appeared first on Dodho.

In South Africa, the market for trading exotic pets, either legally or illegally, is big. It all looks so nice and cool, having an exotic animal as your pet, and inspired by stories about the ‘real Tarzan’ and the ‘lion whisperer’, a lot of people want to be the next exotic animal whisperer.
The post Exotic Companions by Frank Trimbos appeared first on Dodho.

One summer afternoon I walked through a park full of young people. It took me a few visits to observe and absorb the energy around me.
The post Washington Square Park by Jay Patel appeared first on Dodho.

Weddings are definitively relevant events among the Spanish families. They represent a sort of “ climax” in everybody’s life because during the celebrations what is normally hidden by the daily routine is suddenlyrevealed and amplified.
The post La boda by Mariagrazia Beruffi appeared first on Dodho.

The post Central Park appeared first on Magnum Photos.

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The post Quarantine Conversations: Peter van Agtmael and Lorenzo Meloni appeared first on Magnum Photos.

The post The Magnum Digest: July 17, 2020 appeared first on Magnum Photos.

The post Paul Fusco: 1930 – 2020 appeared first on Magnum Photos.

The post Quarantine Conversations: Stuart Franklin and Alex Majoli appeared first on Magnum Photos.

The post War Lingers: Srebrenica 25 years on appeared first on Magnum Photos.

The post The Magnum Digest: July 10, 2020 appeared first on Magnum Photos.

  “When I graduated from CalArts with an MFA in 1993, I moved to New York City. It’s never an easy time to launch as an artist, but that was a particularly bad time. It was pre-internet, of course, so there were fewer ways to get work seen, and the gallery system was very small […]

  “Our point of view of the self is hidden and although personal subjectivity is widely considered to be the foundation of image-making at present, we have deluded ourselves for a great number of years suggesting that photography could ever be anything more than the self exposed through images of the exterior.”   The greatest […]

  “In the case of Arnaud Montagard’s The Road Not Taken, the lens is focused on the remnants of a mid-century American dream as exemplified by gas stations and diners that bear all the vernacular hallmarks of the Atomic Age”     The best way to describe human activity in a photograph is to remove […]

“I think what was really drawing me to Marina’s book was how it was animating this story of the mountains, their potential and actual destructive forces and how human lives are so dwarfed in the scale of that force yet so emotionally attached to life in the mountains.” – Sunil Shah

  “The Transparencies book published by MACK is also significant in its design, the essay within and sequence of the work, which is chapterized by annual progressions through the 70’s American dream in banal (good word, word of goodness) detail”     It is not often that a re-examination of the periphery of a significant […]

“The good of a book lies in its being read. A book is made up of signs that speak of other signs, which in their turn speak of things. Without an eye to read them, a book contains signs that produce no concepts; therefore it is dumb” – Umberto Eco, The Name of the Rose. […]

“Photography is the process of discovering the other and, through the other, oneself. Intrinsically, that is why the photographer seeks and discovers new worlds but in the end always shows what is inside himself.” —Claudia Andujar   As a child, Claudia Andujar laid awake and listened silently for the spirits the servants were certain inhabited […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…

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