In her delicate study of everyday life in the region of mountainous Adjara, located in Western Georgia, Natela Grigalashvili documents a way of life and rich culture at risk of disappearing.
What is at stake now that we can travel the world through a screen? In her hand-colored photographs, sourced from virtual tours of national parks hosted on Google, Brea Souders invokes the romanticism and tradition of landscape photography to question its status in the present.
A riot of garish colors and plastic (or sad-looking real fast food burgers), Jonathan Blaustein’s still lifes subvert the visual language of product photography to explore the themes of American consumption and consumerism.
Rebelling against the conservative conventions of schooling in Poland, Karolina Wojtas has given a carte blanche to her inner child, resulting in an explosion of mess, materials and experimentation.
In his long term exploration of masculinity, Bharat Sikka intertwines the personal and the collective by continually finding new ways to investigate and represent his homeland, India.
Kim Llerena’s “American Scrapbook” gives a fresh riff on the classic roadtrip, deftly collecting signs and symbols of the collective American sensibility as she drives through the landscape.
On this day ten years ago, the UN recognised clean water and sanitation as a human right, but one in ten people still lack access. Wateraid commissioned 10 visual artists from the global south to respond to this issue
Situated on an island off the coast of southern France, surrounded by glistening blue waters and nestled within pine-tree forests, is the Villa Carmignac — a gallery and sculpture garden belonging to French entrepreneur Édouard Carmignac and the foundation he established in 2000. The land, back then a Provençal farmhouse originally built in the 1980s, was acquired in 2015. An underground extension was built to accommodate 2,000 square meters of exhibition space, and in 2018, it opened to the public. Surrounding the gallery is an impressive sculpture garden and 18 permanent works of art, situated within a national park that famously provided a backdrop to Jean-Luc Godard’s 1965 film Pierrot le fou. Inside, visitors are asked to remove their shoes to ensure complete silence, contributing to a serene experience which only accentuates the sobering nature of the work currently on show. Established in 2009, the Carmignac Photojournalism Award exists as part of the foundation’s “three axis”, alongside the villa, and the foundation’s collection of over 250 works of art, by artists including Andy Warhol, Basquiat, …
Blending portraits with defunct bolivar banknotes, Felipe Jácome captures the exhaustion of Venezuelan migrants and the broken country from which they flee
Reductively labelled a “girl photographer” in the 90s, Nagashima is now a leading voice in feminist photographic discourse. Here, the Japanese photographer discusses her new book of self-portraits, and why she took it upon herself to rewrite history
23rd June, 6PM (UK Time) | Pre-register now to watch for free From 1854 Media and British Journal of Photography, 1854 Presents hosts free virtual artist talks, Q&As, panel discussions and more with leading figures in contemporary photography. This week, 1854 Presents: Rory Lewis. Rory Lewis is a dedicated portrait photographer who has spent over a decade capturing many of the world’s most recognised faces. Sitters have included the likes of William Shatner, David Cameron, Dame Judi Dench, Sir Derek Jacobi, Iain Glen and Natalie Dormer. Rory’s images have been exhibited on both sides of the Atlantic, with several of his portraits having been acquired by the National Portrait Gallery in London. In this free and exclusive live stream event, Rory will unpack his approach to portraiture alongside key sittings from his portfolio, including Patrick Stewart, Sir Ian McKellen and others. He will be discussing technique, lighting, direction and the broader inspiration behind his work. Pre-register now to watch for free, and stay tuned for more 1854 Presents livestream events View the archive of talks …
On visiting the seaside towns of the UK’s East Coast, Max Miechowski discovered an unexpected apprehension for the future among the decades-old communities
Weddings are definitively relevant events among the Spanish families. They represent a sort of “ climax” in everybody’s life because during the celebrations what is normally hidden by the daily routine is suddenlyrevealed and amplified.
The post La boda by Mariagrazia Beruffi appeared first on Dodho.
