This light-soaked street photography spotlights passersby as main characters in a classic theatrical performance.

Kim Llerena’s “American Scrapbook” gives a fresh riff on the classic roadtrip, deftly collecting signs and symbols of the collective American sensibility as she drives through the landscape.

Rebecca Horne arranges everyday objects into illusion-filled still lifes and tableaux, creating worlds of unexpected visual relationships.

Is the whole greater than the sum of its individual parts? We take a look at the ups and downs of being in a photography collective through the lens of four different collectives from around the world.

Ivorian artist Joana Choumali instinctively responded to a national tragedy four years ago by embroidering on a series of photographs she had made with her iPhone — the results are images of hope and healing.

In her meticulously-staged portraits, Stacey Tyrell explores race and identity, drawing on her own family’s histories of immigration to probe overarching structures of colonialism, white supremacy and capitalism.

An online exhibition at MoMA pays tribute to the iconic photographer Dorothea Lange, whose work and legacy has never felt more relevant when viewed against the backdrop of our changing world.

“Photography is a form of global expression—IMA aims to reveal the meaning, context and story behind a work in order to convey its essence.” An interview with Mutsuko Ota, the Editorial Director of this delightful Japanese publication.

In place of this year’s Turner Prize, Liz Johnson Artur is one of ten artists awarded a one-off bursary £10,000. Here, we revisit an interview with the Ghanaian-Russian photographer, about her expansive archive of the richness and complexity of black British life

The subjects of Mirror Portraits contemplate themselves from multiple angles — from within each portrait, and beyond them

The award-winning photographer-filmmaker and founder of The Anonymous Project unpacks the “art of the ordinary” live with BJP

Initiated two years ago, each photographer was allocated a final stop on the London underground. The resulting project, revealed in a virtual gallery, captures London’s diversity

Our Creative Brief this month is Lucy Conticello, the director of photography at M, the magazine arm of French newspaper, Le Monde

Burning colours, golden light, and verdant scenery fill the backdrops of Josh Aronson’s Tropicana. Backdrops populated with Floridian youth — artists, activists, skaters; a cast of characters donning bright clothes — young and free. “I grew up in a Florida, not unlike the one imagined here,” writes Monica Uszerowicz, in the book’s foreword — referencing the semi-fictional Florida city imagined on its pages. “A warm and lush haven of climbable trees and mulchy driveways, of coastal waters and grapefruit trees … And the perpetual light dancing on shower curtains, on tiles. Mesmeric and constant.” “And the perpetual light dancing on shower curtains, on tiles. Mesmeric and constant” Monica Uszerowicz Aronson also grew up in Miami, and several of the photographs were taken in the corners of his childhood home. It was both nostalgia and frustration that compelled him to conceptualise of the project: a desire to reflect on his childhood in Florida and challenge the often inaccurate representations of the state, which dominate popular culture — Miami Vice, the Florida Man meme, Spring Breakers. Counter to …

In a new book, Delphine Diallo presents portraits of LGBTQ people over the age of 50 in America, alongside their stories of resilience, progress, and love

A new digital project celebrates Black Queer identity — comprising a charity print sale, an online journal, and weekly screenings of three films by the late Marlon Riggs

The plague caught us by surprise, and the house filled with tension. How can we stay at home without leaving? Without seeing our parents? our friends? And how can we deal with the children for such a long time.
The post Covid-19: The full half by Omri Shomer appeared first on Dodho.

Is a project that was created with the intent to represent the feminine form in its entirety and complexity, a task which is so difficult to attain; the women from different historical periods have played a leading role, for better or for worse, and that role is reserved for them conquered or coveted.
The post Timeless woman by Stefano Lunardi appeared first on Dodho.

I am fascinated by the beautiful rooms and the fantastic lighting moods with which I can take stylish nude photographs.
The post Nude photographs by Martin Zurmühle appeared first on Dodho.

These black and white images were taken when I lived in Mexico in the mid-80’s. The color photographs are from a series of over 400 photographs which were taken while I was working as the location sound recordist and still photographer
The post Lucha libre by Avery Danziger appeared first on Dodho.

Architecturally, Pittsburgh, Pennsylvania punches above its weight. For a mid-sized American city, it has a rich agglomeration of fascinating buildings, largely thanks to the city’s storied industrial past.
The post Steel City Serenade by James Kezman appeared first on Dodho.

Lisa Powers created a ‘photographic history’ of Empress WanRong after she learned of her short, tragic life. She wanted, through this re-creation, to give WanRong the recognition she never received in life. The last Empress of China was the beautiful and Western educated WanRong who was selected (against her will) to marry Emperor PuYi when she was just 16. PuYi selected his bride from photographs of eligible young girls. The photographs that were presented to…
The post WanRong, the Last Empress of China by Lisa Powers appeared first on Dodho.

My wife and I were trying to conceive our first child for more than 9 years. I had an accident 10 years ago and ended up quadriplegic.
The post 9 years, 9 months by Dejan Mijović appeared first on Dodho.

In this edition, we have the honour of publishing the photographers’ works, David Shedlarz, Rana Young, Alain Licari, Annick Donkers, Seb Agnew, Anne Mason-Hoerter, Without a doubt, some of them, ambitious projects and with a marked personal stamp. 
The post Dodho Magazine Issue 12 appeared first on Dodho.

The post Updates from the 2020 Magnum Photos Annual General Meeting appeared first on Magnum Photos.

The post The Magnum Digest: June 26, 2020 appeared first on Magnum Photos.

The post I’m Starting to Feel the Pain appeared first on Magnum Photos.

The post To the North appeared first on Magnum Photos.

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The post The Magnum Digest: June 12, 2020 appeared first on Magnum Photos.

The post What Bruce Gilden Learnt Photographing in Grocery Store Parking Lots During COVID-19 appeared first on Magnum Photos.

“This is a so much about family that the idea of the hotel and its function as the construction and as a dwelling for temporary accommodation, reflected through the blueprint cover and letterheaded endpapers is anything but the impersonal experience of temporary lodging.”

  “The photobook is a balance, at least its the intention, between this utopia (or maybe call it heterotopia, a concept made up by Foucault) and a life experience…”   Fordlândia is an incredible book. IT is an imagined place where the 20th Century’s technological and capitalist utopian visions collide with the reality of the […]

  “It would be easy for me to say that this book is published at the right moment and that it correlates a simple reminder about the inhuman conditions of the past…”   It is June 9th, 2020 and as I sit here penning this “review” of Gordon Parks perhaps sadly non-anachronistic and oddly prescient […]

“Through connections to her family, dual religions, rituals and historic re-interpretations she staged herself in performative postures, using dress and ritualistic objects to perform specific rites or ceremonies for the camera.”

“All are slightly queasy in appearance, the Technicolor saturation making the images unbelievable to some extent, which adds to the delirium of her dream state”.     High-intensity color saturation in a photograph creates something of a parallel universe in which things can feel positively uncanny. I would suggest that in terms of historical notation […]

“For Levrat, the idea of heterotopia described both the site itself, and the acts of minor carnage that he carried out there – innocent and playful on the surface, but with a subtext of riotous refusal.”

  We confuse ourselves with our recognition of our portrait in a mirror. The hand that brushes away the hairs from the forehead, the sweet sticky perspiration that pins the lock to the crown is read in reverse and yet, this reversal is apathetic to the self that it stares back at. The eyes glare […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…

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