Is the whole greater than the sum of its individual parts? We take a look at the ups and downs of being in a photography collective through the lens of four different collectives from around the world.
Ivorian artist Joana Choumali instinctively responded to a national tragedy four years ago by embroidering on a series of photographs she had made with her iPhone — the results are images of hope and healing.
In her meticulously-staged portraits, Stacey Tyrell explores race and identity, drawing on her own family’s histories of immigration to probe overarching structures of colonialism, white supremacy and capitalism.
An online exhibition at MoMA pays tribute to the iconic photographer Dorothea Lange, whose work and legacy has never felt more relevant when viewed against the backdrop of our changing world.
“Photography is a form of global expression—IMA aims to reveal the meaning, context and story behind a work in order to convey its essence.” An interview with Mutsuko Ota, the Editorial Director of this delightful Japanese publication.
These photographs contain multitudes — references to African diaspora, complex emotions, unspoken dreams, dignity, pride, love, visible scars, the trappings of household circumstance, the tenderness of generations.
These portraits were created in response to the murders of African American men, due to police violence. The mothers in these photos have not lost their sons, but understand that their son could be next.
In a new book, Delphine Diallo presents portraits of LGBTQ people over the age of 50 in America, alongside their stories of resilience, progress, and love
A new digital project celebrates Black Queer identity — comprising a charity print sale, an online journal, and weekly screenings of three films by the late Marlon Riggs
On 08 May 1945, Germany surrendered to the Allies — the day which marked the end of the Second World War, the most tragic and bloody conflict in history, with some 75 million recorded deaths. Families were separated, borders shifted and an estimated 60 million refugees were displaced, forced to migrate to countries often thousands of miles away from their homes. Still now it is rare to meet a European who has not been affected by that shift. Damian Heinisch was born in Poland, grew up in Germany, and now lives in Oslo. His new book, 45, is inspired by journeys made over three generations of his family. It begins with his grandfather, who in 1945 was piled into a cattle wagon and deported from Gliwice in southern Poland to a labour camp in Debaltsevo, Ukraine, where he eventually died. Then, in 1978, his father took his family (Heinisch was four at the time) and boarded a train out of the then Soviet-occupied Gliwice to start a new life in West Germany. Reflecting on his …
25th June, 12PM (UK Time) | Pre-register now to watch for free From 1854 Media and British Journal of Photography, 1854 Presents brings the insights and expertise of world-class photography figures off the page and into your living room: from your own home, access exclusive artist talks, Q&As, panel discussions and more to keep you inspired and motivated during the COVID-19 lockdown — all completely free. This week, 1854 Presents: Ying Ang in conversation with Daniel Boetker-Smith. Ying Ang’s critically acclaimed long-form visual storytelling traverses the personal and the political, extrapolating the intensely private domains of PTSD, motherhood and social breakdown into wider political contexts of western capitalism and feminism. Crucially, Ying’s work employs her own lived experiences as a vehicle to interrogate and hypothesise larger, more universal imperatives. Between her first artist book, Gold Coast (2014), and her latest project, Bower Bird Blues, Ying has won numerous awards and accolades worldwide (including the New York Photo Book Prize, a nomination for the Prix Pictet and ‘Book of the Year’ listings from Magnum, Lensculture and …
Harriman is one of the most widely-shared photographers of the Black Lives Matter movement. Here, he shares his story, and discusses one of his favourite images
I am fascinated by the beautiful rooms and the fantastic lighting moods with which I can take stylish nude photographs.
The post Nude photographs by Martin Zurmühle appeared first on Dodho.
These black and white images were taken when I lived in Mexico in the mid-80’s. The color photographs are from a series of over 400 photographs which were taken while I was working as the location sound recordist and still photographer
The post Lucha libre by Avery Danziger appeared first on Dodho.
Architecturally, Pittsburgh, Pennsylvania punches above its weight. For a mid-sized American city, it has a rich agglomeration of fascinating buildings, largely thanks to the city’s storied industrial past.
The post Steel City Serenade by James Kezman appeared first on Dodho.
Lisa Powers created a ‘photographic history’ of Empress WanRong after she learned of her short, tragic life. She wanted, through this re-creation, to give WanRong the recognition she never received in life. The last Empress of China was the beautiful and Western educated WanRong who was selected (against her will) to marry Emperor PuYi when she was just 16. PuYi selected his bride from photographs of eligible young girls. The photographs that were presented to…
The post WanRong, the Last Empress of China by Lisa Powers appeared first on Dodho.
My wife and I were trying to conceive our first child for more than 9 years. I had an accident 10 years ago and ended up quadriplegic.
The post 9 years, 9 months by Dejan Mijović appeared first on Dodho.
In this edition, we have the honour of publishing the photographers’ works, David Shedlarz, Rana Young, Alain Licari, Annick Donkers, Seb Agnew, Anne Mason-Hoerter, Without a doubt, some of them, ambitious projects and with a marked personal stamp.
The post Dodho Magazine Issue 12 appeared first on Dodho.
This is a series of images from the most recent Gerewol festival in the Sahel desert in Chad. At this festival, an exciting beauty contest takes place where men from the Wodaabe tribe, a group of nomadic cattle herders, prettify themselves and dance for hours on end. They do so, hoping to be picked by Wodaabe women as a winner, and possibly a mate. It is no doubt a unique event and quite impressive to…
The post A Wodaabe Gathering by France Leclerc appeared first on Dodho.
Sometimes a second glance at things gives one the chance to see an element that was hidden at first glance. A flower, a leaf or very minute ferns possess some details that could be missed if not watched closely.
The post Take a second glance by Pascal Lagesse appeared first on Dodho.
“This is a so much about family that the idea of the hotel and its function as the construction and as a dwelling for temporary accommodation, reflected through the blueprint cover and letterheaded endpapers is anything but the impersonal experience of temporary lodging.”
“The photobook is a balance, at least its the intention, between this utopia (or maybe call it heterotopia, a concept made up by Foucault) and a life experience…” Fordlândia is an incredible book. IT is an imagined place where the 20th Century’s technological and capitalist utopian visions collide with the reality of the […]
“It would be easy for me to say that this book is published at the right moment and that it correlates a simple reminder about the inhuman conditions of the past…” It is June 9th, 2020 and as I sit here penning this “review” of Gordon Parks perhaps sadly non-anachronistic and oddly prescient […]
“Through connections to her family, dual religions, rituals and historic re-interpretations she staged herself in performative postures, using dress and ritualistic objects to perform specific rites or ceremonies for the camera.”
“All are slightly queasy in appearance, the Technicolor saturation making the images unbelievable to some extent, which adds to the delirium of her dream state”. High-intensity color saturation in a photograph creates something of a parallel universe in which things can feel positively uncanny. I would suggest that in terms of historical notation […]
“For Levrat, the idea of heterotopia described both the site itself, and the acts of minor carnage that he carried out there – innocent and playful on the surface, but with a subtext of riotous refusal.”
We confuse ourselves with our recognition of our portrait in a mirror. The hand that brushes away the hairs from the forehead, the sweet sticky perspiration that pins the lock to the crown is read in reverse and yet, this reversal is apathetic to the self that it stares back at. The eyes glare […]
Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…
In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…
She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…
Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…
Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence? Are we looking for an explanation? For reasons? Justification? Or are we simply denying our own…
Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…
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