Photography focuses on image, but it may ignore sometimes the essential brilliance of the ideas. Pop culture has always been a never ending source of inspiration for me. That’s why I want to present you ten documentaries to broaden your perceptions and schemes.
The post 10 Must-See Pop Culture Documentaries to get inspired appeared first on Dodho.
In my work I focus on landscape and body exploration using group of young man to reflect nature terrain in mid-day until dark. The compositions are based on the artist memory during different part of his life.
The post Bonfire Night by Omer Ga’ash appeared first on Dodho.
In the Universe everything changes following a harmonic timeless rule.The happiness consists into be aware of being part of this Harmony, following its own nature to achieve the essence.
The post Giorgio Di Maio; The Hidden Harmony appeared first on Dodho.
Dodho Magazine partnered with GuruShots “The Worlds Greatest Photo Game” in a photo challenge contest titled “Tell a story” Over 100,000 photos were submitted and more than 45 million votes were cast!
The post GuruShots Photo Challenge: Tell a story appeared first on Dodho.
At the moment, in my backpack I carry a Nikon D90 body, equipped with a Nikon MB-D90 Battery Grip and two batteries for long work days. I also carry the kit lens, an AF-S DX Nikkor 18-105mm f / 3.5-5.6G ED VR, and an AF-S DX Micro Nikkor 40mm f / 2.8G.
The post Inside the camera bag of Anthony AsCer Aparicio appeared first on Dodho.
Surprisingly close to tourist heavy Red Fort in Old Delhi India, lies Moti Talkies, the oldest and only remaining Bhojpuri movie single-screen theatre in the nation’s capital. The theatre is extremely easy to pass by, with the only way to it being through a dully lit narrow lane marked only by small film posters.
The post Moti talkies by Yuvraj Khanna appeared first on Dodho.
For Ljubica Denkovic, photography is a space that varies meanings, making them stranger, questioning the known, instilling new senses, playing with aesthetic categories.
The post After dark by Ljubica Denkovic appeared first on Dodho.
“I think what was really drawing me to Marina’s book was how it was animating this story of the mountains, their potential and actual destructive forces and how human lives are so dwarfed in the scale of that force yet so emotionally attached to life in the mountains.” – Sunil Shah
“The Transparencies book published by MACK is also significant in its design, the essay within and sequence of the work, which is chapterized by annual progressions through the 70’s American dream in banal (good word, word of goodness) detail” It is not often that a re-examination of the periphery of a significant […]
“The good of a book lies in its being read. A book is made up of signs that speak of other signs, which in their turn speak of things. Without an eye to read them, a book contains signs that produce no concepts; therefore it is dumb” – Umberto Eco, The Name of the Rose. […]
“Photography is the process of discovering the other and, through the other, oneself. Intrinsically, that is why the photographer seeks and discovers new worlds but in the end always shows what is inside himself.” —Claudia Andujar As a child, Claudia Andujar laid awake and listened silently for the spirits the servants were certain inhabited […]
“The de-anthropocentric consideration of nature, of particle, of process is necessary to discuss the framing of new non-human realities” Let’s consider an alternative version of history that is based on material instead of human folly. There must be a history individuated for the way in which non-animate objects such as petroleum, electricity, and […]
“The fridge was loud, but outside it was quiet, much quieter.” There is a literal wall of language separating the two halves of Michael Schmidt’s landmark photobook Waffenruhe (published in 1987 and reprinted in 2018), a visually sprawling text that spans seventeen pages at the center of the book. Despite the text’s […]
Professional photographers are typically trained to hide the mutability of digital images, covering up their handiwork to make their subjects look perfect, moreso than reality itself. Cobayashi toys with this mutability. Swirled up buildings, highways and hair all come together in an ecstatic mix of street fashion-shoot, slice-of-life and cityscape. You can trace the […]
Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…
In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…
She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…
Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…
Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence? Are we looking for an explanation? For reasons? Justification? Or are we simply denying our own…
Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…
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