What is at stake now that we can travel the world through a screen? In her hand-colored photographs, sourced from virtual tours of national parks hosted on Google, Brea Souders invokes the romanticism and tradition of landscape photography to question its status in the present.
Rebelling against the conservative conventions of schooling in Poland, Karolina Wojtas has given a carte blanche to her inner child, resulting in an explosion of mess, materials and experimentation.
In his long term exploration of masculinity, Bharat Sikka intertwines the personal and the collective by continually finding new ways to investigate and represent his homeland, India.
Kim Llerena’s “American Scrapbook” gives a fresh riff on the classic roadtrip, deftly collecting signs and symbols of the collective American sensibility as she drives through the landscape.
Is the whole greater than the sum of its individual parts? We take a look at the ups and downs of being in a photography collective through the lens of four different collectives from around the world.
A new exhibition, set within ancient ruins in Normandy, paints a portrait of a transitioning China — through 13 photographers’ and 80 works that explore the river
OpenWalls is an international photography award exhibiting contemporary work in prestigious and historic locations around the world At work, at leisure, awake, asleep, in the street, in reflection. The everyday is, according to 20th century French philosopher Maurice Blanchot, that which is “most difficult to discover”: it is “what we are first of all, and most often”; it is ourselves, ordinarily. But the immediate proximity of our everyday renders its beauty hard to appreciate. When ‘Daily Life’ was chosen as one of two themes for OpenWalls Arles 2020 — a look at the small moments, the ordinary routines, that make up human existence — we had no idea the exhibition would fall in such an extraordinary year. At the time of writing, the world is slowly emerging from lockdown, persisting through a pandemic that continues to magnify cracks in our systems. Following the death of George Floyd at the hands of Minnesotan police, the Black Lives Matter movement has erupted around the globe. Across oceans and borders, ways of thinking, acting and existing are in …
In his latest exhibition, Fader presents Best Lives — portraits made by and for the queer community — alongside a powerful digital installation that maps LGBTQ hate crimes in America
Tyler Mitchell, Collier Schorr, Jack Davison, Wolfgang Tillmans, Vivienne Westwood, and Stephen Shore are among the impressive list of names featured in the 176-page magazine supporting out-of-work creatives during the pandemic
I left my photography studio in Berlin to plant trees in southern Portugal. I ended up living in a community, and some of them changed the course of my life.
The post Gone West by Camila Berrio appeared first on Dodho.
The fine art series soliloquy is represented by the act of play where people, nature, even machine hitting the limelight or centre stage to make a statement as well as becoming the spectators.
The post Soliloquy by Anirban Mandal appeared first on Dodho.
ViewBug, the World’s largest photo contest community hosted a “Portrait Magic” Photo Contest. ViewBug is a community of visual creators that is redefining the way photographers interact, get exposure, and improve their skills.
The post Viewbug : Portrait Magic appeared first on Dodho.
What if Helmut Newton or Guy Bourdin had been born in The Canary Islands? Well, probably their works would have been kind of similar to what David Rodríguez does. Moving from the surrealist movement to fashion photography, this Canarian artist has created a stylish and chic body of work with soul.
The post David Rodríguez, post fashion photography. appeared first on Dodho.
Photography is a vital tool conserving and narrating collective and individual experiences in relation to community, identity and a sense of belonging.
The post These Are the places that make us by Adrian Saker appeared first on Dodho.
Entering Afghanistan catapults into another dimension: you enter a sphere where time and people do not belong to anything known.
The post Afghanistan by Chiara Felmini appeared first on Dodho.
This is my personal project from my isolation series. I noticed on the first day of our countries quarantine, a surreal frenzy at the local supermarket for canned goods.
The post Canned food by Anne Mason-Hoerter appeared first on Dodho.
This project represents with respect the working men and women that make up the fabric of communities in South, Southeast Asia. The small business proprietors and trades people that are the heart and soul of the neighborhoods in these nations going about their daily lives.
The post Through the Eyes of the Streets in South by David Shedlarz appeared first on Dodho.
“The good of a book lies in its being read. A book is made up of signs that speak of other signs, which in their turn speak of things. Without an eye to read them, a book contains signs that produce no concepts; therefore it is dumb” – Umberto Eco, The Name of the Rose. […]
“Photography is the process of discovering the other and, through the other, oneself. Intrinsically, that is why the photographer seeks and discovers new worlds but in the end always shows what is inside himself.” —Claudia Andujar As a child, Claudia Andujar laid awake and listened silently for the spirits the servants were certain inhabited […]
“The de-anthropocentric consideration of nature, of particle, of process is necessary to discuss the framing of new non-human realities” Let’s consider an alternative version of history that is based on material instead of human folly. There must be a history individuated for the way in which non-animate objects such as petroleum, electricity, and […]
“The fridge was loud, but outside it was quiet, much quieter.” There is a literal wall of language separating the two halves of Michael Schmidt’s landmark photobook Waffenruhe (published in 1987 and reprinted in 2018), a visually sprawling text that spans seventeen pages at the center of the book. Despite the text’s […]
Professional photographers are typically trained to hide the mutability of digital images, covering up their handiwork to make their subjects look perfect, moreso than reality itself. Cobayashi toys with this mutability. Swirled up buildings, highways and hair all come together in an ecstatic mix of street fashion-shoot, slice-of-life and cityscape. You can trace the […]
Everything is reducible to carbon. From the tip of the pencil that provides musical annotation on a score to the living forest in front of the camera. Carbon provides the means for life and all living forms bend to the will of carbon. Carbon is elemental and essential. It forms more compounds than all the […]
“This is a so much about family that the idea of the hotel and its function as the construction and as a dwelling for temporary accommodation, reflected through the blueprint cover and letterheaded endpapers is anything but the impersonal experience of temporary lodging.”
Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…
In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…
She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…
Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…
Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence? Are we looking for an explanation? For reasons? Justification? Or are we simply denying our own…
Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…
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